Voysey

From 1920 until the mid-30s, Voysey designed fabrics, carpets, wallpapers, and very occasionally, furniture. (Stuart Durant)

Catalogue of the Drawings Collection of the Royal Institute of British Architects, C.F.A. Voysey,
by Joanna Symonds, D. C. Heath, Farnborough 1976.

In 1913 Voysey gave a selection of designs to the Victoria and Albert Museum.
In 1940 the rest of the drawings, which he had kept, were given to the Royal Institute of British Architects
and after the war they were presented to the RIBA Drawings Collection by Voysey's son, Charles Cowles Voysey,
and in 1975 they were catalogued by Joanna Symonds.
There are 88 designs for buildings at the RIBA; 208 designs for textiles and wallpapers;
260 designs for furniture; 206 graphic designs; and 8 designs for extensive alterations to existing buildings.

The perspective watercolours were drawn up by Howard Gaye for the Royal Academy Summer Exhibitions. (W. Hitchmough, p.123)

7. Bibliography Scanned articles. Please click on the underlined textual links (PDF).

Books dedicated solely to C.F.A. Voysey
and other books with significant Voysey content (arranged in date order)

- Adams, M.B., Modern cottage architecture : illustrated from works of well-known architects (Batsford, 1904), plates 7 & 8. Full text available

- Sparrow, W.S., (ed.) The British home of today : a book of modern domestic architecture and the applied arts (Hodder & Stoughton, 1904), illustrations B49, B50, E21, F30 and 2 plates in colour. Full text available

- Crane, W., Ideals in art (George Bell & Sons, 1905), pp.146-7. Full text available

- Muthesius, H., Das moderne Landhaus und seine innere Ausstattung (Bruckmann, 1905), pp.145-9, 190-1. Full text available

- Muthesius, H., Landhaus und Garten : Beispiele neuzeitlicher Landhäuser nebst Grundrissen, Innenräumen und Gärten (Bruckmann, 1907), pp.156-7. Full text available

- Macartney, M.E., Recent English domestic architecture, vol.1 (Architectural Review, 1908), pp.28-29, 171-3. Full text available

- Davison, T.R., Modern homes (George Bell & Sons, 1909), pp.20-1, 119-23. Full text available

- Sparrow, W.S., Our homes and how to make the best of them (Hodder & Stoughton, 1909), pp.100, 199, 238. Full text available

- Macartney, M.E., Recent English domestic architecture, vol.4 (Architectural Review, 1911), pp.167-72. Full text available

- Weaver, L., (ed.) The house and its equipment (Country Life, 1912), pp.18, 20, 35, 38. Full text available

- Elder-Duncan, J.H., Country cottages and week-end homes (Cassell, 1906; new edition 1912), pp.124-6, 196-7. Full text available

- Jekyll, G., and Weaver, L., Gardens for small country houses (Country Life, 1914), pp.76-9, 162. Full text available

- Duggan, W.B., New Place Haslemere and its gardens ; with a frontispiece in colour and twenty other illustrations (Printed for private circulation, 1921), revised reprint of an article in The Garden

- Weaver, L., Small country houses of today, vol.1 (Country Life, 1910; 3rd ed., 1922), pp.139-44. Full text available

- Sugden, A.V., and Edmondson, J.L., A history of English wallpaper, 1509-1914 (Batsford, 1926), pp.175-6, plates 145-8. Full text available

- Quennell, M. and C.H.B., A history of everyday things in England, vol.4 (Batsford, 1934), pp.106-7. Full text available

- David Gebhard, Charles F. A. Voysey Architect, Hennessey & Ingalls, Los Angeles 1975.
      "Charles F. A. Voysey: An Introduction to the Architect and his Work," pp. 1-35. (10 MB)
             "As a "pioneer" of the modern movement, Voysey's image has been so well packaged and subsequently sold
              that there are surprisingly few who have felt that they were in a position to question the merchandise."
                                                                                                                                                            David Gebhard

- John Brandon-Jones and others, C.F.A. Voysey: architect and designer 1857-1941,
Lund Humphries, London 1978.
Copyright Brighton Borough Council (Photographs by Duncan McNeill).
This is the catalogue of the exhibition 'C. F. A. Voysey: architect and designer 1857-1941'
held at the Art Gallery and Museums, Brighton from July 11 to September 3, 1978
and subsequently at the Wolverhampton Art Gallery from January 8 to February 12, 1979
and the Glasgow City Art Gallery from April 5 to May 27, 1979.
"C.F.A. Voysey: An Introduction," by John Brandon-Jones, pp. 9-12, 17-24;
and "Architecture," by John Brandon-Jones and Joanna Heseltine, pp. 30-32.

- Duncan Simpson, C.F.A. VOYSEY an architect of individuality
with a preface by Sir James Richards,
Lund Humphries, London 1979.

Stuart Durant was an Honorary Member of the Voysey Society, for whom he gave the second Annual Voysey Lecture. He was invited to write the first History of Design thesis at the Royal College of Art. He later taught Design and Architectural History at Kingston University, where he became Reader. He has also directed the Post Graduate course in Communication Design at Kingston. He was the originator of the International Design Yearbook and he has published extensively on ornament and architecture. Stuart Durant's writings have been widely translated.

- Wendy Hitchmough, The Homestead : C.F.A. Voysey, Phaidon Press, London, 1994.

John Brandon-Jones: "Wendy Hitchmough's book is welcome because it is not just another picture-book
                                        but a serious study of the background and sources that lay behind Voysey's
                                                               unique contribution to architecture and to the decorative arts."

Architectural Review: '' The Voysey book that we have been waiting for.
                                         A rounded and perceptive portrait. It will remain the definitive biography."

- Schofield, A.S., C.F.A. Voysey's buildings at Whitwood (Alice Shirley Schofield, 1997). Full text available (PDF)

- Karen Livingstone, The bookplates and badges of C.F.A. Voysey:
architect and designer of the Arts and Crafts Movement, Antique Collectors' Club, 2011.

- Karen Livingstone, V&A patterns : C.F.A. Voysey, V&A Publishing, Pomegranate, 2013.

- M. Hyde, Broad Leys by C.F.A. Voysey : the creation, life and times of an Arts and Crafts house:
home to Windermere Motor Boat Racing Club, Compass, 2013.

- David Cole, The Art and architecture of CFA Voysey :
                      English pioneer modernist architect & designer,
                        Images Publishing Group, Mulgrave, Victoria, Australia, 2015.

                             252 pages, richly illustrated in full colour with old and new photographs
                             and magnificent reproductions of Voysey’s plans, elevations and perspective drawings.

- Karen Livingstone with Max Donnelly and Linda Parry, C. F. A. Voysey Arts & Crafts Designer,
Victoria & Albert Museum Publishing, London 2016.
320 p. ill., (some colour) 28cm.
Focuses on Voysey as a designer of furniture, metalwork, and textiles.

Karen Livingston is Director of Masterplan and Estate at the Science Museum
and a former curator at the Victoria and Albert Museum, London.

Archival sources collected by the Voysey Society

New transcriptions and summaries of Voysey's original working records:

the Black Book (his personal record of his architectural projects)
the White Book (project expenses)
the address book
the office expenses book

Index of Voysey's designs in journals included in his scrapbook

Archival material relating to C.F.A. Voysey at the RIBA and the V&A

Correspondence between Voysey and Hermann Muthesius : Hermann Muthesius (1861-1927) was a German architect, author and diplomat, perhaps best known for promoting many of the ideas of the English Arts and Crafts movement within Germany and for his subsequent influence on early pioneers of German architectural modernism such as the Bauhaus. He was the author of Das englische Haus (Ernst Wasmuth, 1904-5). Alternative source with notes in English

Correspondence about reproduction of the River Rug design : a lengthy negotiation in 1911 between Voysey, his assistant Gerard Fairtlough and Messrs Epworth & Co. regarding the purchase of a water-colour drawing of the "River Mat"

- Peter Davey, Arts and Crafts Architecture: The Search for Earthly Paradise, 224 pages,
Architectural Press, London 1980.

            Peter Davey was an architect, historian and journalist, and was Editor of the Architectural Review.
          - Major survey of architects of the Arts and Crafts movement of the 1870s and 1880s.
            - Focuses on British architects and the movement in England, with separate chapters on the latter's influence in California,
              the American Midwest and Continental Europe.

- Muthesius, Hermann, Das englische Haus, 3 volumes (Ernst Wasmuth, 1904-5). Full text available.
Also translated in full as The English house, edited with an introduction by Dennis Sharp (Frances Lincoln, 2007)

- Macartney, M.E., Recent English domestic architecture, vol.1 (Architectural Review, 1908), pp.28-29, 171-3. Full text available

- Macartney, M.E., Recent English domestic architecture, vol.4 (Architectural Review, 1911), pp.167-72. Full text available

- Davison, T.R., Modern homes (George Bell & Sons, 1909), pp.20-21, 119-123. Full text available

- Elder-Duncan, J.H., Country cottages and week-end homes (Cassell, 1906; new edition 1912), pp.124-6, 196-7. Full text available

- Muthesius, Hermann, Das moderne Landhaus und seine innere Ausstattung (Bruckmann, 1905), pp.145-9, 190-1. Full text available.

- Muthesius, Hermann, Landhaus und Garten :
Beispiele neuzeitlicher Landhäuser nebst Grundrissen, Innenräumen und Gärten
(Bruckmann, 1907), pp.156-7. Full text available

- The John Scott Collection, Architect-Designers from Pugin to Voysey,
The Fine Art Society, vol.8, pp.120-9.

The articles of the periodical publications were photocopied in 1976 and have now been scanned.

- "The Arts and Crafts Exhibition, 1896, (Third Notice)", The Studio, vol.9, 1897, pp.189-96. Full text available

- ‘Englische Gewerbe-Künstler neuesten Stiles : Voysey, Ashbee, Baillie Scott’,
Illustrirte kunstgewerbliche Zeitschrift für Innendekoration, IX (Heft 12, 1898), pp.177-184. Full text available

- Vallance, A., ‘British decorative art in 1899 and the Arts and Crafts Exhibition’,
The Studio (vol.18, 1900), pp.38-49, 185. Full text available.

- ‘Some recent designs for domestic architecture’, The Studio (vol.34, 1905), pp.151-2. Full text available.

- E. J. Horniman's ‘Garden Corner’ designed by C. F. A. Voysey.
” The Studio 42, October 1907, pp. 24-25.
Full text on the Victorian Web.

- Macartney, M.E., Recent English domestic architecture, vol.1 (Architectural Review, 1908), pp.28-29, 171-3. Full text available.

- Macartney, M.E., Recent English domestic architecture, vol.4 (Architectural Review, 1911), pp.167-72. Full text available.

- Schmutzler, R., Art nouveau (Thames & Hudson, 1964), especially pp.186-9. Partial text available.

- Peart, T., ‘Voysey's tile designs for J.C. Edwards, Ruabon’, The Orchard (no.5, 2016), pp.78-81. Full text available

- Reason as a basis of art (Elkin Mathews, 1906). Full text available (PDF, 2.5MB;
reproduced with permission from the copy owned by Exeter University Library)
"We find often enough the man with little or no capital seeking the house that would alone be fit for the rich. ... His house must have an imposing front, must show itself to the public as much above the station of the occupier as the dishonest architect can make it." (Voysey, p.16)

"An author may use words, or even sentences taken from great writers, but the fact does not establish his claim to be regarded as a great writer. Why, then, should the architect's reproduction of ancient monuments be regarded as architecture?" (Voysey, p.18)

"Schools must be reformed, and designers trained to think and feel rightly, and encouraged not to copy blindly." (Voysey, p.19)

- "The quality of fitness in architecture and furnishings" by C.F. A. Voysey,
The craftsman, Vol. XXIII, Number 2 (November 1912), pp. 174-182 (pdf version)
"We must recoil from all form of dishonesty ...
    ... then will follow such qualities as simplicity and repose ...
    ... evolve our elevations out of our plans and requirements,
    never making our plans to fit a preconceived elevation...
    ... Low, long buildings also create a feeling of restfulness and spaciousness...
    ... all ornament is pernicious unless it inspires good thougt and feelings in others.
    ... We are too often afraid to be ourselves, imitating the more wealthy."

Video: The CFA Voysey Society Lecture: 'Never Look at an Ugly Thing Twice' by Alastair Dick-Cleland on youtube

Dr.-Ing. Heinz Theuerkauf
Architect
Ansprengerstraße 9
80803 München
(Munich / Germany)

The purpose of this Website is to promote education and research in British Art and Architecture and encourage research into all aspects of Voysey's life and work and to help to maintain his legacy.
I have created this collection primarily to serve as an easy to access educational tool.

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	Charles Francis Annesley Voysey (1857-1941)

	CONTENTS
	1 Executed Buildings
	2 Unexecuted Projects
	3 Furniture and Clocks
	4 Wallpaper, Textiles, Carpets and Bookplates
	5 Metalwork, Lighting and Fireplaces
	6 Biography
	7 Bibliography
	8 British Architects and Designers in Voysey's Time
	9 Art Nouveau (1890s to 1910s)
	10 Modern Architecture (1920s to 1930s)

	Information Resources The Royal Institute of British Architects
	Victoria & Albert Museum
	The Voysey Society


Please click on the textual links or images to see more photographs, drawings and descriptions.


	Date of design	Project / Place / Client / Notes	Photographs / Drawings / Links (RIBA)	Literature / References

	1888	THE COTTAGE. Station Road, Bishop's Itchington, near Warwick. For Sir Michael H. Lakin. New wing added 1900 by Voysey. A new porch has been added to the side of the Cottage.	RIBA	The British Architect, XXX, 1888, p. 407; XL, 1893, p. 292 (perspective sketch by T. Raffles Davison). The Studio, IV, 1894, p. 34. Country Life, III, 1898, pp. 196-197 (designs with and without half-timbering). Wendy Hitchmough, CFA VOYSEY, London 1995, pp.34-36. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1890	New wing to THE CLIFF, 102 Coventry Road, Warwick. For Sir Michael H. Lakin.		The British Architect, XXXIII, 1890, p. 296.

	1890	WALNUT TREE FARM. Also known as Bannut Tree House, now known as Bannut Farm House. Castlemorton, Malvern, Worcestershire. For R.H. Cazelet. Alterations and garden laid out 1894.	RIBA	The British Architect, XXXIV, 1890, pp. 208 & 302; XLVI, 1894, pp. 417, 420; XLIV, 1895, p. 419. The American Architect & Building News, XXX, 1890, p. 75, pl. 775. Academy Architecture, II, 1895, pp.10 & 143. The Studio, XI, 1897, pp. 17 & 22. Country Life, 28th October 1899. The Architect, LXXVI, 1906, p. 404. Wendy Hitchmough, CFA VOYSEY, London 1995, pp.39-41. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1890-91	14 SOUTH PARADE. Bedford Park, London. For J. W. Forster. New wing to the left by Voysey in 1894.		The British Architect, XXXVI, Sept.1891, pp.209-210. The Builder's Journal & Architectural Record, IV, 1896, p.68. The Studio, XI, 1897, pp.20 & 25. Architectural Association Journal, LXXII, 1957, pp.249-251. David Gebhard, Charles F. A. Voysey Architect, p.22. Budworth, D., '14 South Parade: the addition and the client', The Orchard (no.2, 2013), pp.63-65. Butlin, G., 'C.F.A. Voysey’s tower house on South Parade', Bedford Park journal (Autumn/Winter 2021), pp.14-15. Prof. Ian Hamerton, in The Orchard, Number Ten, Autumn 2021, pp.11-12. Wendy Hitchmough, CFA VOYSEY, London 1995, pp.36-39. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1891	STUDIO. 17 St Dunstan's Road, London. For W.E.F. Britten. The house has been extended at the back.	RIBA	The British Architect, 27th May 1892. Stuart Durant, C F A Voysey, London 1992, p.30. Prof. Ian Hamerton, in The Orchard, Number Ten, Autumn 2021, pp.13-14. Wendy Hitchmough, CFA VOYSEY, London 1995, pp.41-42. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1891	14 & 16 HANS ROAD Knightsbridge, London. For Archibold Grove. According to Wendy Hitchmough Voysey designed a terrace of three houses, 12, 14, and 16 Hans Road, but a dispute with the client over fees led to A. H. Mackmurdo being commissioned to build number 12. According to Joanna Symonds an earlier, preliminary design, published in The British Architect, 1892, shows roughcast instead of the executed red brick. The interiors have been considerably altered.	RIBA	The British Architect, XXXVII, 1892, p. 210; XLI, 1894, p. 96. The Studio, I, 1893, p. 225; XI, 1897, p. 23. The Builder, LXXI, 1896, p. 229. Dekorative Kunst, I, 1897, p.255. The House, IV, 1898-99, p. 163. Magazine of Art,XXII, 1899, pp. 457-465. David Gebhard, Charles F. A. Voysey, figs. 33-36. The Orchard, Number Five 2016, pp. 25-44, Article by Richard Havelock. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 43-47. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1893	PERRYCROFT. Upper Colwall, near Malvern, Herefordshire. For J. W. Wilson. New stables 1903. Summer house 1904. Coachman's cottage 1908. Alterations and additions1907-24.	RIBA	The British Architect, XLI, 1893, p. 454; XLII, 1894, pp. 5-6; XLIV, 1895, p. 120. The Builder's Journal & Architectural Record, IV, 1896, pp. 67-68. Dekorative Kunst, I, 1897, p. 246. The Studio, XXI, 1901, p. 244. The Architect, LXXVI, 1906, p. 404. T. Raffles Davison, Modern Homes, 1909, pp. 20-21. Richard Havelock, The Orchard, Number Seven 2018, pp.51-62. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 64-69. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1894	Cottage and outbuildings at ALTON, Hampshire. For Mrs Mary Scott.	No drawings located.

	1894	LOWICKS. Sandy Lane, Tilford, near Frensham, Surrey. For E. J. Horniman. 1898-1916 alterations and additions. 1911 new summer house.	RIBA	The British Architect, XLII, 1894, p. 328. Builder's Journal & Architectural Record, 1896, IV, p. 69. The Studio, XI, 1897, p. 16, 18 & 23; XXI, 1901, p. 246. The House, IV, 1898-99, p. 162. David Gebhard, Charles. F. A. Voysey, figs. 45-50. Jack Warshaw, Lowicks, Tilford, Surrey, in The Orchard, Number Nine, Autumn 2020, pp.102-103. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp.70-73. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1895	THE WENTWORTH ARMS INN. Elmesthorpe, Hinckley, Leicestershire. For the Earl of Lovelace.		The British Architect, XLV, 1896, p. 42.

	1895	ANNESLEY LODGE. 8 Platts Lane, London. For the Reverend Charles Voysey (Voysey's father). 1913 alterations and additions. The house has been devided into flats.	RIBA	The British Architect XLV, 1896, p. 148. The Studio, XI, 1897, p. 18; XXI, 1901, p. 245. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 73-75. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1895	HILL CLOSE. Studland Bay, Swanage, Dorset. For Alfred Sutro. 1913 lodge and motor house for H. Cook. Originally a studiohouse. Altered in recent times.	Photo by Nigel Rigde Photo by Nigel Rigde RIBA	The British Architect, XLV, 1896, p. 42; 25th April 1913. Dekorative Kunst,I, 1898, p. 254. The Studio, XI, 1897, p. 21; XXI, 1901, p.246. Hermann Muthesius, Das englische Haus, II, 1904-05, p. 205. Hermann Muthesius, Das moderne Landhaus und seine innere Ausstattung, 1905, p. 146. W. Shaw Sparrow (ed.), The Modern Home,1906, p. 54. David Gebhard, Charles F. A. Voysey,fig. 55. Prof. Ian Hamerton, in The Orchard, Number Ten, Autumn 2021, pp.17-18. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 116-7. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1896	WORTLEY COTTAGES. 6 cottages at Elmesthorpe, Leicestershire. For the Earl of Lovelace. Originally thatched but rebuilt by Voysey with slate roofs after a fire in 1914.		The British Architect, XLVII, 1897, p. 24. The Studio, XI, 1897, p. 19; XXXI, 1904, p. 133. Dekorative Kunst, I, 1897, p. 246. Wendy Hitchmough, CFA VOYSEY, London 1995, p. 117. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1896-97	GREYFRIARS HOUSE. Also known as Merlshanger and Wancote. The Hog's Back, near Puttenham, Surrey. For Julian Russell Sturgis. Additions and alterations by H. Baker, 1913.	RIBA	The Builder's Journal & Architectural Record, IV, 1896, p. 70; VI, 1897-98, p. 333; X, 1899-1900, pp. 48 & 56. Academy Architecture, XII, 1897, p. 37. Architectural Review, I, 1897, p. 327. Dekorative Kunst, I, 1897, pp. 245 & 250. The British Architect, XLIX, 1898, p. 292. House, IV, 1898-99, p. 162. The Builder, LXXIX, 1900, p. 192. W. Shaw Sparrow, The British Home of Today, 1904, p. 6. Hermann Muthesius, Das moderne Landhaus, 1905, pl. 145. The Architect, LXXVI, 1906, p. 404. Hermann Muthesius, Landhaus und Garten, 1907, p. 156. W. Shaw Sparrow, Our Homes and How to Make the Best of Them, 1909, p. 100. David Gebhard, Charles F. A. Voysey, fig. 54. Richard Havelock, "Recollections and reflections of an inveterate Voysey visitor, part 2", in The Orchard, Number Six, Autumn 2017, pp.64-81. Wendy Hitchmough, CFA VOYSEY, London 1995. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1897	DIXCOT. 8 North Drive, Tooting, Wandsworth, Greater London. For Richard Walter Essex. The house was built by Walter Cave who modified Voysey's design in many details. 1916 alterations to study and billiard room.	RIBA	The British Architect, 1st July 1898. The Studio, XVI, 1899, p. 162. The Builder's Journal & Architectural Record, XI, 1900, p. 326. C. Holme (ed.), Modern British Domestic Architecture and Decoration, 1901. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1897	NORNEY GRANGE. Shackleford, Surrey. House & lodge for the Reverend Leighton Grane. 1903 additions and alteration to house. Unexecuted designs for new stable buildings and cottage for J. G. Wainwright, 1903.	RIBA	Dekorative Kunst, I, 1897, p.243. The British Architect, L, 1898, p.130; LII, 1899, pp.234-235. Architectural Review, V, 1898, pl. III after p.240. The Studio, XXI, 1901, pp. 242-243; XXXIV (or XXIV?), 1905, pp.151-152. Hermann Muthesius, Das englische Haus, III, 1904-05, p.175; Das moderne Landhaus, 1905, p. 148. The Builder, XCV, 1908, p.406. The Architect, LXXVI, 1906, p. 404. J. Brandon-Jones, Architectural Association Journal, LXXII, p.252. Ian Hamerton, 'Development of the lodges on the Norney Grange Estate in Surrey', The Orchard, Number Five, Autumn 2016, pp.16-24. Catherine Sidwell, 'Norney Grange on film and television', The Orchard, Number Ten, Autumn 2021, pp.72-80. Richard Havelock, 'Norney Grange, near Shackleford, Surrey, 1897', The Orchard, Number Ten, Autumn 2021, pp.81-87. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 80-1, 84-90, 100-105. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1897-98	THE HILL. Thorpe Mandeville, Northamptonshire. For J. C. E. Hope Brooke.	RIBA	The British Architect, XLIX, 1898, p. 346. Builder's Journal & Architectural Record, VII, 1898, p. 396. The Builder, LXXV, 1899, p. 349. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1897	NEW PLACE. Farnham Lane, Haslemere, Surrey. The house was known as 'Hurtmore' until January 1900. For A. M. M. Stedman, later known as Sir Algernon Methuen. Additions and alterations1899 and 1901. 1899 designs for lodge, stables, gardener's cottage and summerhouse. 1904 design for motor stables.	RIBA	Dekorative Kunst, I, 1897, p. 242; XI, 1902-03, p. 370. XIV, 1906, pp. 194-195. The Studio, XXI, 1901, pp. 242 & 243. House and Garden, III, 1903, pp. 254-258. Architectural Review (Boston), XI, 1904, p. 12. The Builder's Journal & Architectural Record, XX, 1904, p. 262. W. Shaw Sparrow (ed.), The Britisch home of today, 1904, E21 (photograph of hall). Hermann Muthesius, Das englische Haus, II, Berlin 1904-1905, pp. 113-114 & 124-125. Hermann Muthesius, Das moderne Landhaus, Berlin 1905, pp. 146-147. W. Shaw Sparrow, Our Homes and How to Make the Best of Them, 1909, p. 238 (photograph of hall). Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 90-94, 106-9. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1898	Additions to 16 CHALCOT GARDENS, Englands Lane, Hampstead, Camden, Greater London. For the artist Adolphus J. Whalley. Front and rear extensions added.	No drawings extant.	Prof. Ian Hamerton, 'Small Houses of Artistic Pretensions', - C F A Voysey's studio designs for artistic clients, in The Orchard, Number Ten, Autumn 2021, pp.22-24.

	1898	BROAD LEYS. Ghyll Head, near Cartmel Fell, Lake Windermere, Cumbria. For Arthur Currer Briggs. Broadleys is now the Windermere Motor Boat Club. 1899 design for a free-standing lodge. 1900 design for stables.	RIBA	The British Architect, LI, 1899, p. 256. The Studio, XVI, 1899, p. 158; XXXI, 1904, p. 127. Builder's Journal & Architectural Record, XVI, 1902-03, p. 389; XVII, 1903, p. 29. Hermann Muthesius, Das englische Haus, I, 1904-05, pp. 159-164. The Architect, LXXIX, 1908, p. 208. David Gebhard, Charles F. A. Voysey, 1975, figs. 72-75. David Cole, Broad Leys, Windermere - George H Pattinson archive Collection, in The Orchard, Number Nine, Autumn 2020, pp.22-62. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 94-9, 110-13. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1898-9	MOOR CRAG. Gillhead, near Cartmel Fell, Lake Windermere, Cumbria. For J. W. Buckley. 1900 stables. The house has been divided into two.	RIBA	The Builder's Journal & Architectural Record, XVI, 1903-04, pp.176-177&182. Architectural Review (Boston), XI, 1904, p. 12, XIV, 1907, p. 248 (photographs of exterior). The Studio, XXXI, 1904, p. 128 (photograph of exterior). The Studio Yearbook, 1907, p. 41. The Architect, LXXVIII, 1907, p. 296 (Photographs of exterior). David Gebhard, Charles F. A. Voysey, 1975, fig. 76. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 114, 118-22, 133-5. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1899	SPADE HOUSE. Radnor Cliff Crescent, Sandgate, Folkestone, Kent. For H. G. Wells. Nearest bay addition and additional storey in 1903. Extensive alterations.	RIBA	The British Architect, LII, 1899, p. 292. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 172-4. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1899	OAKHILL. 54 Hill Grove Crescent, Kidderminster, Worcestershire. For F. J. Mayers.	RIBA	Darby, J., ‘Discovering Oakhill’, The Orchard (no.2, 2013), pp.46-53. Darby, J., ‘Oakhill discoveries’, The Orchard (no.4, 2015), pp.62-65. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015, p. 207.

	1899	WINSFORD COTTAGE HOSPITAL. Originally called Beaworthy Cottage Hospital. Halwill Junction, near Beaworthy, Devon. For Mrs M. L. Medley. Additions 1924.	RIBA	The Builder's Journal & Architectural Record, XVII, 1903, p. 231. Alastair Dick-Cleland, Restoration of Winsford Cottage Hospital, in The Orchard, Number Nine, Autumn 2020, pp.3-15. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, 171-2. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1899	GORDONDENE. 15 Princes Way, Putney, Surrey. For Cecil E. Fitch. Extension was not designed by Voysey. The house and stables have been demolished.	RIBA	Architect & Building News, CXCV, 1949, pp. 494-498 (Correspondence between Voysey and Fitch). Brandon-Jones, J., 'An architect's letters to his client : some letters written by the late C.F.A. Voysey to the late Sir Cecil Fitch, between August 1899 and May 1901', The Architect and building news, (June 3rd, 1949), pp.494-498. Full text available King, P.G., 'Gordondene: a house lost to time', The Orchard (no.11, 2022), pp.31-37 David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1899	THE ORCHARD. Shire Lane, Chorleywood, Hertfordshire. For C.F.A. and Mary Maria Voysey, Voysey's own house. Voysey left the Orchard in 1906. 1913 new bay windows added to front of house (study) for the subsequent owner.	RIBA	Country Life, VI, 1899, pp. 389-390. Architectural Review, X, 1901, pp. 32-38. Charles Holme, Modern British Domestic Architecture and Decoration, 1901, pp. 181-194. The Ideal House, USA, January 1907, pp. 3-11. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 124-131, 136-9. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1899	Addition of a new studio building. 65 Hamilton Terrace, St John's Wood, London. For George Simonds (Sculptor). According to Wendy Hitchmough, the main house has a small side extension, evidently designed by Voysey. The separate studio building is now converted to a house at 15 Hall Road.		Wendy Hitchmough, CFA VOYSEY, London 1995.

	1899	Park Keeper's Lodge at Bury Hill Park, Oldbury, Birmingham. For J.W.Wilson. Extensively altered since Voysey's time.	RIBA	Christopher Pancheri, 'Park Keeper's Cottage at Bury Hill Park', The Orchard, no.2, 2013, pp.28-36.

	1900	OAKHURST. Now called Ropes & Bollards. Ropes Lane, Fernhurst, Sussex. For Mrs E. F. Chester. 1919 extended on the S side; 1949 divided into two units.	RIBA	The Builder's Journal & Architectural Record, XIII, 1901, pp. 37 & 44. House and Garden, III, 1903, pp. 258-9. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 174-5. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1900	PRIOR'S GARTH later called PRIOR'S FIELD. Puttenham, near Guildford, Surrey. For F. H. Chambers. 1901-2 converted to 'High Class School for Girls'. Thomas Müntzer, Voysey's pupil, designed extensions to the school in 1904. Additions by John Brandon-Jones and Ashton and others.		The Builder's Journal & Architectural Record, XVI, 1903, B4. Hermann Muthesius, Das englische Haus, pp.132-3. "Prior's Garth to Prior's Field School" by Catherine Sidwell, published in: The Journal of The Voysey Society, Number Three, Autumn 2014, pp. 37-50. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1901	THE PASTURES. North Luffenham, Rutland, near Stamford, Leicestershire. For Miss G. Conant. 1909 alterations and additions including a two-storey square bay to the south side.	RIBA	The Builder's Journal & Architectural Record, XVI, 1902-1903, pp. 245 & 248. The Studio, XXXI, 1904, p. 127. Moderne Bauformen, X, 1911, pp. 248 & 249. The Architect, CII, 1919, p.352; CXVI, 1927, p.133. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 170, 176-9, 186-9. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1902	SANDERSON & SONS FACTORY. Barley Mow Passage, Chiswick, London. For Sanderson & Sons wallpaper manufacturers. The building has been converted into offices.	RIBA	The Builder's Journal & Architectural Record, XVII, 1903, pp. 26 & 32. The Journal of Decorative Art and Wallpaper News, 1905, supplement pp. 16-23. Charles Lawrence, 'Voysey, Sandersons and Chiswick', The Orchard, Issue no.2, Autumn 2013, pp.37-45. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 180-2. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1902	New wing to Roughwood Farm, Roughwood Lane, Chalfont St. Giles, Buckinghamshire. For Captain Williams.

	1902	VODIN. Old Woking Road, Pyrford Common, near Woking, Surrey. For F. Walters. 1902-03 design for house & lodge. 1904 design for motor house and electric light generating house.	RIBA	The Builder's Journal & Architectural Record, XVII, 1903, p. 208; XVIII, 1903, p. 112. The Studio, XXXI, 1904, p. 132. The British Architect, LXVI, 1906, p.111. David Gebhard, Charles F. A. Voysey, fig. 99. Richard Havelock, 'Recollections and Reflections of an Inveterate Voysey Visitor - Part 4', in The Orchard, Number Ten, Autumn 2021, pp.50-66. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 179-180. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1903	TY BRONNA. St Fagan's Road, Fairwater, near Cardiff, South Glamorgan. For W. Hastings Watson. 1904 stables. Alterations since Voysey's time.	RIBA (stable block)	The Builder's Journal & Architectural Record, XIX, 1904, p. 308. W. Shaw Sparrow, The Modern Home, 1906, p. 55. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1903	The White Cottage. 68 Lyford Road, Wandsworth, London. For C. T. Coggin. Additions and alterations since Voysey's time.		David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1903	Upton Cottage, now called Chimneys, at Ockham, Ockham Park, Surrey. For the Earl of Lovelace. According to Nairn & Pevsner Ockham Park was originally a Jacobean house built in the 1620s,altered after 1724, italianized about 1830, altered by Voysey in 1894-5, and burnt in 1948.	No photographs and drawings of the house located.	See Nairn & Pevsner, Surrey, 1971, p. 394, and Joanna Symonds, C.F.A. Voysey, p. 38.

	1903	HOLLYBANK now Sunnybank. Shire Lane, Chorleywood, Hertfordshire. For Dr H. R. T. Fort, nominally built for the Reverend Matthew Edmeads. House and doctor's practice. Near The Orchard.	RIBA	The Builder's Journal & Architectural Record, XX, 1904, pp. 270-1. Wendy Hitchmough, CFA VOYSEY, London 1995, pp.160-3. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1903	TILEHURST. 10 Grange Road, Bushey, Hertfordshire. For Miss E. Somers.	RIBA	W. Shaw Sparrow, The Modern Home, 1906, p. 54. M. E. Macartney, 'Recent English domestic architecture', Architectural Review, 1908, p. 172. Chris and Morag Kane, 'Myholme and Tilehurst: The Voysey houses of Bushey', The Orchard, Number Four, Autumn 2015, pp.28-34. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 148-9. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1904	MYHOLME. Merry Hill Road, Bushey, Hertfordshire. Children's home. For Miss E. Somers. 1911 additions and alterations. Now a private house.	RIBA	The Builder's Journal & Architectural Record, XX, 1904, pp. 271 & 272. The Architect, LXXVIII, 1907, p. 408. Architectural Review, 1908, pp. 171-173. Chris and Morag Kane, 'Myholme and Tilehurst: The Voysey houses of Bushey', The Orchard, Number Four, Autumn 2015, pp.28-34. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1904	House at HIGHAM, Woodford, Essex. Lodge, electric engine house & motor house, with chauffeur's cottage. For Lady Henry Somerset. The house was built without Voysey's superintendence, and differs in several respects from his design.	RIBA	The British Architect, LXIV, December 1905; April & August 1906. Catalogue of the Drawings Collection of the Royal Institute of British Architects, C.F.A. Voysey, by Joanna Symonds. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 184-5. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1904	HOUSES AND INSTITUTE at WHITWOOD, near Normanton, Yorkshire. For Henry Briggs, Son & Co. Only one of the two terraces of housing was executed, but not under Voysey's superintendence. The Institute has been converted into The Rising Sun Public House by Tetley's Brewery, Leeds.	RIBA	Dekorative Kunst, XIV, 1906, pp. 193, 196-197. The British Architect, LXIX, 1908, pp. 208 & 334. David Gebhard, Charles. F. A. Voysey, figs. 101 & 102. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 182-3. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1905	WHITE HORSE INN. Now known as the White Horse Stables. Stetchworth, near Newmarket, Cambridgeshire. For the Earl of Ellesmere.	RIBA	The British Architect, LXIV, 1905, p. 440; LXVI, 1906, p. 274. Moderne Bauformen, X, 1911, p. 174. The Architect, CI, 1919, p. 54. Country Life, 6 August 1927. Architectural Review, LXX, 1931, p. 94. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 183-4. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1905	HOUSE at ASWAN, Egypt. For Dr H.E. Leigh Canney.	RIBA	The British Architect, 9th February 1906, 16th February 1906. Stuart Durant, CFA Voysey, London 1992, p.86. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 217-8. Jonathan Dawson, 'Voysey's Aswan adventure', The Orchard, no. 2, 2013, pp. 66-7.

	c. 1905	ROMAN CATHOLIC CHURCH OF ST JOHN FISHER. Shire Lane, Chorleywood, Three Rivers, Hertfordshire. Formerly known as Hill Cottage.

	1905	Additions and alterations to WOODBROOK, Alderley Edge, Cheshire. For A. Heyworth. House c1845 for J de Castro, extensively rebuilt 1906 by C F A Voysey for Heyworth.		The British Architect, LXVI, 1906, p.274.

	1905	HOLLY MOUNT. Amersham Road, Knotty Green, near Beaconsfield, Buckinghamshire. For C. T. Burke. The summer-house is no longer existent.	RIBA	The British Architect, LXV, 1906, p. 148; LXVI, 1906, p. 346; LXVIII, 1907, p. 60. The Studio Yearbook, 1910, p. 81. Moderne Bauformen, X, 1911, pp. 255-6. Architectural Review, 1911, pp.167-8. M. Macartney, Recent English Domestic Architecture, 1911, p. 167. The Architect, CII, 1919, p. 352. David Gebhard, Charles F. A. Voysey, figs.110-4. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 164-5. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1905-6	THE HOMESTEAD. Second Avenue, Frinton-on-Sea, Essex. For Sydney Claridge Turner.	RIBA	The British Architect, LXV, 1906, p. 310; LXVII, 1907, p. 370. Country Life, 1 October 1910. Moderne Bauformen, X, 1911, pp. 251-2. M. Macartney, Recent English Domestic Architecture,1911, pp. 167, 169 & 170. L. Weaver, The House and its Equipment, 1912, pp. 18 & 20. Architectural Review, 1911, pp. 167, 169-170; Archtectural Review, LXX, 1931, p. 94 (photograph of interior). David Gebhard, Charles F. A. Voysey, figs.104-9. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. WendyHitchmough, TheHomestead, Phaidon, 1994. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 166-9. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1906-07	WILVERLEY, now called Highlands. Extensions & alterations to old house & new stables & cottages, Holtye Common, Sussex. For J. F. Goodhart. 1906 coachman's cottage & gardener's cottage. 1906-07 extensions & alterations to old house. New wing attached to the west end of the old house.	RIBA	The British Architect, LXVIII, 1907, pp. 39, 42, 94. Richard Havelock, The Orchard, Number 7, 2018, pp. 63-86.

	1906	Altering & decorating existing house. Garden Corner, 13 Chelsea Embankment, London. For E. J. Horniman. The house is semi-detached and as designed by Edward I'Anson Jnr. Voysey completely remodelled the interior. Only a certain proportion of the fittings survive.	RIBA	Wendy Hitchmough, CFA VOYSEY, London 1995, p. 193-6.

	1906	Interior design for the Essex and Suffolk Equitable Insurance Society, Capel House, New Broad Street, London. For S. Claridge Turner. Dismantled about 1950.	RIBA	Wendy Hitchmough, CFA VOYSEY, London 1995, p. 196-9. Walker, A., 'CFA Voysey: his interiors at Capel House, New Broad Street, London', The Orchard (no.3, 2014), pp.16-24.

	1906	LITTLEHOLME. Upper Guildown Road, Guildford, Surrey. For George Müntzer. Design for summerhouse, 1908. 1909 addition of dormer-windows and rooms in roof; 1911 Gardener's cottage; 1925 Alterations. The house has been divided into two units.	RIBA	The British Architect, LXVIII, 1907, pp. 5, 6 & 60; LXXVII, 1912, pp. 452 & 454. LXXVIII, 1912, p. 390. The Architect, LXXIX, 1908, p. 304; CI, 1919, p. 68 (photograph of stone 'Devil' bearing Voysey's features). G. Jekyll & L. Weaver, Gardens for Small Country Houses, 1912, pp. 76-80 & 162. Moderne Bauformen - Monatshefte für Architektur und Raumkunst, vol.12, 1913, p.143. R. Randal Phillips, The Moderne English house, 1927, p. 170. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 157-9. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1907	Houses in 601& 602 Finchley Road, Hampstead, London, for Vernon Hart. Destroyed by bombing about 1940. There are 2 designs, one of which was executed and the other was not executed.	RIBA Drawings Collection.	The British Architect, LXVIII, 1907, p. 148. Nineteenth and twentieth century architecture, published by Garland in 1976, p. 314.

	1909	LODGE STYLE. Shaft Road, Combe Down, near Bath, Somerset. For T. Sturge Cotterell.	RIBA	The British Architect, LXXII, 1909, pp. 111 & 114; LXXVII, 1911, p. 361. The Builder, XCVIII, 1910, p. 264. The Studio Yearbook, 1910, p. 82. The Architect, CI, 1919, p. 54; CXVI, 1927, p. 219. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 204-5, 214-5. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1909	LITTLEHOLME. 103 Sedbergh Road, Kendal, Cumbria. For A. W. Simpson. c.1923 unexecuted design for addition.	RIBA	The British Architect, LXXII, 1909, pp. 363 & 366. Architectural Review, 1911, pp. 171-172. Moderne Bauformen, X, 1911, p. 250. The Craftsman, XX, 1911, pp. 276-286. The Builder, 1 June 1923, p. 891. David Gebhard, Charles F. A. Voysey, figs. 121 & 122. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 201-3, 212-3. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1909	BUNGALOW near SLINDON, West Sussex. For Arthur Annesley Voysey, C. F. A. Voysey's younger brother.		Wendy Hitchmough, CFA VOYSEY, London 1995, p. 203.

	1909	BROOK END. New Road, Henley-in-Arden, Warwickshire. For Miss F. Knight. Conversion of the stables into garages.	RIBA	The Architect, LXXXIV, 1910, p. 232 & supplement p.18. The British Architect, LXXIII, 1910, pp. 345, 348. David Gebhard, Charles F. A. Voysey, figs. 123-4. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979. Wendy Hitchmough, CFA VOYSEY, London 1995, 203-4. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1910	THE OLD BARN. Holmbury St Mary, near Dorking, Surrey. For Frederick James Mirrilees. Conversion of an existing barn into a convalescent home. Now converted into a private house. Enlargement at the backside not by Voysey. Booklet by Knight Frank.

	1911	HOUSE in BELFAST. Malone Road, Belfast, Northern Ireland. For Robert Hetherington. Executed substantially as shown on the design with the porch omitted.	RIBA	The British Architect, LXXVIII, 1912, pp. 316 & 318. C. E. B. Brett, Buildings of Belfast 1700-1914, 1967, pp. 61-62. Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979, p. 128, fig.64. Wendy Hitchmough, CFA VOYSEY, London 1995, p. 207. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1911	Remodelling a Perfume Shop. 24 Old Bond Street, London. For J. & E. Atkinson. The shop was rebuilt by E. Vincent Harris in c.1925 and Voysey's interiors were removed.	RIBA	The British Architect, 12th April 1912, 14th June 1912, November 1916. RIBA Journal, XXXII, 1925, p. 127. David Gebhard, Charles F. A. Voysey, figs. 129 & 130 (photographs of exterior & interior). Moderne Bauformen - Monatshefte für Architektur und Raumkunst, vol.12, 1913, pp.220-221, Tafel 36.

	1912	Design for a shop in an existing building. 165 Victoria Street, Westminster, London. For Perry & Co.

	1912	Design for a Burial Ground. Helenenthal, near Iglau. for Dr. Carl Löw.		Jindřich Vybíral, Charles F. A. Voysey's Forgotten Designs for Southern Moravia, Umění LIII / 2005

	1912	LILLYCOMBE HOUSE, near Porlock, Somerset. For Mary Countess of Lovelace. Voysey made some alterations to a design by Lady Lovelace, a pupil of Voysey, and supervised the construction of the house.		The British Architect, LXXVIII, 1912, p. 60. Anne Anderson, 'Work Itself is a Pleasure': Mary, Lady Lovelace, CFA Voysey's pupil, The Orchard, Number One, 2012, pp. 43-53.

	1913	Emslie Horniman Pleasance Gardens. East Row, Kensal Green, Kensington & Chelsea, London. For E.J. Horniman.		The British Architect, LXXX, 1915, pp. 273, 276. Caroline Wilson, 'Emslie Horniman Pleasance and its restoration', The Orchard, Issue no.2, Autumn 2013, pp.16-20.

	1914	HIGH GAUT. White Cliffe or The Fairway, St Margaret's at Cliffe, near Dover, Kent. For P.A. Barendt.	RIBA	The British Architect, LXXXII, 1914, p. 184.

	1919	HAMBLEDON HURST. The Green, Hambledon, Surrey. For A.H. van Gruisen. Alterations and additions.	RIBA	Hambledon Parish Magazine, September 2017, p. 8. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

	1919	HASLINGTON COTTAGE, now called Cob Nash, 108 Wells Road, Malvern Wells, Worcestershire. For Major G.A. Porter.

	1919	WAR MEMORIAL. Wells Road, Malvern Wells, Worcestershire.		The Builder, CXVIII, 1920, p. 84.

	1920	WAR MEMORIAL. High Street, Potters Bar, Hertfordshire. The Memorial was moved to its present position at the junction of The Causeway and Hatfield Road.	RIBA	The Architect, CIV, 1920, p. 426. The Builder, CIXX, 1920, p. 575.

	1920	WAR MEMORIAL. Master's House, Manor House School, Tonbridge, Kent. For Major Arnold. According to Joanna Symonds there is a photograph of the executed plaque at the RIBA, with a note on the back indicating that it was on the wall of the Master's house. There is now no plaque on the Headmaster's house, but the memorial which is in the ante-chapel may be Voysey's design substantially altered (information from Tonbridge School).	Image voyseysociety.org

	1920	WAR MEMORIAL to King's Own Yorkshire Light Infantry, for York Minster, West Aisle of the North Transept. NOTES: "A slightly simplified version of this design was executed. It is located in the west aisle of the north transept." (RIBA)	RIBA Executed memorial: photo and description on www.iwm.org.uk	The Builder, CXIX, 1920, p. 544.

	1920/1935	LAUGHTON HILLS. Laughton, near Market Harborough, Leicestershire. For William Taylor.	RIBA	The Builder, CXIX, 1920, pp. 65-66. Carpenter & Builder, 20 June 1924, p. 826. Richard Hollis, Voysey's last house: Laughton Hills, 1920 and 1935: "Hidden from view". The Orchard, Number Five, Autumn 2016, pp. 45-52.

	1921	Tomb of Arnold Stuart and family in Hampstead Cemetery, Camden, Greater London. Historicengland.org.uk	Photo by Jamie Barras on flickr

	early 1920s	Worthy Manor, Porlock, Somerset.


Date of design	Project / Place / Client / Notes	Drawings / Links	Literature
	Please click on the underlined textual links or images for a larger version.
1882-4	Competition for Admiralty Buildings behind Whitehall. Voysey's design was unplaced. No record of this project appears to have survived. The award was given to Messrs. Leaning & Leaning.

1882-4	Design for the South Devon Sanatorium Company, Teignmouth, Devonshire.		Dekorative Kunst, I, München, 1897 (elevation). Wendy Hitchmough, CFA VOYSEY, London 1995, p. 27.

1884	Design for Chapel & Crematorium at Sundrum, Ayr, Scotland.		Building News, later Architect and Building News, Vol. 51, 1886, pp. 686, 746.

c.1885	Design for a Cottage for Voysey himself.	RIBA	The British Architect, Vol. 40, 1888, after p. 76. The Studio, IV, 1894, p. 34. Dekorative Kunst, I, München, 1897, p. 244. David Gebhard, Charles F. A. Voysey, p. 102, fig. 19. Wendy Hitchmough, CFA Voysey, p. 34. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

c.1885(?)	Country House with an Octagonal Hall.		The British Architect, XXXI, 1889. Dekorative Kunst, I, 1898, p. 253. David Gebhard, Charles F. A. Voysey, fig. 22.

c.1885(?)	An Artist's Cottage. According to Stuart Durant, the Devey influence is seen in the neo-vernacular aspects of the building and its relaxed agglomeration of parts. John Brandon-Jones pointed out, although the design was published in 1889, it is likely to have been made some years earlier. It shows Voysey's work at a stage when he was still heavily influenced by Devey.		The British Architect, XXXI, Feb.1889. John Brandon-Jones and others, C.F.A. Voysey, pp. 36, 38. David Gebhard, Charles F. A. Voysey, fig. 20. Prof. Ian Hamerton, in The Orchard, Number Ten, Autumn 2021, pp.10-11.

1888-9	Design for a house at 14 South Parade, Bedford Park, London, for Mrs Forster. A modified version was built in 1891.	RIBA	John Brandon-Jones, C.F.A. Voysey, pl. B8. Wendy Hitchmough, CFA Voysey, p. 34. Prof. Ian Hamerton, The Orchard, Number Ten, Autumn 2021, pp.8-9.

c.1888-9	Design for 'A Tower House'. Tierney Road, Streatham Hill		The British Architect, XXXI, 1889, p. 70. John Brandon-Jones, C.F.A. Voysey, pl. B 9, p. 40. David Gebhard, Charles F. A. Voysey, fig. 32. Wendy Hitchmough, CFA Voysey, p. 36-7. Prof. Ian Hamerton, The Orchard, Number Ten, Autumn 2021, p. 10.

c.1888-9	A Verandah House.		The British Architect, XXXI, Feb. 1889. David Gebhard, Charles F. A. Voysey, fig. 21. Wendy Hitchmough, CFA Voysey, p. 35-6.

1889	House at Dovercourt, Essex, for A. J. W. Ward.		Dekorative Kunst, 1898, p. 252. The British Architect, 11th April 1890, p. 259.

1889	House at Bellagio, for W. Allport.		The British Architect, 10th June 1898. Dr Peter King, 'Voysey and The British Architect', in The Orchard, Number Nine, Autmn 2020, pp. 98-101. Prof. Ian Hamerton, The Orchard, Number Ten, Autumn 2021, pp. 9-10.

1889	A Country Residence.		The British Architect, 4th January 1889.

1889	Drinking Fountain at Southampton.		The British Architect, 17th May 1889, p. 355.

c.1890	A Cockney Villa.		The British Architect, 25th April 1890, p. 296.

1890	COTTAGE at Llandrindod, Wales, for E. L. Lakin.

1890	Lodge for a Manchester suburb. The walls are roughcast, the windows have wood frames and the roof is covered with green slates.	RIBA	The British Architect, XXXIII, 1890, p. 223. David Gebhard, Charles F. A. Voysey, fig. 26.

1891	An Artist's Cottage.		The British Architect, December 1891, p. 456. David Gebhard, Charles F. A. Voysey, fig. 27.

1891	Houses on Lord Wentworth's estate at Chelsea (Swan Walk), London, for Daw & Son.		The British Architect, 1st January 1892, p. 5.

1892	Row of four studios, Glebe Place, Chelsea, London, for Conrad Dressler.		The British Architect, volume 38, 2nd December 1892. David Gebhard, Charles F. A. Voysey, fig. 39. Prof. Ian Hamerton in The Orchard, Number Ten, Autumn 2021, p. 15.

1892	Design for a Staircase.	RIBA	David Gebhard, Charles F. A. Voysey, fig. 38.

1893	Studio for Miss Forster. Brook Green.		The British Architect, 19th August 1898. Wendy Hitchmough, C F A Voysey, p. 116. David Gebhard, Charles F. A. Voysey, p. 21 and fig. 37. (Alternative plan) Prof. Ian Hamerton, in The Orchard, Number 10, Autumn 2021, p.16.

1894	An Artist's Town House for Miss J. B. Forster, 5 Aynhoe, Brook Green.		The British Architect, 6th July 1894. Prof. Ian Hamerton in The Orchard, Number Ten, Autumn 2021, pp. 16-7.

1894	Mrs. Mary Scott house, Hampshire.		David Gebhard, Charles F. A. Voysey, figs. 58-9.

1895	Design for a new house, at Ockham Park, Ripley, Surrey, for the Earl of Lovelace.		The British Architect, XLVI, 1895, pp. 182-4.

1895	Design for a monument to Queen Victoria.	RIBA	This image is from a volume of drawings (entitled Vol II) by various designers produced for or presented to the Quarto Imperial Club, London, between 1892 and 1897. (RIBA)

1897	Block of two Studios & Houses at Studland Bay, for Alfred Sutro.		The British Architect, XLVIII, 1897, pp. 199, 202. David Gebhard, Charles F. A. Voysey, fig. 57. Prof. Ian Hamerton, The Orchard, Number Ten, Autumn 2021, pp. 19-20.

1897	Studio-house at Studland Bay, for Alfred Sutro for the use of W. Margetson. The walls are roughcast, the windows have wood frames and the roofs are of green slate.		Dekorative Kunst, I, 1898, pp. 250 & 251. The British Architect, L, 1898, p. 346. The House, IV, 1898-9, p. 161. Hermann Muthesius, Das moderne Landhaus, 1905, p. 149. David Gebhard, Charles F. A. Voysey, fig. 61. Prof. Ian Hamerton, The Orchard, Number Ten, Autumn 2021, pp. 21-2.

1897	House at Colwall, near Malvern, for C.F.A. Voysey himself. There are two designs for the proposed house. The materials in both design are roughcast for the walls, wood frames and iron casements for the windows and green slate for the roofs.		David Gebhard, Charles F. A. Voysey, fig. 68.

1897	House at Limpsfield, Surrey, for R. G. Cather. The walls are roughcast, the windows have stone dressings with iron casements and the roofs are of green slate.	RIBA	The Builder, LXXVI, 1899, pp. 348-9. David Gebhard, Charles F. A. Voysey, fig. 69.

1897	According to Joanna Symonds C. F. A. Voysey, p. 43 (131), the 'Black Book' (Voysey's own manuscript list of his works) mentions various other designs of 1897 for Hope Brooke for buildings at BRACKLEY: 19 cottages (not executed), a pair of semi-detached houses, a shop (not executed) and a dairy shop (not executed).		The British Architect, May 13th 1898. The British Architect, August 5th 1898.

1898	House at Limpsfield, Surrey, for C. A. Sewell. The walls are roughcast and the windows have stone dressings.	RIBA	W. Shaw Sparrow (ed.), The Modern home, 1906, p. 64. David Gebhard, Charles F. A. Voysey, figs. 77 & 78. (Design No.3)

1898	House for H. Rickards, (Broom Cottage), near Windermere, Cumbria. The walls are roughcast, a few upper windows have wood frames and the rest have stones dressings and the roofs are of green slate.	RIBA	Horace Townsend, "Notes on Country and Suburban Houses designed by C. F. A. Voysey," The Studio, XVI, 1899, pp. 157-164. Perspectives and plans on p. 161. Builder's Journal & Architectural Record, XI, 1900, p. 190. David Gebhard, Charles F. A. Voysey, fig. 70.

1898	House at Collington Avenue, Bexhill-on-Sea, Sussex, for A. Barker. The plans for A. Barker are identical with the executed building PRIOR'S GARTH later called PRIOR'S FIELD for F. A. Chambers in 1900 The walls are roughcast, the windows are wood-framed and the roof is of green slates.	RIBA	The British Architect, L, 1898, pp.183 & 184. Builder's Journal & Architectural Record, XI, 1900, pp. 423 & 424. David Gebhard, Charles F. A. Voysey, fig. 71. Duncan Simpson, C.F.A. Voysey, p.78, fig.31.

1898	House at Glassonby, near Kirkoswald, Cumberland, for W. E. Rowley. The house is of local stone, with green slate roofs.	RIBA	The British Architect, L, 1898, p. 148. The Studio, XVI, 1899, p. 160. J. Brandon Jones, Architectural Association Journal, LXXII, 1957, p. 252.

1898	House at Oxshott, near Esher, Surrey, for C. S. Loch. The walls are roughcast, the windows have stone dressings and the roofs are covered with green slates.	RIBA	Academy Architecture, XV, 1899, p. 50. The Studio, XVI, 1899, p. 161.

1898	House at Westmeston, Sussex, for Arthur Newbold. The walls are roughcast, the windows have stone dressings, stone is used for copings and bands and the roofs are covered with red tiles.	RIBA	The British Architect, LII, 1899, p. 238. The Studio, XVI, 1899, p. 163. Builder's Journal & Architectural Record, XI, 1900, p. 424. David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

1898	House at Studland for Alfred Sutro.		The British Architect, L, 5th August 1898, p. 91.

1898	House at Arley, Warwickshire, for Bernard Ellis.

1898	House at Blackburn and stables, for A. Heyworth

1899	House at Sandwich, Kent, for A. D. Blyth. The walls are roughcast, the windows have stone dressings and the roofs are covered with red tiles.

1899	House at Colnbrook, Buckinghamshire, for Dr Alexander Bowie.	RIBA V & A's Collection	David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

1900	House at Worcester Park, Surrey, for J. B. Pinker.

1901	Two semi-detached cottages at Madresfield Court, near Malvern Link, Worcestershire, for the Earl Beauchamp. The walls are roughcast and the joinery, including window frames, is in unpainted, oiled oak.	RIBA	The Builder's Journal & Architectural Record, XVI, 1902-1903, pp. 82-3. House & Garden, III, 1903, p. 260. M. B. Adams, Modern Cottage Architecture, 1904, pl. 17.

1901	House at Cuttycroft, Malvern, Worcestershire, for N. J. Peyton. The walls are roughcast, the windows are wood-framed and the roofs are of red tiles.		H. Muthesius, Landhaus und Garten, Berlin 1907, p. 157 ( N & S elevations).

1901	Design for Lincoln Grammar School, for F. H. Chambers. The exterior of the quadrangle is faced with stone and the interior has roughcast walls. The windows have stone dressings and iron casements; the roofs are of red tiles except for the hall, which is covered with metal sheeting.	RIBA	In The Building News, LXXVIX, 1905, pp. 76 & 77, Voysey states that '... My designs... were made in conjunction with the headmaster... My design was rejected on the ground that it was too severe, and I am pleased to say the design of Mr. Leonard Stokes was accepted instead.' (Joanna Symonds, RIBA Drawings Collection, p. 29) Dekorative Kunst, XIV, 1906, p. 201.

1902	House at Shooters Hill, Kent, for C.E.S. Phillips

1902	House on Vache Estate, Chalfont St Giles, for J. H. Angus. The walls are roughcast, the windows have stone dressings and iron casements and the roofs are of red tiles.	RIBA	The British Architect, LXV, 1906, p. 24.

1903	House in Abinger Road, Bedford Park, (Brentford & Chiswick), Hounslow, London, for M. T. La Thaugue. The walls are roughcast and the windows have iron casements and stone dressings.

1903	2 cottages at Pole Cat Lane, Shottermill, Haslemere, Surrey, for A. M. S. Methuen. The walls are roughcast, the windows are wood-framed with iron casements and the roofs are of red tiles.		The Builder's Journal & Architectural Record, XX, 1904, p. 265. The British Architect, LXV, 1906, p. 292. David Gebhard, Charles F. A. Voysey, fig. 98.

1903	Tower house at Bognor Regis, Sussex, for W. Ward Higgs.	RIBA	Moderne Bauformen, IV, 9, Stuttgart, 1905, pp. 98, 102. John Brandon-Jones, C.F.A. Voysey, pl. B 31, p. 53. Wendy Hitchmough, CFA VOYSEY, London 1995, p. 182.

1903	House on Rayrigg Estate, Windermere, Cumbria, for G. Toulmin.

1903	House at Bracknell Gardens, Hampstead, London, for W. C. Lawrence. The windows have iron casements and stone dressings. In the RIBA drawing the roof is of red tiles and the walls are of red brick, whereas in The British Architect illustration the walls are roughcast and the roofs are of green slate. Two alternative schemes prepared but the house was not built.	RIBA	Academy Architecture, XXVI, 1904, pp. 47 & 105. Builder's Journal & Architectural Record, XX, 1904, p. 20. The Studio XXXI, 1904, p. 129. The British Architect, LXV, 1906, p. 436; different design in BA, illus. of plans & elevations not corresponding to the RIBA drawing.

1904	Competition design for Carnegie Library and Museum, Limerick, Ireland.		The British Architect, 10th November 1905, 17th November 1905. Wendy Hitchmough, CFA VOYSEY, London 1995, p. 185.

1905	ALDERLEY EDGE, Woodbrook, Cheshire, for A. Heyworth. The two designs show an L-shaped house with an entrance court in the angle of the L; and in both designs the house is roughcast, with green slate roofs, and windows with stone dressing. Neither design was executed. Instead of a new house alterations and additions to existing house. Working drawings 1905-06, 1908, 1915 & 1917.	RIBA

1905	House at Ashintully, Tyringham, Mass., U.S.A., for Mrs Tytus.		The British Architect, 20th April 1906. David Gebhard, Charles F. A. Voysey, fig. 103.

1905	Small house at Cobham, Surrey, for W. Leighton Grane.

1905	Cottage at Chorleywood, Hertfordshire, for Mr Fensom. The walls are roughcast with tarred plinths, the windows are wood-framed with wood casements, and the roof is of red tiles.		The British Architect, 27th April 1906, p.292.

1906	House at Gray's Park, Stoke Poges, near Slough, Buckinghamshire, for Joseph Hatton. The walls are roughcast with tarred plinths, the windows have stone dressings and the roofs are covered with red tiles. According to Joanna Symonds there is a house in Stoke Poges which seems to be by Voysey, but it is not like this design (information from Brian Blackwood). Joanna Symonds, C. F. A. Voysey, 1976, p.42.	RIBA	The British Architect, LXVI, 1906, p. 184&186. Architectural Review, 22/1907, p. 219. David Gebhard, Charles F. A. Voysey, fig. 115.

1906	Row of three shops at Chorley, near Blackburn, Lancashire.		The British Architect, 15 May 1908.

1906	3 cottages on the corner of Eldon Street & Langham Road at Blackburn, Lancashire, for the executors of Eli Heyworth. The walls are roughcast with tarred plinths, the windows are wood-framed and the roofs are of red tiles.		The British Architect, LXVII, 1907, pp. 387 & 388.

1907	Houses in Finchley Road, Hampstead, London, for Vernon Hart. There are 2 designs, one of which was executed and the other was not executed.		The British Architect, LXVIII, 1907, p. 148. Nineteenth and twentieth century architecture, published by Garland in 1976, p. 314.

1907	Bungalow at Frinton-on-Sea, Essex, for S. Claridge Turner.		The British Architect, 16th December 1910.

1907-08	House at Frinton-on-Sea, Essex, for S. Claridge Turner. The walls are roughcast with tarred plinths, the windows have stone dressings and the roof is of blue Staffordshire tiles.	RIBA Victoria and Albert Museum	The British Architect, LXIX, 1908, pp. 405 & 406 (brief description & illus. of plans, elevations & sections of 2 designs for house for S. C. Turner at Frinton: one of the designs corresponds with the drawing at RIBA).

c.1907-08	Offices of the Essex & Suffolk Equitable Insurance Society, High Street, Colchester, Essex. Unexecuted design for altering the existing building.		The British Architect, LXIX, 1908, p. 334.

1908	House at Frinton-on-Sea, Essex, for S. Claridge Turner.	RIBA

1908	House at Frinton-on-Sea, for S. Claridge Turner. The materials are roughcast, with tarred plinths for walls, stone dressings and iron casements for windows and green slate for roofs.	RIBA	The British Architect, LXXIV, 1910, p. 420.

1909	House, Bigwood Road, Hampstead Garden Suburb, London, for Miss Ling. The walls are roughcast, with tarred plinths; the casement windows have stone dressings, except for the dormer windows, which are wood-framed; the roofs appear to be of reddish brown tiles.	RIBA	The British Architect, 19th November 1909, 26th November 1909.

1909	House at Slindon, for A. A. Voysey	Victoria and Albert Museum	David Gebhard, Charles F. A. Voysey, fig. 127.

1910	Two houses at Sea Road, pair of semi-detached houses, New Brighton, Cheshire, for G.E. Marshall. The two houses are contained within a single rectangular block with a hipped roof. They are separated at ground floor level by a tunnel going from front to back of the building. The walls are roughcast, with plinths in black brick, but with a label indicating 'tar' as an alternative; the windows have stone dressings, the roof is covered with grey tiles and the chimneys are of black and brown bricks.		The British Architect, LXXIV, 1919, p. 276; 21st October 1910. David Gebhard, Charles F. A. Voysey, fig. 128.

1910	Two office blocks, Tudor Street, London, for the Spicer Brothers. The windows have stone dressings and are linked together by horizontal bands of stone. The walls are of yellow brick except for the plinths, which are of black brick.		Wendy Hitchmough, CFA VOYSEY, London 1995, p. 207.

1910 1911	Convalescent Home, Pasture Wood, Holmbury St Mary, near Dorking, Surrey, for Frederick James Mirrielees. Design I, 1910 Convalescent Home, Pasture Wood, Holmbury St Mary, near Dorking, Surrey, for Sir Frederick James Mirrielees. Design II, 1911	RIBA	The British Architect, LXXV, 1911, p. 402.

1912	Design for a village hall, Porlock, Somerset. According to Joanna Symonds a village hall was built at about this time, not to a design of Voysey's, but possibly to one by Lady Lovelace.

1912	Two designs for a country cottage for a Country Life architects' competition. The walls are roughcast with tarred plinths, the windows are wood-framed and the roofs tiled.		The British Architect, LXXVIII, 1912, p. 426; LXXIX, 1913, p. 84.

1912	Two Designs for Burial Grounds, Helenenthal, near Iglau, Czech Republic for Dr. Carl Löw.		The British Architect, 6th December 1912.

1913	Cottage at Ampthill, Bedfordshire, for Miss M. Foster. The materials are roughcast with oak-framed casement windows, a red tiled roof and a brick pier supporting a corner veranda.		The British Architect, LXXXIX, 1913, pp. 315 & 330. David Gebhard, Charles F. A. Voysey, fig. 131.

1913-14	Competition for Government buildings, Ottawa, Canada. The buildings are faced with local stone, and the detailing is in a free Perpendicular Gothic.		The British Architect, LXXXII, 1914, p. 220. The Architect, C, 1918, p. 66. J. Brandon-Jones, Architectural Association Journal, LXXII, 1957, p. 248.

1914	House at Ashmansworth, near Newbury, Berkshire, for Arthur à Beckett Terrell. The materials are roughcast, with tarred plinths on all walls except for those inside the courtyard, stone dressings and iron casements for the windows and grey slates for the roofs.	RIBA	The British Architect, LXXXII, 1914, pp. 256 & 268. Wendy Hitchmough, CFA VOYSEY, London 1995, p. 201.

1914	House at Thatcham Cold Ash, Berkshire, for H. Tingey. The walls are roughcast with tarred plinths and the windows have stone dressings.	RIBA	The British Architect, LXXXII, 1914, pp. 78 & 136.

1914	House at Wilmslow, for his brother Ellison A.Voysey.		The British Architect, 3rd April 1914.

1918	Design for a pair of cottages for Mrs Cazelet.		The British Architect, LXXXIX, 1918, p. 45. The Builder, CXV, 1918, p. 158.

1919	2 cottages at Bradfield, Berkshire, for G. B. Simonds. The walls are roughcast with tarred plinths, the windows have stone dressings and the roof is of red tiles.		The Builder, CXVII, 1919, p. 164. David Gebhard, Charles F. A. Voysey, fig. 132.

1919	Cottages at Alderley Edge, Cheshire, for A. Heyworth.		The Builder, CXVII, 1919, p. 164.

1921	Design for pedestal for Peruvian National Memorial.

1922	House at Jihlava (Helenenthal Iglau), Czech Republic, for Dr. Carl Löw. The walls are roughcast with tarred plinths, the windows have stone dressings and iron casements and the roofs are covered with oak shingles.		The Builder, CXXV, 1923, pp. 288-289. Duncan Simpson, C.F.A. Voysey an architect of individuality, p. 132. Jindřich Vybíral, Charles F. A. Voysey's Forgotten Designs for Southern Moravia, Umění LIII / 2005

1922	House at St Nicholas-at-Wade, Isle of Thanet, Kent, for Tom Jones. The walls are roughcast with tarred plinths, the windows have stone dressings and the roof is of slate.

1923	Design for two tower blocks (for flats) Scheme for the Treatment of the Devonshire House site, Westminster, London. According to Stuart Durant evidently influenced by North American skyscraper design, the blocks have a markedly medieval aspect.	RIBA	The Builder, CXXV, 1923, pp. 990-991. Wendy Hitchmough, CFA VOYSEY, London 1995, p. 208.

1926	House at Hillingdon, London, for Courtney Haigh.	RIBA	The Builder, CXXXI,1926, pp. 406 & 408.

1926	Competition design for the Masonic Peace Memorial, Great Queen Street, London. The competition was won by Ashley & Newman.

1927	Competition design for a Town Hall, Wimbledon. Joanna Symonds: "The main block, facing Broadway, was to be in stone, with restained Gothic detailing,...The rest of the buildings were to be in brick with stone dressings, with Gothic detailing confined to some pointed windows. The competition was won by Bradshaw, Gass & Hope."

1930	Competition design for a stand for Vanesta Ltd at Building Trades Exhibition Manchester.

1932	Designs for bungalow in South Africa, for Lady Diana Gibb and Macdonald Clark.

1933	Competition design for a Manchester Exhibition Hall. John Brandon-Jones: "It is hardly surprising that in 1933 Voysey's Gothic design was unplaced, and modernistic design (by R. H. Uren) won first prize." Stuart Durant: "The proposed building was in a late medieval style, not unlike his Ottawa Government buildings of 1914."

1936	House at Hampstead, off The Bishop's Avenue, Camden, for Robert Donat. The walls are roughcast with tarred plinths; the windows have stone dressings and iron casements and the roofs are of slate.

no date	2 designs for a small house. The designs show two-storey, rectangular blocks which are almost identical except for the roofs. The walls are roughcast with tarred plinths, the windows have stone dressings and the roofs are covered with green slates.

1857-71	Born on the 28th May 1857 at Hessle, near Hull, in Yorkshire. Father Reverend Charles Voysey (1828–1912) and his cousin Frances Maria Voysey (née Edlin) had four sons and six daughters. C. F. A. Voysey was the eldest child. Father served as a curate; father and uncle were running a school. Family moved to Jamaica in 1859 and stayed there for 18 months and returned to England.
1857-71	1864 the family moved to Healaugh, a small village with around 230 inhabitants, near Tadcaster in North Yorkshire, where his father became vicar. Voysey was taught at home by his father until he was 14 years old. 1869 Charles Voysey was prosecuted for heresy by Archbishop William Thomson and lost his case at the Chancellor's Court of the Diocese of York and was expelled from the Church of England. He had rejected the dogma of eternal punishment in the everlasting hell. He was summoned before the Chancery Court of York for heterodox teaching, where he defended his case for two years. He appealed to the Judicial Committee of the Privy Council which gave its judgement on 11 February 1871. (Wikipedia) Before the judgment, Charles Voysey had begun to hold services in London at St George's Hall, Langham Place. Charles Voysey founded the Theistic Church.
1871-73	In April 1871 the family moved to College Road in Dulwich, London. Voysey attended Dulwich College for 18 months and left the school in July 1973 at the age of sixteen. He completed his education under a private tutor at home. He may have suffered from what would be described today as dyslexia. (Wendy Hitchmough, CFA VOYSEY, pp.15-16)
1874	Apprenticeship to John Pollard Seddon (1827-1906), the Gothic Revivalist architect. Seddon was the son of a cabinet-maker and also designed furniture, encaustic floor tiles and ecclesiastical embroideries. Voysey was working on country churches and learned the art of decorative design. Voysey: "I determined to become an architect because it was the only profession I could take up without passing any examinations."
1877	Started taking own commissions for minor house alterations and surveys.
1879	Assistant to Henry Saxon Snell (1830-1904), who specialised in the design of hospitals and charitable institutions.
1880-81	Assistant to George Devey (1820-86). G. Devey was a friend of Voysey's father and became a member of the Theistic Church. Devey designed country houses. Devey's design principles > article by Walter H. Godfrey in Architectural Review, 1907. (29 pp., PDF, 21 MB)
1881-82	1881 set up own practice at 8 Queen Anne's Gate, London. 1882 moved office to Broadway Chambers, Westminster, London. Unexecuted design for a sanatorium at Teignmouth and competition for the Admirality offices in Whitehall; entry was not placed. Voysey started his work mainly as pattern designer for wallpapers and textiles with the help of A. H. Mackmurdo, who showed him the the practice and introduced him to manufactures.
1883	First pattern design was sold to Jeffrey & Co in 1883.
1884	Voysey joined the Art Workers' Guild.
1885	Married Mary Maria Evans. Photo of Voysey with his wife, Mary Maria Evans, and their four children. Moved home and office to 7 Blandford Road, Bedford Park, London. Design for a buttressed half-timbered house supposedly for himself and his wife. External mosaic for Old College building at Aberystwyth University.
1888-89	1888 moved home and office to Tierney Road, Streatham Hill, London. By 1885 Voysey's wallpaper designs were already in trade papers, and by 1888 he was established as one of the leading designers. David Gebhard pointed out that "Voysey's success as a designer of wallpaper and fabrics far outshown his work as an architect even as late as the beginning of the 1890s ... and provided his major livelihood ..." (David Gebhard, Charles F. A. Voysey, p.10). 1888 designed first house built: The Cottage, Bishop's Itchington, near Warwick for M.H.J. Lakin. The house was published in The British Architect in 1888. In the same year The Architect published a design for a cottage by Voysey. The British Architect published his work regularly until 1918. Exhibited at the first and second exhibition of the Arts & Crafts Exhibition Society at The New Gallery, 121 Regent Street, London.
1890	Designed: Walnut Tree Farm, Castlemorton, for R.H. Cazelet. Cottage at Llandrindod, Wales, for E.L. Lakin. Addition to The Cliff, 102 Coventry Road, Warwick, for M.H.J. Lakin.
1891	Voysey, his wife Mary Maria, son Charles Voysey, who was borne in 1889, and a servant moved home and office to 11 Melina Place, St John's Wood, London. Son Charles married Dorothea Denise Cowles in 1912 and chose to add her maiden name to his own: Charles Cowles-Voysey. 1893 son Annesley Voysey was borne. 1895 daughter Priscilla Mary Annesley Voysey was borne. borne. Designed: 14 South Parade, Bedford Park, London, for Joseph Wilson Forster; 17 St Dunstan's Road, London, Studio for the artist W. E. F. Britten; 14 and 16 Hans Road, London, for Archibold Grove.
1893	The Studio magazine was launched, promoting the Arts and Crafts Movement. Voysey illustrated the cover for the first issue. According to Wendy Hitchmough The Studio represented a small revolution in magazine publication ... it set out to bridge the gap between the traditional art journals and the specialist architectural press ... From the outset The Studio championed Voysey ... It made him famous ... (Wendy Hitchmough, CFA Voysey, p. 51 & 52). By the early nineties his furniture was beginning to be well known. (David Gebhard, p. 12) Designed: Perrycroft, Colwall, for John William Wilson. Cottage at Alton in Hampshire for Mrs Mary Scott.
1894	Designed: Lowicks, Frensham for Emslie John Horniman.
1895	Moved home and office to 6 Carlton Hill, St John's Wood, London Designed: Annesley Lodge, London, for Voysey's father; Hill Close, Studland Bay, Dorset, for Alfred Sutro; Wentworth Arms, Elmesthorpe, Leicestershire, for the 2nd Earl of Lovelace.
1896	Designed: Greyfriars, Hog's Back, Surrey, for Julian Sturgis, also known as Merlshanger and Wancote; Wortley Cottages, Elmesthorpe, for the 2nd Earl of Lovelace.
1897	Designed: Dixcot, 8 North Drive, Tooting, Wandsworth, Greater London; New Place, Haslemere; Norney Grange, Shackleford; The Hill, Thorpe Mandeville. additions to Woodcote, Horsley, Surrey, for Sir Henry Roscoe.
1898	Designed: Broad Leys, Gillhead, Cumbria, for Arthur Currer Briggs; Moor Crag, Gillhead, Cumbria, for J.W. Buckley; addition to 16 Chalcot Gardens, London NW3, for A.J. Whalley.
1899	Set up office 23 York Place, Baker Street, near Marylebone Station. Designed: Started to build The Orchard, Chorleywood, for himself. Until The Orchard was completed in 1900, the family lived in a rented house nearby. Spade House, Radnor Cliff Crescent, Sandgate, Folkestone, Kent; Oakhill in Kidderminster, Worcestershire; Winsford Cottage Hospital, near Beaworthy; Gordondene in Wimbledon (now demolished); lodge at Bury Hill Park, Oldbury, Worcestershire.
1900	Designed: Oakhurst at Fernhurst, Sussex; Prior's Garth at Puttenham, Surrey.
1901	Designed: The Pastures at North Luffenham, Rutland;
1902	Designed: Sanderson & Sons Factory, London; Vodin (now called Little Court) at Pyrford Common near Woking in Surrey; addition to Roughwood Farm, Chalfont St Giles, Herts.
1903	Designed: Ty-Bronna in Fairwater near Cardiff; White Cottage in Wandsworth, London; Tilehurst in Bushey, Hertfordshire; Hollybank in Chorleywood.
1904	Designed: Myholme in Bushey; House at Higham, Woodford, Essex; Meeting hall, workmen's institute and cottages at Whitwood, Yorkshire.
1905	Designed: White Horse Inn (now the Old White Horse) at Stetchworth, Cambridgeshire; House at Aswan, Egypt; Holly Mount in Knotty Green; The Homestead in Frinton-on-Sea. additions and alterations to Hill Cottage (now the Roman Catholic Church of St John Fisher), Chorleywood; additions and alterations to Woodbrook, Alderley Edge, Cheshire.
1906	Voysey sold the Orchard in 1906. He moved with his family to Hampstead. Designed: Littleholme in Guildford. House at Gray's Park, Stoke Poges, Berkshire, for J. Hatton; reconstruction and furnishing at Garden Corner, 13 Chelsea Embankment, London, for E.J. Horniman; reconstruction and furnishing offices at Capel House, 54 New Broad Street, London EC2, for Sydney Claridge Turner and Essex & Suffolk Equitable Insurance Company; extensions and alterations and stables, coachman's cottage and gardener's cottage, at Wilverley, now Highlands, Holtye Common, Sussex, for J.F. Goodhart.
1909	Founding member of the Imperial Arts League (for which he later served on its Council) and of the Design Club. Designed: Lodge Style, Combe Down, village suburb of Bath; Littleholme in Kendal; House at Slindon; Brooke End in Henley-in-Arden.
1910	Conversion of a barn at Holmbury St Mary, Surrey, into a convalescent home for F.J. Mirrielees, now a house called The Old Barn.
1911	Designed: House in Belfast, Northern Ireland.
1912	After the death of Voysey's father the family moved to Erskine Hill in the suburbs of north London. Designed: alterations to a design by Lady Lovelace for Lillycombe, Porlock, Somerset. Voysey also supervised execution of the work; Memorial for Frank Harding Chambers in St Catherine's church, Ludham, Norfolk.
1913	Moved office to 25 Dover Street and in July to 10 New Square, Lincoln's Inn. Designed: Public garden in Kensal, London.
1914	Voysey had been separated from his wife around 1914. Designed: remodelling and extending White Cliffe, now High Gaut, St Margaret's at Cliffe, Kent, for P.A. Barendt. ____________ The end of Voysey's architectural career. David Gebhard pointed out that "In part it was certainly due to the strong surge of classical (Neo-Georgian and the like) architecture which established itself as the dominant mode of the high art English architectural establishment." (David Gebhard, Charles F. A. Voysey Architect, p. 12) Wendy Hitchmough notes that "Voysey was never prepared to synchronize with the times in order to be popular and although the decline of his practice was partly caused by changing social conditions as the Edwardian, countryhouse lifestyle faded into obsolescence, even before the First World War he was unfashionable." (Wendy Hitchmough, CFA Voysey, p. 206.) "If a man is successful by acting one way and the circumstances change, he will fail if he does not change his methods. But men are never flexible enough to change, either because their natures will not let them or because they become accustomed to a certain behavior bringing success." Niccolò Machiavelli, The Prince "Whosoever desires constant success must change his conduct with the times." Niccolò Machiavelli "Adapt or perish, now as ever, is nature's inexorable imperative." H. G. Wells "They must often change, who would be constant in happiness or wisdom." Confucius RIBA The expression ‘tide and time wait for no man’ originates from the early 11th century. The first use of the phrase appears in archaic English, in a script written by St. Marher in 1225, where it appears as follows. “And te tide and te time þat tu iboren were, schal beon iblescet.” However, the phrase appeared centuries later in ‘Chaucer’s Prologue to the Clerk’s Tale,’ published in 1395. The proverbial expression was worded in its modern phrasing. Source: https://english-grammar-lessons.com Chaucer’s quote is in The Clerk’s Tale: “For thogh we slepe, or wake, or rome, or ryde, Ay fleeth the tyme; it nyl no man abyde.” (Modern English: For though we sleep, or wake, or roam, or ride, the time will fly; it will pause for no man.”) Source: https://www.mamalisa.com Voysey continued to design wallpapers, textiles, carpets and occasionally furniture until the mid-30s.
1915	Published Individuality.
1917	Moved home and office to flat at 73 St James's Street, off Piccadilly. Lived there alone and worked there.
1919	Designed: conversion of coach house into cottage, Haslington Cottage at Malvern Wells, now called Cob Nash, for Major G.A. Porter; alterations and additions to Hambledon Hurst, The Green, Hambledon, Surrey, for A.H. van Gruisen; War memorial in Malvern Wells, Worcestershire.
1920	Designed: Laughton Hills, Leicestershire, for William Taylor; War memorial in Potters Bar, Hertfordshire [photograph]; War memorial to the King's Own Yorkshire Light Infantry during World War 1, in west aisle of north transept, York Minster [photograph].
1923	Lecture given at the Art Workers' Guild on 2nd February: "Tradition and individuality in art". Full text available.
1924	Elected Master of the Art Workers' Guild.
1927	An important series of articles on Voysey were published in The Architect and building news (vol.117): ‘C.F.A. Voysey: the man and his work’, in five parts. Full text available. The jubilee certificate of 1927, signed by many of Voysey's peers and clients in recognition of his 70th birthday. "My work was never popular ..." : Voysey's speech of thanks on receipt of the certificate.
1929	Elected Fellow of The Royal Institute of British Architects (RIBA).
1931	Retrospective exhibition of his work at the Batsford Gallery, London.
1936	Awarded title of Royal Designer for Industry by the Royal Society of Arts.
1940	Awarded Gold Medal of Royal Institute of British Architects. Moved to live near son Charles Cowles-Voysey in Winchester.
1941	Died on 12th February in Winchester. Ashes scattered at Golders Green Crematorium.

Wendy Hitchmough,
CFA VOYSEY, London 1995,
p. 196-9.

Walker, A., 'CFA Voysey:
his interiors at Capel House,
New Broad Street, London',
The Orchard (no.3, 2014),
pp.16-24.

Convalescent Home, Pasture Wood,
Holmbury St Mary, near Dorking, Surrey,
for Sir Frederick James Mirrielees.
Design II, 1911

Books dedicated solely to C.F.A. Voysey
and other books with significant Voysey content (arranged in date order)

- Duggan, W.B., New Place Haslemere and its gardens ; with a frontispiece in colour and twenty other illustrations (Printed for private circulation, 1921), revised reprint of an article in The Garden

Archival sources collected by the Voysey Society

Video: The CFA Voysey Society Lecture: 'Never Look at an Ugly Thing Twice' by Alastair Dick-Cleland on youtube

Wendy Hitchmough, CFA VOYSEY, London 1995, p. 196-9.

Walker, A., 'CFA Voysey: his interiors at Capel House, New Broad Street, London', The Orchard (no.3, 2014), pp.16-24.

Convalescent Home, Pasture Wood, Holmbury St Mary, near Dorking, Surrey, for Sir Frederick James Mirrielees. Design II, 1911

Books dedicated solely to C.F.A. Voysey and other books with significant Voysey content (arranged in date order)

- Duggan, W.B., New Place Haslemere and its gardens ; with a frontispiece in colour and twenty other illustrations (Printed for private circulation, 1921), revised reprint of an article in The Garden

Archival sources collected by the Voysey Society

Video: The CFA Voysey Society Lecture: 'Never Look at an Ugly Thing Twice' by Alastair Dick-Cleland on youtube

Wendy Hitchmough,
CFA VOYSEY, London 1995,
p. 196-9.

Walker, A., 'CFA Voysey:
his interiors at Capel House,
New Broad Street, London',
The Orchard (no.3, 2014),
pp.16-24.

Convalescent Home, Pasture Wood,
Holmbury St Mary, near Dorking, Surrey,
for Sir Frederick James Mirrielees.
Design II, 1911

Books dedicated solely to C.F.A. Voysey
and other books with significant Voysey content (arranged in date order)