Charles Francis Annesley Voysey (1857-1941)  
   
    CONTENTS
    1  Executed Buildings  
    2  Unexecuted Projects
    3  Furniture and Clocks
    4  Wallpaper, Textiles, Carpets and Bookplates
    5  Metalwork, Lighting and Fireplaces
    6  Biography
    7  Bibliography
    8  British Architects and Designers in Voysey's Time
    9  Art Nouveau (1890s to 1910s)
  10  Modern Architecture (1920s to 1930s)
   
  Information Resources
The Royal Institute
of British Architects
  Victoria & Albert Museum
  The Voysey Society
                                    

1. Executed Buildings


Chronological list of buildings, parts of buildings, monuments & memorials.

 

Please click on the textual links or images to see more photographs, drawings and descriptions.

           
           



 

Date
of design

 Project / Place / Client / Notes

 

Photographs / Drawings / Links (RIBA)

 

 Literature / References

 
               
  1888


 THE COTTAGE.
 Station Road,
 Bishop's Itchington, near
 Warwick.

 For Sir Michael H. Lakin.

 New wing added 1900 by Voysey.
 A new porch has been added 
 to the side of the Cottage.

 


 

 RIBA

 
 

 The British Architect,
 
XXX, 1888, p. 407;
 
XL, 1893, p. 292
 (perspective sketch
  by T. Raffles Davison).

 The Studio,
 
IV, 1894, p. 34.

 Country Life
,
 III, 1898, pp. 196-197
 (designs with and
  without half-timbering).

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp.34-36.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 
               
  1890  New wing to THE CLIFF,
 102 Coventry Road, Warwick.

 For Sir Michael H. Lakin.

 




 

 The British Architect,
 XXXIII, 1890, p. 296.

 
               
  1890  WALNUT TREE FARM.
 Also known as Bannut Tree House,
 now known as Bannut Farm House.

 Castlemorton, Malvern,
 Worcestershire.

 For R.H. Cazelet.

 Alterations and
 garden laid out 1894.

 


 RIBA

 

   
 The British Architect,
 
XXXIV, 1890, pp. 208 & 302;
 XLVI, 1894, pp. 417, 420;
 XLIV, 1895, p. 419.

 The American Architect
 & Building News,
 
XXX, 1890, p. 75, pl. 775.

 Academy Architecture,
 
II, 1895, pp.10 & 143.

 The Studio, XI, 1897,
 pp. 17 & 22.

 Country Life,
 
28th October 1899.

 The Architect,
 
LXXVI, 1906, p. 404.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp.39-41.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1890-91  14 SOUTH PARADE.
 Bedford Park, London.

 For J. W. Forster.

 New wing to the left
 by Voysey in 1894.

 

 

 

 

 The British Architect,
 
XXXVI, Sept.1891,
 pp.209-210.

 The Builder's Journal &
 Architectural Record,
 
IV, 1896, p.68.

 The Studio,
 
XI, 1897, pp.20 & 25.

 Architectural Association 
 Journal
, LXXII, 1957,
 pp.249-251.

 David Gebhard, Charles F. A. 
 Voysey Architect
, p.22.

 Budworth, D., '14 South Parade:
 the addition and the client',
The
 Orchard
(no.2, 2013), pp.63-65.

 Butlin, G., 'C.F.A. Voysey’s
 tower house on South Parade',
 
 Bedford Park journal
 
 (Autumn/Winter 2021), pp.14-15.

  Prof. Ian Hamerton,
 in The Orchard, Number Ten,  
 Autumn 2021, pp.11-12.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp.36-39.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1891  STUDIO.

 17 St Dunstan's Road, London.

 For W.E.F. Britten.

 The house has been 
 extended at the back.

 



RIBA

 

 

 

 The British Architect,
 27th May 1892.

 Stuart Durant, C F A Voysey,
 
London 1992, p.30.

 Prof. Ian Hamerton,
 in The Orchard
 Number Ten, Autumn 2021,
 pp.13-14.
 

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp.41-42.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1891  14 & 16 HANS ROAD
 
Knightsbridge, London.

 For Archibold Grove.

 According to Wendy Hitchmough
 Voysey designed a terrace of three houses,
 12, 14, and 16 Hans Road, but a dispute 
 with the client over fees led to
 A. H. Mackmurdo being commissioned to
 build number 12.

 According to Joanna Symonds
 an earlier, preliminary design, 
 published in The British Architect, 
 
1892, shows roughcast instead of
 the executed red brick.
 The interiors have been
 considerably altered.

 


 

 RIBA
 

 

 The British Architect,
 
XXXVII, 1892, p. 210;
 XLI, 1894, p. 96.
 
 The Studio,
I, 1893, p. 225;
                  XI, 1897, p. 23.
 
 The Builder,
LXXI, 1896, p. 229.
 
 Dekorative Kunst,
I, 1897, p.255.
 
 The House,
IV, 1898-99, p. 163.
 
 Magazine of Art,
XXII, 1899,
 pp. 457-465.

 
 David Gebhard,

 Charles F. A. Voysey,
figs. 33-36.
 
 The Orchard
, Number Five 2016,
 pp. 25-44,
 Article by Richard Havelock.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 43-47.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1893  PERRYCROFT.

 Upper Colwall, near Malvern,
 Herefordshire.

 For J. W. Wilson.

 New stables 1903.
 Summer house 1904.
 Coachman's cottage 1908.
 Alterations and additions1907-24.

 


 


RIBA

   
 
 
 The British Architect,
 
XLI, 1893, p. 454;
 XLII, 1894, pp. 5-6;
 XLIV, 1895, p. 120.

 The Builder's Journal &
 Architectural Record,
 
IV, 1896, pp. 67-68.

 Dekorative Kunst,
 
I, 1897, p. 246.

 The Studio,
 
XXI, 1901, p. 244.

 The Architect,
 
LXXVI, 1906, p. 404.

 T. Raffles Davison,
 Modern Homes,
 1909, pp. 20-21.

 Richard Havelock,
 The Orchard
, Number Seven
 2018, pp.51-62.

 Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 64-69.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.
 

 
               
  1894  
 Cottage and outbuildings at ALTON,
 Hampshire.

 For Mrs Mary Scott.
 

 

No drawings located.

     
               
  1894  LOWICKS.

 Sandy Lane, Tilford, near Frensham,
 Surrey.

 For E. J. Horniman. 

  1898-1916 alterations
 and additions.
 1911 new summer house.

 


 


 RIBA

   

 The British Architect,
 XLII, 1894, p. 328.

 Builder's Journal & 
 Architectural Record,
 
1896, IV, p. 69.

 The Studio,
 
XI, 1897, p. 16, 18 & 23;
 
XXI, 1901, p. 246.

 The House,
 
IV, 1898-99, p. 162.

 David Gebhard,
 Charles. F. A. Voysey
,
 figs. 45-50.

  Jack Warshaw,
 Lowicks, Tilford, Surrey,
 in The Orchard, Number Nine,
 Autumn 2020, pp.102-103.

 

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp.70-73.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1895  THE WENTWORTH ARMS INN.

 Elmesthorpe, Hinckley,
 Leicestershire.


 For the Earl of Lovelace.

 

 

 

   The British Architect,
 
XLV, 1896, p. 42.
 
               
  1895  ANNESLEY LODGE.

 8 Platts Lane, London.

 For the Reverend Charles Voysey 
 (Voysey's father).

  1913 alterations and additions.

 The house has been devided
 into flats.

 

 




RIBA

 

 

 
 

 The British Architect
 XLV, 1896, p. 148.

 The Studio, XI, 1897, p. 18;
                  XXI, 1901, p. 245.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 73-75.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
           
1895  HILL CLOSE.

 Studland Bay, Swanage, Dorset.

 For Alfred Sutro.

 
 1913 lodge and motor house
 for H. Cook.

 Originally a studiohouse.
 Altered in recent times.



 Photo by Nigel Rigde


Photo by Nigel Rigde



RIBA


 
 The British Architect,
 
XLV, 1896, p. 42;
 25th April 1913.

 
 Dekorative Kunst,
I, 1898, p. 254.
 The Studio,
XI, 1897, p. 21;
 
XXI, 1901, p.246.

 
Hermann Muthesius,
 Das englische Haus
, II,
 1904-05, p. 205.
 
 Hermann Muthesius,

 Das moderne Landhaus und
 seine innere Ausstattung,
1905,
 p. 146.

 
 W. Shaw Sparrow (ed.),
 The Modern Home,1906, p. 54.
 David Gebhard,
 
 Charles F. A. Voysey,
fig. 55.
 Prof. Ian Hamerton,
 in The Orchard
 Number Ten, Autumn 2021,
 pp.17-18.

 
 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 116-7.
 
David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

           
  1896  
 WORTLEY COTTAGES.

 
6 cottages at Elmesthorpe,
 Leicestershire.

 For the Earl of Lovelace.

 
Originally thatched but rebuilt
 by Voysey with slate roofs
 after a fire in 1914.

 




   

 The British Architect,
 
XLVII, 1897, p. 24.

 The Studio,
 
XI, 1897, p. 19;
 XXXI, 1904, p. 133.
 
 Dekorative Kunst,
 
I, 1897, p. 246.

 

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 p. 117.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               

 
1896-97  GREYFRIARS HOUSE.
 Also known as Merlshanger
 and Wancote.

 The Hog's Back, near Puttenham, 
 Surrey. 

 For Julian Russell Sturgis.

 
Additions and alterations by H. Baker,
 1913
.
 


 

 


 

 



RIBA

 

   

 The Builder's Journal & 
 Architectural Record,
 
IV, 1896, p. 70;
 VI, 1897-98, p. 333;
 X, 1899-1900, pp. 48 & 56.

 Academy Architecture,
 
XII, 1897, p. 37.

 Architectural Review,
 
I, 1897, p. 327.

 Dekorative Kunst,
 
I, 1897, pp. 245 & 250.

 The British Architect,
 
XLIX, 1898, p. 292.

 House,
 
IV, 1898-99, p. 162.

 The Builder,
 
LXXIX, 1900, p. 192.

 W. Shaw Sparrow,
 The British Home of Today,
 
1904, p. 6.

 Hermann Muthesius,
 Das moderne Landhaus,
 
1905, pl. 145.

 The Architect,
 
LXXVI, 1906, p. 404.
 Hermann Muthesius,

 Landhaus und Garten,
 
1907, p. 156.

 W. Shaw Sparrow,
 Our Homes and How to Make 
 the Best of Them,
 
1909, p. 100.

 David Gebhard,
 Charles F. A. Voysey, fig. 54.

 Richard Havelock,
"Recollections and reflections
 of an inveterate Voysey visitor,
 part 2",

 in The Orchard, Number Six,
 Autumn 2017, pp.64-81.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1897  DIXCOT.

 8 North Drive,
 Tooting, Wandsworth

 Greater London.

 For Richard Walter Essex.

 The house was built by Walter Cave
 who modified Voysey's design in many 
 details.
 1916 alterations to study and billiard room.

 

 

 

RIBA


   


 
The British Architect,
 1st July 1898.

 The Studio,
 
XVI, 1899, p. 162.

 The Builder's Journal
 & Architectural Record,
 
XI, 1900, p. 326.

 C. Holme (ed.),
 Modern British Domestic 
 Architecture and Decoration,

 1901.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 
 

 
               
  1897  NORNEY GRANGE.

 Shackleford, Surrey.


 House & lodge
 for the Reverend Leighton Grane.

 
 1903 additions and
 alteration to house.
 Unexecuted designs for new
 stable buildings and cottage
 for J. G. Wainwright, 1903.
 


 

 

 

 

RIBA

   

 Dekorative Kunst,
 
I, 1897, p.243.

 The British Architect,
 
L, 1898, p.130;
 LII, 1899, pp.234-235.

 Architectural Review,
 
V, 1898, pl. III after p.240.

 The Studio,
 
XXI, 1901, pp. 242-243;
 XXXIV (or XXIV?), 1905,
 pp.151-152.

 Hermann Muthesius,
 Das englische Haus,
 
III, 1904-05, p.175;
 Das moderne Landhaus,
 
1905, p. 148.

 The Builder,
 XCV, 1908, p.406.

 The Architect,
 
LXXVI, 1906, p. 404.

 J. Brandon-Jones,
 Architectural Association
 Journal,
LXXII, p.252.

 Ian Hamerton,
 'Development of the lodges
 on the Norney Grange Estate
 in Surrey',
 The Orchard, Number Five, 
 Autumn 2016, pp.16-24.

 Catherine Sidwell, 'Norney
 Grange on film and television',
 The Orchard, Number Ten, 
 Autumn 2021, pp.72-80.

 Richard Havelock, 'Norney  
 Grange, near Shackleford, Surrey,
 1897',
 The Orchard, Number Ten, 
 Autumn 2021, pp.81-87.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 80-1, 84-90, 100-105.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.


 
               
  1897-98  THE HILL.

 Thorpe Mandeville,
 Northamptonshire.

 For J. C. E. Hope Brooke.
 

 


RIBA

   The British Architect,
 XLIX, 1898, p. 346.

 Builder's Journal &
 Architectural Record,
 VII, 1898, p. 396.

 The Builder,
 
LXXV, 1899, p. 349.

 

  David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 
               
  1897  NEW PLACE.

 Farnham Lane, Haslemere, Surrey.

 The house was known as 'Hurtmore' 
 until January 1900.

 For A. M. M. Stedman,
 later known as Sir Algernon Methuen.

 Additions and alterations1899 and 1901.
 
1899 designs for lodge, stables,
 gardener's cottage and
summerhouse. 
 1904 design for motor stables.

 


 



 

RIBA

 

 
 Dekorative Kunst,
 
I, 1897, p. 242;
 XI, 1902-03, p. 370.
 XIV, 1906, pp. 194-195.

 The Studio, XXI, 1901,
 pp. 242 & 243.

 House and Garden,
 
III, 1903, pp. 254-258.

 Architectural Review (Boston),
 XI, 1904, p. 12.
 
 The Builder's Journal &
 Architectural Record,
 
XX, 1904, p. 262.

 W. Shaw Sparrow (ed.),
 The Britisch home of today,
 1904, E21 (photograph of hall).
 
 Hermann Muthesius,
 Das englische Haus,
 
II, Berlin 1904-1905,
 pp. 113-114 & 124-125.
 
 Hermann Muthesius,
 Das moderne Landhaus,
 Berlin 1905, pp. 146-147.

 W. Shaw Sparrow,
 Our Homes and How to Make 
 the Best of Them,
 
1909, p. 238 (photograph of hall).

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 90-94, 106-9.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1898  Additions to 16 CHALCOT GARDENS,
 Englands Lane, Hampstead, Camden,
 Greater London.

 For the artist Adolphus J. Whalley.

 Front and rear extensions added.

 


No drawings extant.
 

   Prof. Ian Hamerton, 'Small
 Houses of Artistic Pretensions', -
 C F A Voysey's studio designs for
 artistic clients
,
 in The Orchard
, Number Ten,
 Autumn 2021, pp.22-24. 
 
               
  1898
 BROAD LEYS.

 Ghyll Head, near Cartmel Fell,
 Lake Windermere, Cumbria.

 

 For Arthur Currer Briggs.

 Broadleys is now the  
 Windermere Motor Boat Club.

 1899 design for a free-standing lodge.
 1900 design for stables.

 

 

 




 

RIBA

 

 

 The British Architect,
 
LI, 1899, p. 256.

 The Studio,
 
XVI, 1899, p. 158;
 XXXI, 1904, p. 127.

 Builder's Journal &
 Architectural Record,
 
XVI, 1902-03, p. 389;
 XVII, 1903, p. 29.

 Hermann Muthesius,
 Das englische Haus,
 
I, 1904-05, pp. 159-164.

 The Architect,
 
LXXIX, 1908, p. 208.

 David Gebhard,
 Charles F. A. Voysey,
 
1975, figs. 72-75.

 David Cole,
 Broad Leys, Windermere
 - George H Pattinson
 archive Collection,
 in The Orchard
 Number Nine, Autumn 2020,
 pp.22-62.
 

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 94-9, 110-13.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.
 

 
               
  1898-9  MOOR CRAG.

 Gillhead, near Cartmel Fell,
 Lake Windermere, Cumbria.
 

 For J. W. Buckley.

 1900 stables.
 The house has been
 divided into two.

 

 

 

RIBA

   

 The Builder's Journal &
 Architectural Record,
 
XVI, 1903-04, pp.176-177&182.

 Architectural Review (Boston),
 
XI, 1904, p. 12,
 XIV, 1907, p. 248
 (photographs of exterior).

 The Studio,
 
XXXI, 1904, p. 128
 (photograph of exterior).

 The Studio Yearbook,
 
1907, p. 41.

 The Architect,
 
LXXVIII, 1907, p. 296
 (Photographs of exterior).

 David Gebhard,
 Charles F. A. Voysey,
 
1975, fig. 76.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 114, 118-22, 133-5.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1899  SPADE HOUSE.

 Radnor Cliff Crescent, Sandgate,
 Folkestone, Kent.

 For H. G. Wells. 

 Nearest bay addition and

 additional storey in 1903.

 Extensive alterations.

 

 

RIBA

 

 

 The British Architect,
 LII, 1899, p. 292. 

 Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 172-4.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 
               
  1899  OAKHILL.

 54 Hill Grove Crescent,  
 Kidderminster, Worcestershire.

 For F. J. Mayers.

 



 

RIBA

 

   

 Darby, J., ‘Discovering Oakhill’,
 The Orchard (no.2, 2013),
 pp.46-53.


 Darby, J., ‘Oakhill discoveries’,
 The Orchard (no.4, 2015),
 pp.62-65.
 

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015,
 p. 207.


 
 

 
               
  1899  WINSFORD COTTAGE HOSPITAL.
 Originally called
 Beaworthy Cottage Hospital.

 Halwill Junction, near Beaworthy,
 Devon.

 For Mrs M. L. Medley.

  Additions 1924.

 


 

RIBA

   

 The Builder's Journal &
 Architectural Record,
 XVII, 1903, p. 231.

 Alastair Dick-Cleland,
 Restoration of Winsford
 Cottage Hospital,
 in The Orchard
 Number Nine, Autumn 2020,
 pp.3-15.
 

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 171-2.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1899  GORDONDENE.

 15 Princes Way, Putney,
 Surrey.

 For Cecil E. Fitch.

 
Extension was not designed by Voysey.

 The house and stables

 have been demolished.

 


 RIBA
 

 

 

  Architect & Building News,
 
CXCV, 1949, pp. 494-498
 (Correspondence between
  Voysey and Fitch).

 Brandon-Jones, J., 'An architect's 
 letters to his client : some letters
 written by the late C.F.A. Voysey
 to the late Sir Cecil Fitch, between
 August 1899 and May 1901', The
 Architect and building news
,
 (June 3rd, 1949), pp.494-498.
 Full text available

 King, P.G., 'Gordondene: a 
 house  lost to time', The Orchard
 (no.11, 2022), pp.31-37

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1899  THE ORCHARD.

 Shire Lane, Chorleywood,
 Hertfordshire.

 For C.F.A. and Mary Maria Voysey,
 Voysey's own house.

 Voysey left the Orchard in 1906. 
 
 1913 new bay windows 
 added to front of house (study)
 for the subsequent owner.

 

 

RIBA

 

   

 Country Life,
 
VI, 1899, pp. 389-390.

 Architectural Review,
 
X, 1901, pp. 32-38.

 Charles Holme,
 Modern British Domestic 
 Architecture and Decoration,
 
1901, pp. 181-194.

 The Ideal House,
 
USA, January 1907, pp. 3-11.

 

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 124-131, 136-9.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.


 
               
  1899  
 Addition of a new studio building.

 65 Hamilton Terrace,
 St John's Wood, London.

 For George Simonds (Sculptor).

 
According to Wendy Hitchmough,
 the main house has a small side
 extension, evidently designed by
 Voysey. The separate studio
 building is now converted to a
 house at 15 Hall Road.

       

 

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995.

  

 
               
   

1899

 

 Park Keeper's Lodge at Bury Hill Park
 Oldbury, Birmingham.

 For J.W.Wilson.

 Extensively altered since Voysey's time.

 


RIBA
 

   Christopher Pancheri,
 'Park Keeper's Cottage
 at Bury Hill Park',
 The Orchard, no.2,
 2013, pp.28-36.
  
 
               
  1900  OAKHURST.
 Now called
Ropes & Bollards.

 Ropes Lane, Fernhurst,
 Sussex.

 For Mrs E. F. Chester.

 1919 extended on the S side;
 1949 divided into two units.

 


RIBA
 

   

 The Builder's Journal &
 Architectural Record,
 XIII, 1901, pp. 37 & 44.

 House and Garden,
 
III, 1903, pp. 258-9.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 174-5.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1900  
 
PRIOR'S GARTH
 later called PRIOR'S FIELD.

 Puttenham, near Guildford,
 Surrey.

 For F. H. Chambers.  1901-2 converted to
 'High Class School for Girls'. 

 Thomas Mόntzer, Voysey's pupil, 
 designed extensions to the school
 in 1904.

 Additions by John Brandon-Jones
 and Ashton and others.

 

 



   
 

 The Builder's Journal &
 Architectural Record,
 XVI, 1903, B4.

 Hermann Muthesius,
 Das englische Haus
, pp.132-3.

 "Prior's Garth to Prior's Field
  School"

  by Catherine Sidwell,
  published in:
 
The Journal of The Voysey
  Society
,
  Number Three, Autumn 2014,
  pp. 37-50.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.


 

 
               
  1901  THE PASTURES.

 North Luffenham, Rutland,
 near Stamford, Leicestershire.

 For Miss G. Conant.

 1909 alterations and
 additions including a two-storey
 square bay to the south side.

 


 

 

RIBA

   

 The Builder's Journal
 & Architectural Record,
 
XVI, 1902-1903, pp. 245 & 248.

 The Studio,
 
XXXI, 1904, p. 127.

 Moderne Bauformen,
 
X, 1911, pp. 248 & 249.

 The Architect, CII, 1919, p.352;
                    CXVI, 1927, p.133.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 170, 176-9, 186-9.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1902  SANDERSON & SONS 
 FACTORY.

 Barley Mow Passage, Chiswick,
 London.

 For Sanderson & Sons
 wallpaper manufacturers.

 
The building has been 
 converted into offices.

 

 

RIBA

   

 The Builder's Journal
 & Architectural Record,
 
XVII, 1903, pp. 26 & 32.

 The Journal of Decorative Art
 and Wallpaper News,
 
1905, supplement  pp. 16-23.

 Charles Lawrence, 'Voysey,
 Sandersons and Chiswick',
 The Orchard, Issue no.2,
 Autumn 2013, pp.37-45.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 180-2.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
   

1902

 

 
 New wing to Roughwood Farm,
 Roughwood Lane,
 Chalfont St. Giles, Buckinghamshire.

 For Captain Williams.
 

 



 

   
 
 
               
  1902  VODIN.

 Old Woking Road,
 Pyrford Common, near Woking, 
 Surrey.

 For F. Walters.

 
1902-03 design for house & lodge. 
 1904 design for motor house and
 electric light generating house.

 

 

 

 

RIBA

   

 The Builder's Journal &
 Architectural Record,
 
XVII, 1903, p. 208;
 XVIII, 1903, p. 112.

 The Studio, XXXI, 1904, p. 132.

 The British Architect,
 
LXVI, 1906, p.111.

 David Gebhard,
 Charles F. A. Voysey, fig. 99.

 Richard Havelock, 'Recollections 
 and Reflections of an Inveterate 
 Voysey Visitor - Part 4'

 in The Orchard, Number Ten, 
 Autumn 2021, pp.50-66.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 179-180.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1903  TY BRONNA.


 St Fagan's Road, Fairwater,
 near Cardiff,
 South Glamorgan.

 For W. Hastings Watson.

 1904 stables.
 Alterations since Voysey's time.

 



 

RIBA (stable block)

 

   
 
 The Builder's Journal &
 Architectural Record,
 
XIX, 1904, p. 308.

 W. Shaw Sparrow,
 The Modern Home,
 
1906, p. 55.

 

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.


 
               
  1903  The White Cottage.

 68 Lyford Road, Wandsworth,
 London.

 For C. T. Coggin.

 
Additions and alterations
 since Voysey's time.
 



 

   

 

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1903  
 Upton Cottage,
 now called Chimneys,
 at Ockham, Ockham Park, Surrey.
 For the Earl of Lovelace.

 According to Nairn & Pevsner Ockham
 Park was originally a Jacobean house built
 in the 1620s,altered after 1724, italianized
 about 1830, altered by Voysey in 1894-5,
 and burnt in 1948.
 
 

No photographs and drawings
of the house located.

   
 See
Nairn & Pevsner, Surrey,
 
1971, p. 394,
 and
 Joanna Symonds,
 C.F.A. Voysey
, p. 38.
 
 
               
  1903  
 HOLLYBANK
 now Sunnybank.

 Shire Lane, Chorleywood,
 Hertfordshire.

 For Dr H. R. T. Fort,
 nominally built for
 the Reverend Matthew Edmeads.

 House and doctor's practice.
 Near The Orchard.
 


 

RIBA

 

 

 The Builder's Journal &
 Architectural Record,
 
XX, 1904, pp. 270-1.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp.160-3.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1903  TILEHURST.

 10 Grange Road, Bushey,
 Hertfordshire.

 For Miss E. Somers.
 


RIBA

   
 W. Shaw Sparrow,

 The Modern Home,
 
1906, p. 54.

 
M. E. Macartney,
 'Recent English domestic 
 architecture',

 
Architectural Review,
 
1908, p. 172.

 Chris and Morag Kane,
 'Myholme and Tilehurst:
 The Voysey houses of Bushey',
 The Orchard, Number Four, 
 Autumn 2015, pp.28-34.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 148-9.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 
               
  1904

 

 
 MYHOLME.

 Merry Hill Road, Bushey,  
 Hertfordshire.

 Children's home.
 
 For Miss E. Somers.

 1911 additions and alterations.
 Now a private house.

 

 

RIBA

 

   

 The Builder's Journal
 & Architectural Record
,
 
XX, 1904, pp. 271 & 272.
 
 The Architect,
 
LXXVIII, 1907, p. 408.
 
 Architectural Review,
 
1908, pp. 171-173.

 Chris and Morag Kane,
 'Myholme and Tilehurst:
 The Voysey houses of Bushey',
 The Orchard, Number Four, 
 Autumn 2015, pp.28-34.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1904

 House at HIGHAM, Woodford,
 Essex.
 Lodge, electric engine house & motor
 house, with chauffeur's cottage.

 For Lady Henry Somerset.

 The house was built without

 Voysey's  superintendence,
 and differs in several respects from
 his design.

 


 



 RIBA

 

 

The British Architect,
 
LXIV, December 1905;
 April & August 1906.

 Catalogue of the Drawings
 Collection of the Royal Institute
 of British Architects,
 C.F.A. Voysey,
 
by Joanna Symonds.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 184-5.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1904  HOUSES AND INSTITUTE
 at WHITWOOD,

 
near Normanton,
 Yorkshire.

 For Henry Briggs, Son & Co.
 
 
Only one of the two terraces of 
 housing was executed, but not
 under Voysey's superintendence.
 
 The Institute has been
 converted into The Rising Sun Public House
 by Tetley's Brewery, Leeds.
 




RIBA

 
 
 Dekorative Kunst,
 XIV, 1906, pp. 193, 196-197.
 
 The British Architect,
 LXIX, 1908, pp. 208 & 334.

 David Gebhard,
 Charles. F. A. Voysey,
 figs. 101 & 102.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 182-3.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.


 
               
  1905  WHITE HORSE INN.
 Now known as the White Horse Stables.

 Stetchworth, near Newmarket,
 Cambridgeshire.

 For the Earl of Ellesmere.
 

RIBA

 

   
 The British Architect,
 LXIV, 1905, p. 440;
 LXVI, 1906, p. 274.

 Moderne Bauformen,
 X, 1911, p. 174.

 The Architect,
 CI, 1919, p. 54.

 Country Life,
 6 August 1927.

 Architectural Review,
 LXX, 1931, p. 94.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 183-4.

  David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.
 

 
               
  1905  HOUSE at ASWAN, Egypt.

 For Dr H.E. Leigh Canney.
 



 
RIBA

 

 

  The British Architect,
 
9th February 1906,
 16th February 1906.

 Stuart Durant, CFA Voysey
 London 1992, p.86.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 217-8.

  Jonathan Dawson,
 'Voysey's Aswan adventure',
 The Orchard, no. 2, 2013,
 pp. 66-7.

 

 
               
  c. 1905  ROMAN CATHOLIC CHURCH
 OF ST JOHN FISHER.
 Shire Lane, Chorleywood,
 Three Rivers, Hertfordshire.

 Formerly known as Hill Cottage.
 


 
 

 

 

 

 

 
               
  1905  
 Additions and alterations to
 
 WOODBROOK,
 Alderley Edge, Cheshire.
 For A. Heyworth.

 House c1845 for J de Castro,
 extensively rebuilt 1906 by C F A Voysey
 for Heyworth.
 
 

 

 

 The British Architect,
 
LXVI, 1906, p.274.

 
               
  1905  HOLLY MOUNT.

 Amersham Road, Knotty Green,
 near Beaconsfield,
 Buckinghamshire.


 For C. T. Burke.

 The summer-house is
 no longer existent.
 



 

 

RIBA

 

 
 The British Architect,
 LXV, 1906, p. 148;
 LXVI, 1906, p. 346;
 LXVIII, 1907, p. 60.
 
 The Studio Yearbook,
 
1910, p. 81.

 Moderne Bauformen,
 
X, 1911, pp. 255-6.

 Architectural Review,
 
1911, pp.167-8.

 M. Macartney,
 Recent English Domestic 
 Architecture,
 
1911, p. 167.

 The Architect,
 
CII, 1919, p. 352.

 David Gebhard,
 Charles F. A. Voysey,
 figs.110-4.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 164-5.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1905-6  THE HOMESTEAD.

 Second Avenue, Frinton-on-Sea,
 Essex.

 For Sydney Claridge Turner.
 


 

 

RIBA

 
 The British Architect,
 
LXV, 1906, p. 310;
 LXVII, 1907, p. 370.

 Country Life,
 
1 October 1910.

 Moderne Bauformen,
 X, 1911, pp. 251-2.

 M. Macartney,
 Recent English 
 Domestic Architecture,
1911,
 pp. 167, 169 & 170.

 L. Weaver,
 The House and its Equipment,
 
1912, pp. 18 & 20.

 Architectural Review,
 1911, pp. 167, 169-170;
 Archtectural Review,
 LXX, 1931, p. 94
 (photograph of interior).

 David Gebhard,
 Charles F. A. Voysey,
 figs.104-9.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 WendyHitchmough,
 TheHomestead
, Phaidon, 1994.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 166-9.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1906-07  
 
WILVERLEY, now called Highlands.
 Extensions & alterations to old house
 & new stables & cottages,
 Holtye Common, Sussex.

 For J. F. Goodhart. 

 1906 coachman's cottage
 & gardener's cottage.

 1906-07 extensions &
 alterations to old house.
 New wing attached to the
 west end of the old house.

 



RIBA

 

 
 

 The British Architect,
 
LXVIII,  1907,
 pp. 39, 42, 94.

 Richard Havelock,
 The Orchard
, Number 7, 2018,
 pp. 63-86.

 

 
               
  1906  
 Altering & decorating existing house
.
 Garden Corner, 13 Chelsea Embankment,  
 London.

 For E. J. Horniman.  The house is
 semi-detached and as designed
 by Edward
I'Anson Jnr.
 Voysey completely remodelled the interior.

 Only a certain proportion of the fittings
 survive.
 

 



RIBA

 

   

 

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 p. 193-6.

 

 
               
1906  Interior design for the Essex and Suffolk  
 Equitable Insurance Society,
 Capel House,

 New Broad Street, London.

 For S. Claridge Turner.
 
 Dismantled about 1950.

 

RIBA

 


 

 

Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 p. 196-9.

  Walker, A., 'CFA Voysey:
 his interiors at Capel House,
 New Broad Street, London',
 
The Orchard (no.3, 2014),
 pp.16-24.

 

  

               
  1906  LITTLEHOLME.

 Upper Guildown Road,
 Guildford, Surrey.


 For George Mόntzer.

 
Design for summerhouse, 1908.
 
1909 addition of dormer-windows
 and rooms in roof;
 1911 Gardener's cottage;
 1925 Alterations.
 
 The house has been divided into two units.
 



 

 

RIBA


   
 

 The British Architect,
 
LXVIII, 1907, pp. 5, 6 & 60;
 LXXVII, 1912, pp. 452 & 454.
 LXXVIII, 1912, p. 390.

 The Architect,
 
LXXIX, 1908, p. 304;
 CI, 1919, p. 68 (photograph of
 stone 'Devil' bearing Voysey's
 features).

 G. Jekyll & L. Weaver,
 Gardens for Small Country 
 Houses,
 
1912, pp. 76-80 & 162.

 Moderne Bauformen -
 Monatshefte fόr Architektur und 
 Raumkunst,
vol.12, 1913, p.143.
 

 R. Randal Phillips,
 The Moderne English house,
 
1927, p. 170.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 157-9.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1907  
 Houses in 601& 602 Finchley Road
 Hampstead, London,
 for Vernon Hart.
 Destroyed by bombing
about 1940.
 
 There are 2 designs,
 one of which was executed
 and the other was not executed.

 

RIBA Drawings Collection.

 

 The British Architect,
 
LXVIII, 1907, p. 148.
 
 Nineteenth and twentieth century
 architecture
,
 published by Garland in 1976,
 p. 314.
 
               
  1909  
 LODGE STYLE.

 Shaft Road, Combe Down,
 near Bath, Somerset.
 

 For T. Sturge Cotterell.
 

 


 

 RIBA

   

 The British Architect,
 
LXXII, 1909, pp. 111 & 114;
 LXXVII, 1911, p. 361.

 The Builder,
 
XCVIII, 1910, p. 264.

 The Studio Yearbook,
 
1910, p. 82.

 The Architect,
 
CI, 1919, p. 54;
 CXVI, 1927, p. 219.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 204-5, 214-5.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.


 

 
               
  1909  LITTLEHOLME.

 103 Sedbergh Road, Kendal,  

 Cumbria.

 For A. W. Simpson.
 
c.1923 unexecuted design for addition.
 

 

RIBA

 

 
 
 The British Architect,
 
LXXII, 1909, pp. 363 & 366.

 Architectural Review, 1911,
 
pp. 171-172.

 Moderne Bauformen,
 X, 1911, p. 250.

 The Craftsman,
 
XX, 1911, pp. 276-286.

 The Builder,
 
1 June 1923, p. 891.

 David Gebhard,
 Charles F. A. Voysey,
 figs. 121 & 122.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 pp. 201-3, 212-3.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1909  
 
BUNGALOW near SLINDON,
 West Sussex.

 
For Arthur Annesley Voysey,
 C. F. A. Voysey's younger brother.

 

 

 

 
 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 p. 203.

 
 
 
               
  1909  BROOK END.

 New Road, Henley-in-Arden,
 Warwickshire.

 For Miss F. Knight. 

  Conversion of the stables into garages.

 


 

RIBA

 

 


 The Architect,
 LXXXIV, 1910, p. 232
 
& supplement p.18.

 The British Architect,

 LXXIII, 1910, pp. 345, 348.

 David Gebhard,
 Charles F. A. Voysey
,
 figs. 123-4.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 203-4.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1910  
 THE OLD BARN.
 Holmbury St Mary, near Dorking,
 Surrey.
 
For Frederick James Mirrilees. 
 Conversion of an existing barn
 into a convalescent home.
 Now converted into a private house.
 Enlargement at the backside
 not by Voysey.
 Booklet by Knight Frank.
           

 
 



 

     
               
  1911  HOUSE in BELFAST.

 Malone Road, Belfast,
 Northern Ireland.

 For Robert Hetherington.
 Executed substantially as 

 shown on the design with the 
 porch omitted.
 


RIBA
 

   

 The British Architect,
 LXXVIII, 1912, pp. 316 & 318.

 C. E. B. Brett,
 Buildings of Belfast 1700-1914,
 
1967, pp. 61-62.

  Duncan Simpson, C.F.A. 
 V
OYSEY an architect of
 individuality,
London 1979,
 p. 128, fig.64.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 p. 207.

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.

 

 
               
  1911  Remodelling a Perfume Shop.
 24 Old Bond Street, London.

 For J. & E. Atkinson.

 The shop was rebuilt
 by E. Vincent Harris in c.1925
 and Voysey's interiors were removed.

 


RIBA

 

   

 The British Architect,
 12th April 1912,
 14th June 1912,
 November 1916.

 RIBA Journal,
 
XXXII, 1925, p. 127.

 David Gebhard,
 Charles F. A. Voysey,
 figs. 129 & 130 (photographs of
 exterior & interior).

  Moderne Bauformen - Monatshefte
 fόr Architektur und Raumkunst,
 
 vol.12, 1913, pp.220-221,
 Tafel 36.

 

 
               
    1912      
 Design for a shop in an existing building.
 165 Victoria Street,
 Westminster, London.
 For Perry & Co.
 

 

 

   
 
 
 
               
 
1912
 Design for a Burial Ground.
 Helenenthal, near Iglau.
 
 for Dr. Carl Lφw.
 



   Jindřich Vybνral,
 Charles F. A. Voysey's
 Forgotten Designs for

 Southern Moravia,
 Uměnν LIII / 2005

 
 
 
               
  1912  
 LILLYCOMBE HOUSE,
 near Porlock, Somerset.
 
 For Mary Countess of Lovelace.

 Voysey made some alterations
 to a design by Lady Lovelace,
 a pupil of Voysey, and supervised 
 the construction of the house.

 


 

   
 

 The British Architect,
 LXXVIII, 1912, p. 60.

 Anne Anderson,
 'Work Itself is a Pleasure':
 Mary, Lady Lovelace,
 CFA Voysey's pupil,
 The Orchard, Number One,
 2012, pp. 43-53.

 

 
               
  1913  
 
Emslie Horniman Pleasance Gardens.

 East Row, Kensal Green,
 Kensington & Chelsea, London.

 For E.J. Horniman.

 

 

 

   
 

 The British Architect,
 
LXXX, 1915, pp. 273, 276.
 
 Caroline Wilson,
 'Emslie Horniman Pleasance
 and its restoration',
 The Orchard, Issue no.2,
 Autumn 2013, pp.16-20
.

 
 
               
  1914  
 HIGH GAUT.
 White Cliffe or The Fairway,
 St Margaret's at Cliffe, near Dover, 
 Kent.

 For P.A. Barendt.

 


RIBA


 

 

The British Architect,
 
LXXXII, 1914, p. 184.

 

 

 
               
  1919  
 HAMBLEDON HURST.
 The Green, Hambledon,
 Surrey.

 For A.H. van Gruisen.
 Alterations and additions.


 

 

RIBA

 

   
 
 Hambledon Parish Magazine,
 September 2017, p. 8.  
 
 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.
 
               
  1919
 HASLINGTON COTTAGE,
 now called Cob Nash,
 108 Wells Road, Malvern Wells, 
 Worcestershire.

 For Major G.A. Porter.

 




     
               
  1919  
 WAR MEMORIAL.

 Wells Road, Malvern Wells,  
 Worcestershire.

 

 



 

   
 

 The Builder,
 
CXVIII, 1920, p. 84.

 
               
  1920  
 WAR MEMORIAL.
 High Street, Potters Bar,
 Hertfordshire.

 
The Memorial was moved 
 to its present position at the
 junction of The Causeway 
 and Hatfield Road.

 

 

RIBA


 
 

 The Architect,
 
CIV, 1920, p. 426.

 The Builder,
 
CIXX, 1920, p. 575.
 

 
               
  1920  
 WAR MEMORIAL.

 Master's House,
 Manor House School,
 Tonbridge, Kent.

 For Major Arnold.

 According to Joanna Symonds there is a
 photograph of the executed plaque at the   
 
RIBA, with a note on the back indicating  
 
that it was on the wall of the Master's
 house. There is now no plaque on the  
 
Headmaster's house, but the memorial
 which is in the ante-chapel may be
 Voysey's
 design substantially altered
 (information from Tonbridge School).

 

Image voyseysociety.org

   
   
 
 
               
  1920  
 WAR MEMORIAL
 to King's Own Yorkshire Light Infantry,
 for York Minster,
 West Aisle of the North Transept.

 
NOTES: "A slightly simplified version of
 this design was executed.
 It is located in the west aisle of the
 north transept.
" (RIBA)
 

RIBA
Executed memorial:
photo and description on www.iwm.org.uk

   
 

 The Builder,
 CXIX, 1920, p. 544.
 
               
  1920/1935  
 LAUGHTON HILLS.
 
Laughton, near Market Harborough,
 L
eicestershire.

 For William Taylor.

 

 

 

RIBA
 

   
 The Builder,
 CXIX, 1920, pp. 65-66.

  Carpenter & Builder,
 20 June 1924, p. 826.

 Richard Hollis,
 Voysey's last house:
 Laughton Hills, 1920 and 1935:
 "Hidden from view".
 The Orchard, Number Five,
 Autumn 2016, pp. 45-52.
 

 
               
  1921  
 Tomb of Arnold Stuart and family

 in Hampstead Cemetery,
 Camden, Greater London.

 Historicengland.org.uk 

 
 

 


Photo by Jamie Barras on flickr

 

     
               
  early 1920s  
 Worthy Manor,
 Porlock, Somerset.
 
 



 

     
           

 


                                                                                    

2. Unexecuted Projects

Images Courtesy of The Royal Institute of British Architects        

             

 

Date
of design

 

 Project / Place / Client / Notes

 

 
 Drawings / Links
 

 


 Literature
 

 

 

   

 Please click on the underlined textual links or images for a larger version.

 

1882-4

   
 Competition for Admiralty Buildings
 behind Whitehall.
 
Voysey's design was unplaced.
 No record of this project appears 
 
to have survived.
 The award was given to
 Messrs. Leaning & Leaning
.

   
 
 
 
 
 
 
                 

 

1882-4

   Design for
 the South Devon Sanatorium
 Company,
 Teignmouth, Devonshire.
 





 

   Dekorative Kunst, I,
 Mόnchen, 1897 (elevation).

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 p. 27.

 
                 

 

1884

   Design for Chapel & Crematorium at Sundrum,
 Ayr, Scotland.
 
 





 

   
 Building News,
 later
 Architect and Building News
,
 
Vol. 51, 1886, pp. 686, 746.
 
 
                 

 

c.1885

   Design for a Cottage for Voysey himself.  



RIBA

   
 The British Architect
,
 
Vol. 40, 1888, after p. 76.

 The Studio,
 
IV, 1894, p. 34.
 
 Dekorative
Kunst, I,
 Mόnchen, 1897, p. 244.
 
 David Gebhard,
 Charles F. A. Voysey
,
 p. 102, fig. 19.

 Wendy Hitchmough,
 CFA Voysey, p. 34.

  David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.
 

 
                 

 
      
 

c.1885(?)

   
 Country House with an Octagonal Hall.


 
 





 

   The British Architect,
 
XXXI, 1889.

 Dekorative Kunst,
 
I, 1898, p. 253.

 David Gebhard,
 Charles F. A. Voysey,
 fig. 22.

 
                 

 

c.1885(?)

   
 An Artist's Cottage.

 According to Stuart Durant, the Devey
 influence is seen in the neo-vernacular aspects
 of the building and its relaxed agglomeration
 of parts.

 John Brandon-Jones pointed out,
 although the design was published in 1889,
 it is likely to have been made some years
 earlier. It shows Voysey's work at a stage
 when he was still heavily influenced by 
 Devey.
 

 



   
The British Architect
,
XXXI, Feb.1889.

John Brandon-Jones and others,
C.F.A. Voysey,
pp. 36, 38.

David Gebhard,
Charles F. A. Voysey,
fig. 20.

Prof. Ian Hamerton, in The Orchard
Number Ten, Autumn 2021, pp.10-11.

 

 
                 

 

1888-9

   Design for a house at 14 South Parade,
 Bedford Park, London,
 for Mrs Forster.

 
A modified version was built in 1891.
 




RIBA
 

 

 John Brandon-Jones,
 C.F.A. Voysey, pl. B8.

 Wendy Hitchmough,
 CFA Voysey, p. 34. 

 Prof. Ian Hamerton,
 The Orchard

 Number Ten, Autumn 2021,  
 pp.8-9.

 
                 

 

 c.1888-9

   Design for 'A Tower House'.
 Tierney Road, Streatham Hill
 





 

   
 The British Architect, 
 
XXXI, 1889, p. 70.

 John Brandon-Jones,
 C.F.A. Voysey, pl. B 9, p. 40.

 David Gebhard,
 Charles F. A. Voysey,
fig. 32.

 Wendy Hitchmough,
 CFA Voysey,
p. 36-7. 

 Prof. Ian Hamerton,
 
The Orchard
 Number Ten, Autumn 2021,
 p. 10.

 
                 

 

c.1888-9

   A Verandah House.  




 

   The British Architect,
 XXXI, Feb. 1889.

 David Gebhard,
 Charles F. A. Voysey,
fig. 21.

                       
 Wendy Hitchmough,
 CFA Voysey
, p. 35-6.

 
                 

 

1889

   
 House at Dovercourt, Essex,
 for A. J. W. Ward.
 
 


 



 

 Dekorative Kunst,
 1898, p. 252.
 
 The British Architect,
 11th April 1890, p. 259.
 
                 

 

1889

   
 House at Bellagio,
 for W. Allport.
 
 




   
 The British Architect,
 
10th June 1898.
 
 Dr Peter King, 'Voysey and
 The British Architect',

 in The Orchard, Number Nine,
 Autmn 2020, pp. 98-101
.

 Prof. Ian Hamerton,
 
The Orchard
 Number Ten, Autumn 2021,
 pp. 9-10.


 
 
                 
  1889     A Country Residence. 
 



   The British Architect
 4th January 1889.
 
 
                 
 
1889
    Drinking Fountain at Southampton.  


   The British Architect
 17th May 1889, p. 355.
 
                 
 
c.1890
   A Cockney Villa.   


   The British Architect,
 25th April 1890, p. 296.
 
                 

 

1890

   
 COTTAGE
 at Llandrindod, Wales,
 for E. L. Lakin.
 
 


 

 

 

 
 
 
                 

 

1890

   Lodge for a Manchester suburb.

 The walls are roughcast,
 the windows have wood frames
 and the roof is covered with green
 slates.
 

 



 
RIBA
 

 

 The British Architect,
 
XXXIII, 1890, p. 223.

 David Gebhard,
 Charles F. A. Voysey,
 fig. 26.
 

 
                 

 

1891

   An Artist's Cottage.  

 



 

   The British Architect,
 
December 1891, p. 456.

 David Gebhard,
 Charles F. A. Voysey,
fig. 27.

 
                 

 

1891

   Houses on Lord Wentworth's estate
 at Chelsea (Swan Walk), London,
 for Daw & Son.

 
 




 

   The British Architect,
 
1st January 1892, p. 5.
 
                 

 

1892

   

 Row of four studios,
 Glebe Place, Chelsea, London,

 for Conrad Dressler.

 

 

 


 



 

   The British Architect,
 volume 38, 2nd December 1892.

 David Gebhard,
 Charles F. A. Voysey,
fig. 39.

 Prof. Ian Hamerton in The Orchard
 Number Ten, Autumn 2021,
 p. 15.
 
                 

 

1892

   Design for a Staircase.  




RIBA
 

   David Gebhard,
 Charles F. A. Voysey,
fig. 38.
 
                 
 
1893
    Studio for Miss Forster.
  Brook Green.
 



   
 The British Architect
,
 19th August 1898.
 
 Wendy Hitchmough,

 C F A Voysey, p. 116. 

 David Gebhard,
 Charles F. A. Voysey,
 
p. 21 and fig. 37.
 (Alternative plan)

 Prof. Ian Hamerton,
 in The Orchard
 Number 10, Autumn 2021, p.16.

 
                 

 

1894

   An Artist's Town House
 for Miss J. B. Forster,
 5 Aynhoe, Brook Green.
 
 



 

   
 The British Architect,
 
6th July 1894.

 Prof. Ian Hamerton
 in The Orchard
 Number Ten, Autumn 2021,
 pp. 16-7.


 
 
                 

 

1894

   
 Mrs. Mary Scott house, Hampshire.
 
 

 


 

 

 

   David Gebhard,
 Charles F. A. Voysey,
figs. 58-9.
 
                 

 

1895

   
 Design for a new house,
 at Ockham ParkRipley, Surrey,
 for the Earl of Lovelace.
 
 

 



 

   The British Architect,
 
XLVI, 1895,
 pp. 182-4.
 
                 

 

1895

   
 Design for a monument to Queen Victoria.
 
 
 


 RIBA

   This image is from a volume
 of drawings (entitled Vol II)
 by various designers produced
 for or presented to the Quarto
 Imperial Club, London,
 between 1892 and 1897. (RIBA)
 
                 

 

1897

 
 
Block of two Studios & Houses
 at Studland Bay,

 for Alfred Sutro.
 




 

   
The British Architect,
 
XLVIII, 1897, pp. 199, 202.

 David Gebhard,
 Charles F. A. Voysey,
fig. 57.

 Prof. Ian Hamerton,
 
The Orchard
 Number Ten, Autumn 2021,
 pp. 19-20
.

 
                 

 

1897

   Studio-house at Studland Bay,
 for Alfred Sutro
 for the use of W. Margetson.

 The walls are roughcast,
 the windows have wood frames
 and the roofs are of green slate.
 


 


 Dekorative Kunst,
 
I, 1898, pp. 250 & 251.

 The British Architect,
 
L, 1898, p. 346.

 The House,
 
IV, 1898-9, p. 161.

 Hermann Muthesius,
 Das moderne Landhaus, 
 
1905, p. 149.

 David Gebhard,
 Charles F. A. Voysey,
fig. 61.

  Prof. Ian Hamerton,
 
The Orchard
 Number Ten, Autumn 2021,
 pp. 21-2.

 

 
                 

 

1897

   
 House at Colwall, near Malvern,

 for C.F.A. Voysey himself.

 
There are two designs for 
 the proposed house.
 The materials in both design
 are roughcast for the walls,
 wood frames and iron casements
 for the windows and
 green slate for the roofs.

 



 

   
 
David Gebhard,
 Charles F. A. Voysey,
fig. 68.
 
 
                 

 

1897

   
 
House at Limpsfield, Surrey
 for R. G. Cather.

 
The walls are roughcast,
 the windows have stone dressings 
 with iron casements and
 the roofs are of green slate.
 




RIBA
 

 


 The Builder, LXXVI, 
 1899, pp. 348-9.

 David Gebhard,
 Charles F. A. Voysey,
fig. 69.
 

 
                 

 

1897

   
 
According to Joanna Symonds
 C. F. A. Voysey,
p. 43 (131),
 the 'Black Book' (Voysey's own manuscript 
 list of his works) mentions various other 
 designs of 1897 for Hope Brooke
 for buildings at BRACKLEY:
 19 cottages (not executed),
 a pair of semi-detached houses,
 a shop (not executed)
 and a dairy shop (not executed).
 
 
   The British Architect,
 May 13th 1898. 

 The British Architect,
 August 5th 1898.
 
                 

 
 

1898

   
 House at Limpsfield, Surrey,
 for C. A. Sewell.

 
The walls are roughcast and the 
 windows have stone dressings.
 




RIBA
 

 

 W. Shaw Sparrow (ed.),
 The Modern home,
 1906, p. 64. 

 David Gebhard,
 Charles F. A. Voysey,

 figs. 77 & 78. (Design No.3)
 

 
                 

 

1898

   House for H. Rickards, (Broom Cottage),
 near Windermere, Cumbria.


 The walls are roughcast,
 a few upper windows have
 wood frames and the rest have
 stones dressings and
 the roofs are of green slate.
 



RIBA
 

   
 

 Horace Townsend,
 "Notes on Country and 
 Suburban Houses designed
 by C. F. A. Voysey,"
 The Studio
, XVI, 1899, pp. 157-164.
 Perspectives and plans on p. 161.

 Builder's Journal &
 Architectural Record
,
 
XI, 1900, p. 190.

 David Gebhard,
 Charles F. A. Voysey,
fig. 70.
 

 
                 

 

1898

   
 House at Collington Avenue,
 Bexhill-on-Sea, Sussex,

 for A. Barker.

 The plans for A. Barker are identical
 with the executed building PRIOR'S GARTH
 later called PRIOR'S FIELD
 for F. A. Chambers in 1900

 
The walls are roughcast,
 the windows are wood-framed
 and the roof is of green slates.

 




RIBA
 

 

 The British Architect,
 L, 1898, pp.183 & 184.

 Builder's Journal &
 Architectural Record
,
 XI, 1900, pp. 423 & 424.

 David Gebhard,
 Charles F. A. Voysey,
fig. 71.
 
 Duncan Simpson,
 C.F.A. Voysey
, p.78, fig.31.

 
                 

 

1898

   House at Glassonby, near Kirkoswald, 
 Cumberland,
 for W. E. Rowley.
 

 The house is of  local stone,
 with green slate roofs.
 



RIBA

   

 The British Architect,
 L, 1898, p. 148.

 The Studio,
 
XVI, 1899, p. 160.

 J. Brandon Jones,
 Architectural Association Journal,
 
LXXII, 1957, p. 252.

 

 
                 

 

1898

   House at Oxshott, near Esher, Surrey,
 for C. S. Loch.

 The walls are roughcast,
 the windows have stone dressings
 and the roofs are covered
 with green slates.
 


 

RIBA
 

   

 Academy Architecture,
 
XV, 1899, p. 50.
 
 The Studio, XVI, 1899, p. 161.
 
                 

 

1898

   House at Westmeston, Sussex,
 for Arthur Newbold.

 
The walls are roughcast,
 the windows have stone dressings,
 stone is used for copings and
 bands and the roofs are covered
 with red tiles.
 




RIBA
 

 
 The British Architect,
 
LII, 1899, p. 238.

 The Studio, XVI, 1899, p. 163.

 Builder's Journal &
 Architectural Record,
 
XI, 1900, p. 424.

  David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015.
 

 
                 
  1898    House at Studland for Alfred Sutro.  






   
 The British Architect,
 
L, 5th August 1898, p. 91.
 
 
                 
  1898    
 House at Arley, Warwickshire,
 for Bernard Ellis.
 
 

 

     
                 
  1898    
 House at Blackburn and stables,
 for A. Heyworth
 
 

 

     
                 
  1899    
 House at Sandwich, Kent,
 for A. D. Blyth.

 The walls are roughcast,
 the windows
have stone dressings
 and the roofs are covered
 with red tiles.

 
 


 

   
 
 
 
                 
  1899  
 House at Colnbrook, Buckinghamshire,
 for Dr Alexander Bowie.
 

 

RIBA
    
V & A's Collection

 

 David Cole, The Art and
 architecture of CFA Voysey :
 English pioneer modernist
 architect & designer
, 2015. 
 
                 
  1900    
 House at Worcester Park, Surrey,
 for J. B. Pinker.
 
 


 

     
                 
  1901    Two semi-detached cottages
 at Madresfield Court, near Malvern Link,  
 Worcestershire,
 for the Earl Beauchamp.


 The walls are roughcast
 and the joinery, including window
 frames, is in unpainted, oiled oak.
 



RIBA

   

 The Builder's Journal
 & Architectural Record,
 
XVI, 1902-1903,
 pp. 82-3.

 House & Garden,
 
III, 1903, p. 260.

 M. B. Adams,
 Modern Cottage
 Architecture,

 1904, pl. 17.
 

 
                 
  1901  
 House at Cuttycroft, Malvern,
 Worcestershire,
 for N. J. Peyton.

 The walls are roughcast,
 the windows are wood-framed
 and the roofs are of red tiles.

 

 

 



 

 
 

 H. Muthesius,
 Landhaus und Garten, 
 
Berlin 1907, p. 157
 ( N & S elevations).
 

 
                 
  1901    Design for Lincoln Grammar School,
 for F. H. Chambers.


 The exterior of the quadrangle
 is faced with stone and
 the interior has roughcast walls.
 The windows have stone dressings
 and iron casements;
 the roofs are of red tiles
 except for the hall, which is
 covered with metal sheeting.
 




 RIBA
 

 


 
In The Building News,
 
LXXVIX, 1905, pp. 76 & 77,
 Voysey states that '... My designs...
 were made in conjunction with the
 headmaster... My design was
 rejected on the ground that it was
 too severe, and I am pleased to say
 the design of Mr. Leonard Stokes
 was accepted instead.'
 (Joanna Symonds,
 RIBA Drawings Collection
, p. 29)

 Dekorative Kunst,
 XIV, 1906, p. 201.
 

 
                 
  1902    
 House at Shooters Hill, Kent,
 for C.E.S. Phillips
 
         
                 
   1902    
 House on Vache Estate,
 Chalfont St Giles,
 for J. H. Angus.

 
The walls are roughcast,
 the windows have stone dressings
 and iron casements
 and the roofs are of red tiles.

 




 RIBA
 

 

 The British Architect,
 
LXV, 1906, p. 24.

 
                 
   1903    
 House in Abinger Road, Bedford Park
 (Brentford & Chiswick), Hounslow, London,
 for M. T. La Thaugue.

 
The walls are roughcast and the
 windows have iron casements
 and stone dressings.
 




 

     
                 
  1903    2 cottages at Pole Cat Lane, Shottermill,
 Haslemere, Surrey,
 for A. M. S. Methuen.

 
The walls are roughcast,
 the windows are wood-framed
 with iron casements and
 the roofs are of red tiles.
 


   
 
The Builder's Journal & 
 Architectural Record,
 
XX, 1904, p. 265.

 The British Architect,
 
LXV, 1906, p. 292.
  

 David Gebhard,
 Charles F. A. Voysey, fig. 98.
 

 
                 

 

1903

   Tower house at Bognor Regis
 Sussex,
 for W. Ward Higgs.
 



 
RIBA
 

 

 
 Moderne Bauformen

 IV, 9, Stuttgart, 1905,
 pp. 98, 102.

 John Brandon-Jones,
 C.F.A. Voysey,
 pl. B 31, p. 53.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 p. 182.

 
                 

 

1903

   
 House on Rayrigg Estate, Windermere,
 Cumbria,
 for G. Toulmin.
 
 

 

     
                 

 

 1903

 

   
 House at Bracknell Gardens
 Hampstead, London,
 for W. C. Lawrence.
 

 The windows have iron casements
 and stone dressings.
 In the RIBA drawing the roof is of
 red tiles and the walls are of red
 brick, whereas in The British
 Architect
illustration the walls are
 roughcast and the roofs are of
 green slate.

 Two alternative schemes prepared
 but the house was not built.

 




RIBA

 

   

 Academy Architecture, 
 
XXVI, 1904,
 pp. 47 & 105.

 Builder's Journal
 & Architectural Record
,
 XX, 1904, p. 20.

 
 The Studio
 
XXXI, 1904, p. 129.

 The British Architect,
 
LXV, 1906, p. 436;
 different design in BA,
 illus. of plans & elevations not
 corresponding to the RIBA drawing.
 

 
                 
  1904    Competition design for
 Carnegie Library and Museum,
 Limerick, Ireland.
 




 

   
 The British Architect,
 
10th November 1905,
 17th November 1905.

 
Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 p. 185.

 
                 

 

1905    
 ALDERLEY EDGE, Woodbrook,
 Cheshire,
 for A. Heyworth.

 The two designs show an
 L-shaped house with an entrance
 court in the angle of the L;
 and in both designs the house is
 roughcast, with green slate roofs,
 and windows with stone dressing.
 Neither design was executed.

  Instead of a new house
 alterations and additions
 to existing house.
 Working drawings
 1905-06, 1908, 1915 & 1917.

 



 



RIBA
 

 
 


 

 

 
                 
 
1905
 
   
 House at Ashintully,
 Tyringham, Mass., U.S.A.,
 for Mrs Tytus.
 
 



 

   
The British Architect,
 
20th April 1906.

 
 David Gebhard,

 Charles F. A. Voysey,
 fig. 103.

 
                 
 
1905
 
   Small house at Cobham, Surrey,
 for W. Leighton Grane.
         
                 
  1905    
 Cottage at Chorleywood, Hertfordshire,
 for Mr Fensom.

 
The walls are roughcast with tarred
 plinths, the windows are
 wood-framed with wood
 casements, and the roof is of red tiles.

 





   
 The British Architect
,
 
27th April 1906, p.292.
 
 
                 

 

1906

   
 House at Gray's Park,
 Stoke Poges, near Slough,
 Buckinghamshire,
 for Joseph Hatton.


 The walls are roughcast
 with tarred plinths,
 the windows have stone dressings 
 and the roofs are covered
 with red tiles.
 According to Joanna 
 Symonds there is a house
 in Stoke Poges which  
 seems to be by Voysey,
 but it is not like this design
 (information from
 Brian Blackwood).
 Joanna Symonds,
 C. F. A. Voysey, 1976, p.42.

 



RIBA

   
 

 The British Architect,
 LXVI, 1906, p. 184&186.
 
 Architectural Review,
 
22/1907, p. 219.

 David Gebhard,
 Charles F. A. Voysey,
fig. 115.

 
 

 
                 
 
1906
   Row of three shops at Chorley,
 near Blackburn, Lancashire.
    



   The British Architect,
 
15 May 1908.
  
 
                 

 

 1906

   
 3 cottages on the corner of Eldon Street & 
 Langham Road at Blackburn, Lancashire,
 for the executors of Eli Heyworth.

 The walls are roughcast
 with tarred plinths,
 the windows are wood-framed
 and the roofs are of red tiles.

 

   
 

 The British Architect,
 
LXVII, 1907, pp. 387 & 388.
 

 
                 

 

1907

   
 Houses in Finchley Road,
 Hampstead, London,
 for Vernon Hart.

 
There are 2 designs,
 one of which was executed
 and the other was not executed.

 

 


 

 

 
 The British Architect,
 
LXVIII, 1907, p. 148.
 
 Nineteenth and twentieth
 century architecture
,
 published by Garland in 1976, p. 314.
 
                 
 


1907
 

   Bungalow at Frinton-on-Sea, Essex,
 for S. Claridge Turner.
 





 

   The British Architect,
 
16th December 1910.
  
 
                 

 

1907-08

   House at Frinton-on-Sea, Essex,
 for S. Claridge Turner.

 The walls are roughcast with tarred
 plinths, the windows have stone
 dressings and the roof is of blue
 Staffordshire tiles.
 


RIBA

Victoria and Albert Museum

 

 The British Architect,
 
LXIX, 1908, pp. 405 & 406
 (brief description & illus. of plans, 
 elevations & sections of 2 designs
 for house for S. C. Turner
 at Frinton: one of the designs
 corresponds with the drawing
 at RIBA).
 

 
                 

 

c.1907-08

   
 Offices of the Essex & Suffolk
 Equitable Insurance Society,
 High Street, Colchester, Essex.

 Unexecuted design for altering
 the existing building.
 
 





   The British Architect,
 LXIX, 1908, p. 334.
 
                 
 


1908
 

   House at Frinton-on-Sea, Essex,
 for S. Claridge Turner.
 


 

RIBA


 

     
                 
 

1908

    House at Frinton-on-Sea,
 for S. Claridge Turner.

 The materials are roughcast,
 with tarred plinths for walls,
 stone dressings and iron casements
 for windows and green slate for 
 roofs.
 


RIBA

 

 The British Architect,
 
LXXIV, 1910, p. 420.
 

 
                 
  1909    
 House, Bigwood Road,
 Hampstead Garden Suburb, London,
 for Miss Ling.

 
The walls are roughcast,
 with tarred plinths;
 the casement windows have stone 
 dressings, except for the dormer
 windows, which are wood-framed;
 the roofs appear to be of reddish
 brown tiles.

 

RIBA

   
 
 
 The British Architect,
 
19th November 1909,
 26th November 1909.
 
 
                 
   1909    House at Slindon,
 for A. A. Voysey
 




Victoria and Albert Museum

 

   David Gebhard,
 Charles F. A. Voysey,
fig. 127.
 
                 
  1910    
 Two houses at Sea Road,
 pair of semi-detached houses,
 New Brighton, Cheshire,
 for G.E. Marshall.
 

 The two houses are contained
 within a single rectangular block
 with a hipped roof.
 They are separated at ground floor
 level by a tunnel going from front to 
 back of the building.
 The walls are roughcast, with plinths
 in black brick, but with a label
 indicating 'tar' as an alternative;
 the windows have stone dressings,
 the roof is covered with grey tiles
 and the chimneys are of black and
 brown bricks.

 



   

 The British Architect,
 
LXXIV, 1919, p. 276;
 
21st October 1910.

 David Gebhard,
 Charles F. A. Voysey,
fig. 128.
 

 
                 
  1910    Two office blocks,
 Tudor Street, London,
 for the Spicer Brothers.

 
The windows have stone dressings  
 
and are linked together by
 
horizontal bands of stone.
 The walls are of yellow brick
 except for the plinths,
 which are of black brick.
 





 

   Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,
 p. 207.
 
                 

 

1910

 

1911

   
 Convalescent Home, Pasture Wood,
 Holmbury St Mary, near Dorking, Surrey,
 for Frederick James Mirrielees.
 Design I, 1910

 
 Convalescent Home, Pasture Wood,
 Holmbury St Mary, near Dorking, Surrey,
 for Sir Frederick James Mirrielees.
 Design II, 1911


 
 






RIBA
 

   The British Architect,
 LXXV, 1911, p. 402.
 
                 

 

1912

   Design for a village hall,
 Porlock, Somerset.

 According to Joanna 
 Symonds a village hall was 
 built at about this time, not
 to a design of Voysey's,
 but possibly to one by
 Lady Lovelace.
 





 

     
                 

 

1912

   
 Two designs for a country cottage
 for a Country Life architects' competition.

 
The walls are roughcast with tarred
 plinths, the windows are
 wood-framed and the roofs tiled.

 

 


 

 

 

 The British Architect,
 
LXXVIII, 1912, p. 426;
 LXXIX, 1913, p. 84.
 

 
                 
 
1912
    
 Two Designs for Burial Grounds,
 Helenenthal, near Iglau,
 Czech Republic
 for Dr. Carl Löw.

 

        The British Architect,
 6th December 1912. 
 
                 

 

1913

   Cottage at Ampthill, Bedfordshire,
 for Miss M. Foster.


 The materials are roughcast with
 oak-framed casement windows,
 a red tiled roof and a brick pier
 supporting a corner veranda.
 





   

 The British Architect,
 
LXXXIX, 1913, pp. 315 & 330.

 David Gebhard,
 Charles F. A. Voysey,
fig. 131.
 

 
                 

 
 

1913-14

   Competition for Government buildings, 
 Ottawa, Canada.


 The buildings are faced with local
 stone, and the detailing is in a free 
 Perpendicular Gothic.
 


 

 The British Architect,
 LXXXII, 1914, p. 220.

 The Architect,
 C, 1918, p. 66.


 J. Brandon-Jones,
 Architectural Association 
 Journal,
 
LXXII, 1957, p. 248. 
 

 
                 

 

1914

   House at Ashmansworth,
 near Newbury, Berkshire,
 for Arthur ΰ Beckett Terrell.


 The materials are roughcast,
 with tarred plinths on all walls
 except for those inside the
 courtyard, stone dressings and
 iron casements for the windows
 and grey slates for the roofs.
 




RIBA
 

 
 The British Architect, 
 
LXXXII, 1914,
 pp. 256 & 268.
 
 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995,  
 p. 201.

 
 
                 
  1914    House at Thatcham Cold Ash, Berkshire,
 for H. Tingey.


 The walls are roughcast
 with tarred plinths and
 the windows have stone dressings.
 




RIBA

 

 

 The British Architect
 LXXXII, 1914,
 pp. 78 & 136.
 

 
                 
  1914    
 House at Wilmslow,
 for his brother Ellison A.Voysey.
 
 



   The British Architect,
 3rd April 1914. 
 
                 

 

1918

 

 Design for a pair of cottages
 for Mrs Cazelet.
 


 

   
 The British Architect,
 
LXXXIX, 1918, p. 45.
 
 The Builder,
 CXV, 1918, p. 158.
 
 
                 
  1919

 

 2 cottages at Bradfield, Berkshire,
 for G. B. Simonds.


 The walls are roughcast
 with tarred plinths,
 the windows have stone dressings
 and the roof is of red tiles.
 




 

 

 The Builder,
 CXVII, 1919, p. 164.


 David Gebhard,
 Charles F. A. Voysey,
fig. 132.
 

 
                 

 

 1919

 

 
 Cottages at Alderley Edge, Cheshire,
 for A. Heyworth.
 
 

 

   The Builder,
 
CXVII, 1919, p. 164.
 
                 
  1921    
 Design for pedestal
 for Peruvian National Memorial.
 
 

 

     
                 
  1922    
 House at Jihlava (Helenenthal Iglau),
 Czech Republic,
 for Dr. Carl Löw.

 
The walls are roughcast with tarred
 plinths, the windows have stone
 dressings and iron casements and
 the roofs are covered with oak 
 shingles.

 


 

 

   

 The Builder,
 
CXXV, 1923, pp. 288-289.

 
Duncan Simpson,
 C.F.A. Voysey
 an architect of individuality,
 
p. 132.

 Jindřich Vybνral,
 Charles F. A. Voysey's
 Forgotten Designs for

 Southern Moravia,
 Uměnν LIII / 2005
   

 

 
                 
  1922    
 House at St Nicholas-at-Wade,
 Isle of Thanet, Kent,
 for Tom Jones.

 
The walls are roughcast with tarred
 plinths, the windows have stone
 dressings and the roof is of slate.

 

 

     
                 
  1923    Design for two tower blocks (for flats)
 Scheme for the Treatment of
 the Devonshire House site
,
 Westminster, London.

 
According to Stuart Durant
 evidently influenced by North American
 skyscraper design, the blocks have a markedly
 medieval aspect.
 




RIBA
 

 

 The Builder, CXXV, 1923,
 pp. 990-991.

 Wendy Hitchmough,
 CFA  VOYSEY,
London 1995, p. 208.

 
                 
  1926

 

 
 House at Hillingdon, London,
 for Courtney Haigh.
 
 

 

RIBA
 

   The Builder,
 CXXXI,1926, pp. 406 & 408.
 
                 
  1926    Competition design
 for the Masonic Peace Memorial,
 Great Queen Street, London.

 The competition was won 
 by Ashley & Newman.
 
 




 

     
                 
 1927  
 Competition design
 for a Town Hall, Wimbledon.
 
Joanna Symonds:
 "The main block, facing Broadway,
 was to be in stone, with restained
 Gothic detailing,...The rest of the
 buildings were to be in brick with  
 
stone dressings, with Gothic 
 
detailing confined to some pointed
 windows.
 The competition was won by
 Bradshaw, Gass & Hope."


 
 

 

 


 
 
                 
  1930    
 Competition design
 for a stand for Vanesta Ltd
 at Building Trades Exhibition Manchester.
 
 


 

     
                 
  1932    
 Designs for bungalow in South Africa,
 for Lady Diana Gibb and Macdonald Clark.
 
 


 

     
                 
   1933    
 Competition design
 for a Manchester Exhibition Hall. 

 John Brandon-Jones:
 "It is hardly surprising that in
  1933 Voysey's Gothic design was
  unplaced, and modernistic design
  (by R. H. Uren) won first prize."

 Stuart Durant:
 "The proposed building was in a
 late medieval style, not unlike his  
 
Ottawa Government buildings of 1914."

   
 
 
 


 

 
                 

 

 1936

   
 House at Hampstead,
 
off The Bishop's Avenue,
 Camden,
 for Robert Donat.

 The walls are roughcast with tarred
 plinths; the windows have stone
 dressings and iron casements
 and the roofs are of slate.

 
 



 

     
                 

 

no date

   
 
2 designs for a small house.

 
The designs show two-storey,
 rectangular blocks which are almost
 identical except for the roofs.
 The walls are roughcast with tarred
 plinths, the windows have stone
 dressings and the roofs are covered
 with green slates.

 


 

   
 
 
 
             

From 1920 until the mid-30s, Voysey designed fabrics, carpets, wallpapers, and very occasionally, furniture. (Stuart Durant)

 

Chronology on the Voysey Society website

List of works see Wendy Hitchmough, C F A Voysey, pp. 230-4.

      Catalogue of the Drawings Collection of the Royal Institute of British Architects, C.F.A. Voysey,
     
by Joanna Symonds, D. C. Heath, Farnborough 1976.

 

 

In 1913 Voysey gave a selection of designs to the Victoria and Albert Museum.
In 1940 the rest of the drawings, which he had kept, were given to the Royal Institute of British Architects
and after the war they were presented to the RIBA Drawings Collection by Voysey's son, Charles Cowles Voysey,
and in 1975 they were catalogued by Joanna Symonds.
There are 88 designs for buildings at the RIBA; 208 designs for textiles and wallpapers;
260 designs for furniture; 206 graphic designs; and 8 designs for extensive alterations to existing buildings.

The perspective watercolours were drawn up by Howard Gaye for the Royal Academy Summer Exhibitions.
(W. Hitchmough, p.123)

 

3. Furniture, Clocks


4.
Wallpaper, Textiles, Carpets


5. Metalwork, Lighting, Fireplace

 

6. Biography 

     Sources: The oysey Society (Chronology), John Brandon-Jones, Duncan Simpson, Stuart Durant and Wendy Hitchmough.

 
                The latest list of projects, first published 1980 by The Macmillan Press Limited, London and Basingstoke
                 in: Emanuel Muriel, Contemporary Architects, pp. 857-8.

                         

1857-71

 Born on the 28th May 1857 at Hessle, near Hull, in Yorkshire.

 Father Reverend Charles Voysey (1828–1912)
 
and his cousin Frances Maria Voysey (nιe Edlin) had four sons and six daughters. C. F. A. Voysey was the eldest child.
 Father served as a curate; father and uncle were running a school.
 Family moved to Jamaica in 1859 and stayed there for 18 months and returned to England.

 1864 the family moved to Healaugh, a small village with around 230 inhabitants,
 near Tadcaster in North Yorkshire, where his father became vicar.
 Voysey was taught at home by his father until he was 14 years old.

 1869 Charles Voysey was prosecuted for heresy by Archbishop William Thomson
 and lost his case at the Chancellor's Court of the Diocese of York
and was expelled from the Church of England.
 He had rejected the dogma of eternal punishment
in the everlasting hell.

 He was summoned before the Chancery Court of York for heterodox teaching, where he defended his case for two years. He appealed to the
 Judicial Committee of the Privy Council which gave its judgement on 11 February 1871. (Wikipedia)

 Before the judgment, Charles Voysey had begun to hold services in London at St George's Hall, Langham Place.

 Charles Voysey founded the Theistic Church.
 

1871-73

 
 In April 1871 the family moved to College Road in Dulwich, London.
 Voysey attended Dulwich College for 18 months and left the school in July 1973 at the age of sixteen.
 He completed his education under a private tutor at home.
 
He may have suffered from what would be described today as dyslexia.
                                 
  (Wendy Hitchmough, CFA  VOYSEY,  pp.15-16)
 

1874


 Apprenticeship to John Pollard Seddon (1827-1906), the Gothic Revivalist architect.
 Seddon was the son of a cabinet-maker and also designed furniture,
 encaustic floor tiles and ecclesiastical embroideries.
 Voysey
was working on country churches and learned the art of decorative design.

 Voysey: "I determined to become an architect because it was the only profession
                I could take up without passing any examinations."
 

1877

 
 Started taking own commissions for minor house alterations and surveys.
 

1879


 Assistant to Henry Saxon Snell (1830-1904),
 who specialised in the design of hospitals and charitable institutions.
 
 

1880-81

 

 

 
 Assistant to George Devey (1820-86).

 G. Devey was a friend of Voysey's father and became a member of the Theistic Church.
 Devey designed country houses.

 Devey's design principles > article by Walter H. Godfrey in Architectural Review, 1907. (29 pp., PDF, 21 MB)
 

1881-82


 1881 set up own practice at 8 Queen Anne's Gate, London.
 1882 moved office to Broadway Chambers, Westminster, London.

 Unexecuted design for a sanatorium at Teignmouth and
 competition for the Admirality offices in Whitehall; entry was not placed.
 Voysey started his work mainly as pattern designer for wallpapers and textiles with the  
 
help of A. H. Mackmurdo, who showed him the the practice and introduced him to manufactures.
 

1883

 
 
First pattern design was sold to Jeffrey & Co in 1883.

 

1884

 

 Voysey joined the Art Workers' Guild.

 

1885


 Married Mary Maria Evans.   Photo of Voysey with his wife, Mary Maria Evans, and their four children.

 Moved home and office to 7 Blandford Road, Bedford Park, London.
 Design for a buttressed half-timbered house supposedly for himself and his wife.

 External mosaic for Old College building at Aberystwyth University.
 

1888-89

 
 
1888 moved home and office to Tierney Road, Streatham Hill, London.
 By 1885 Voysey's wallpaper designs were already in trade papers,
 and by 1888 he was established as one of the leading designers.
 
 
David Gebhard pointed out that "Voysey's success as
 a designer of wallpaper and fabrics far outshown his work
 as an architect even as late as the beginning of the 1890s ...
 and provided his major livelihood ..."
(David Gebhard, Charles F. A. Voysey, p.10).

 1888 designed first house built: The Cottage, Bishop's Itchington, near Warwick for M.H.J. Lakin.
 The house was published in The British Architect in 1888.
 In the same year The Architect published a design for a cottage by Voysey.
 The British Architect published his work regularly until 1918.
 Exhibited at the first and second exhibition of the Arts & Crafts Exhibition Society at The New Gallery, 121 Regent Street, London.
 

1890

 

 Designed:
 
Walnut Tree Farm, Castlemorton, for R.H. Cazelet.
 Cottage at Llandrindod, Wales, for E.L. Lakin.
 Addition to The Cliff, 102 Coventry Road, Warwick, for M.H.J. Lakin.

 

1891


 Voysey, his wife Mary Maria, son Charles Voysey, who was borne in 1889, and a servant
 moved home and office to 11 Melina Place, St John's Wood, London.
 Son Charles married Dorothea Denise Cowles in 1912 and chose to add her maiden name to his own: Charles Cowles-Voysey.
 1893 son Annesley Voysey was borne.
 1895 daughter Priscilla Mary Annesley Voysey was borne. borne.                           

 Designed:
 14 South Parade, Bedford Park, London, for Joseph Wilson Forster;
 17 St Dunstan's Road, London, Studio for the artist W. E. F. Britten;
 14 and 16 Hans Road, London, for Archibold Grove.
 

1893

 
 The Studio
magazine was launched, promoting the Arts and Crafts Movement.
 Voysey illustrated the cover for the first issue.
 According to Wendy Hitchmough The Studio represented a small revolution
 in magazine publication ... it set out to bridge the gap between the traditional art journals
 and the specialist architectural press ...
 From the outset
The Studio championed Voysey ... It made him famous ...
                                                                         (Wendy Hitchmough, CFA Voysey, p. 51 & 52).
 
 By the early nineties his furniture was beginning to be well known.
(David Gebhard, p. 12)

 Designed:
 
Perrycroft, Colwall, for John William Wilson.
 Cottage at Alton in Hampshire for Mrs Mary Scott.

 

1894

 

 Designed:
 
Lowicks, Frensham for Emslie John Horniman.

 

1895


 Moved home and office to 6 Carlton Hill, St John's Wood, London

 Designed:
 
Annesley Lodge, London, for Voysey's father;
 Hill Close, Studland Bay, Dorset, for Alfred Sutro;
 Wentworth Arms, Elmesthorpe, Leicestershire, for the 2nd Earl of Lovelace.
 

1896


 Designed:
 
Greyfriars, Hog's Back, Surrey, for Julian Sturgis, also known as Merlshanger and Wancote;
 Wortley Cottages, Elmesthorpe, for the 2nd Earl of Lovelace.
 

1897


 Designed:
 
Dixcot, 8 North Drive, Tooting, Wandsworth, Greater London;
 
New Place, Haslemere;
 Norney Grange, Shackleford;
 The Hill, Thorpe Mandeville.
 additions to Woodcote, Horsley, Surrey, for Sir Henry Roscoe.
 

1898


 Designed:
 Broad Leys, Gillhead, Cumbria, for Arthur Currer Briggs
;
 Moor Crag, Gillhead, Cumbria, for J.W. Buckley;

 
addition to 16 Chalcot Gardens, London NW3, for A.J. Whalley.
 

1899

 
 Set up office 23 York Place, Baker Street, near Marylebone Station.

 Designed:
 Started to build The Orchard, Chorleywood, for himself.
 Until The Orchard was completed in 1900, the family lived in a rented house nearby.
 Spade House, Radnor Cliff Crescent, Sandgate, Folkestone, Kent;
 Oakhill in Kidderminster, Worcestershire;
 Winsford Cottage Hospital, near Beaworthy;
 Gordondene in Wimbledon (now demolished);
 lodge at Bury Hill Park, Oldbury, Worcestershire.

 

1900

 

 Designed:
 Oakhurst at Fernhurst, Sussex;
 Prior's Garth at Puttenham, Surrey.

 

1901

 

 Designed:
 The Pastures at North Luffenham, Rutland;
 

1902

 

 Designed:
 
Sanderson & Sons Factory, London;
 Vodin (now called Little Court) at Pyrford Common near Woking in Surrey;
 addition to Roughwood Farm, Chalfont St Giles, Herts.

 

1903

 

 Designed:
 Ty-Bronna in Fairwater near Cardiff;
 White Cottage in Wandsworth, London;

 Tilehurst in Bushey, Hertfordshire;
 Hollybank in Chorleywood.

 

1904

 

 Designed:
 
Myholme in Bushey;
 House at Higham, Woodford, Essex;
 Meeting hall, workmen's institute and cottages at Whitwood, Yorkshire.

 

1905

 

 Designed:
 White Horse Inn (now the Old White Horse) at Stetchworth, Cambridgeshire;

 House at Aswan, Egypt;
 Holly Mount in Knotty Green;
 The Homestead in Frinton-on-Sea.
 additions and alterations to Hill Cottage (now the Roman Catholic Church of St John Fisher), Chorleywood;
 additions and alterations to Woodbrook, Alderley Edge, Cheshire.

 

1906

 

 Voysey sold the Orchard in 1906. He moved with his family to Hampstead.

 Designed:
 
Littleholme in Guildford.
 House at Gray's Park, Stoke Poges, Berkshire, for J. Hatton;
 reconstruction and furnishing at Garden Corner, 13 Chelsea Embankment, London, for E.J. Horniman;
 reconstruction and furnishing offices at Capel House, 54 New Broad Street, London EC2,
 for Sydney Claridge Turner and Essex & Suffolk Equitable Insurance Company;
 extensions and alterations and stables, coachman's cottage and gardener's cottage,
 at Wilverley, now Highlands, Holtye Common, Sussex, for J.F. Goodhart.

 

1909

 
 Founding member of the Imperial Arts League (for which he later served on its Council) and of the Design Club.

 Designed:

 Lodge Style, Combe Down, village suburb of Bath;
 
Littleholme in Kendal;
 House at Slindon;
 Brooke End in Henley-in-Arden.
 

1910

 
 Conversion of a barn at Holmbury St Mary, Surrey, into a convalescent home for F.J. Mirrielees, now a house called The Old Barn.
 

1911

 

 Designed:
 
House in Belfast, Northern Ireland.

 

1912


 
After the death of Voysey's father the family moved to Erskine Hill
 in the suburbs of north London.

 Designed:
 alterations to a design by Lady Lovelace for Lillycombe, Porlock, Somerset. Voysey also supervised execution of the work;
 Memorial for Frank Harding Chambers in St Catherine's church, Ludham, Norfolk.

 

1913

 

 Moved office to 25 Dover Street and in July to 10 New Square, Lincoln's Inn.

 Designed:
 Public garden in Kensal, London.

 

1914

 
 Voysey
had been separated from his wife around 1914.

 Designed:
 remodelling and extending White Cliffe, now High Gaut, St Margaret's at Cliffe, Kent, for P.A. Barendt.
 ____________
 

 The end of Voysey's architectural career.
 David Gebhard pointed out that
 "In part it was certainly due to the strong surge of classical
 (Neo-Georgian and the like) architecture which established itself
 as the dominant mode of the high art English architectural establishment."

                                 
 
(David Gebhard, Charles F. A. Voysey Architect, p. 12)
 
 
Wendy Hitchmough notes that
 "Voysey was never prepared to synchronize with the times
 in order to be popular and although the decline of his practice
 was partly caused by changing social conditions
 as the Edwardian, countryhouse lifestyle faded into obsolescence,
 even before the First World War he was unfashionable."
                      
(Wendy Hitchmough, CFA Voysey, p. 206.)

 "If a man is successful by acting one way and the circumstances change,
 he will fail if he does not change his methods.
 But men are never flexible enough to change, either because their natures will not let them
 or because they become accustomed to a certain behavior bringing success."

                                                                                                        Niccolς Machiavelli, The Prince

 "Whosoever desires constant success must change his conduct with the times."
                                                                                                                         
   Niccolς Machiavelli
  

  "Adapt or perish, now as ever, is nature's inexorable imperative."

                                                                                                                                      H. G. Wells


 "They must often change, who would be constant in happiness or wisdom."
                                                                                                                                          

                                                                                                                                    Confucius
                                                          
                                                                                                 
     


           
RIBA

  The expression ‘tide and time wait for no man’ originates from the early 11th century.
  The first use of the phrase appears in archaic English, in a script written by St. Marher in 1225, where it appears as follows.

  “And te tide and te time ώat tu iboren were, schal beon iblescet.”

  However, the phrase appeared centuries later in ‘Chaucer’s Prologue to the Clerk’s Tale,’ published in 1395.
  The proverbial expression was worded in its modern phrasing.

  Source: https://english-grammar-lessons.com

   Chaucer’s quote is in The Clerk’s Tale: “For thogh we slepe, or wake, or rome, or ryde, Ay fleeth the tyme; it nyl no man abyde.”
  (Modern English: For though we sleep, or wake, or roam, or ride, the time will fly; it will pause for no man.”) 
  Source: https://www.mamalisa.com

               
 Voysey continued to design wallpapers, textiles, carpets and occasionally furniture until the mid-30s.
 

1915

 Published Individuality.

1917

 

 Moved home and office to flat at 73 St James's Street, off Piccadilly.
 Lived there alone and worked there.

 

1919

 
 Designed:

 conversion of coach house into cottage, Haslington Cottage at Malvern Wells, now called Cob Nash, for Major G.A. Porter;
 alterations and additions to Hambledon Hurst, The Green, Hambledon, Surrey, for A.H. van Gruisen;
 War memorial in Malvern Wells, Worcestershire.

 

1920

 
 Designed:
 Laughton Hills, Leicestershire, for William Taylor;
 War memorial in Potters Bar, Hertfordshire [photograph];
 War memorial to the King's Own Yorkshire Light Infantry during World War 1,
 in west aisle of north transept, York Minster [photograph].

 

1923
  
 Lecture given at the Art Workers' Guild on 2nd February:
 "Tradition and individuality in art".
Full text available.

1924

 

 Elected Master of the Art Workers' Guild.

 

 

1927

 

 
An important series of articles on Voysey were published in The Architect and building news (vol.117):
 ‘C.F.A. Voysey: the man and his work’, in five parts. Full text available.

  The jubilee certificate of 1927, signed by many of Voysey's peers and clients in recognition of his 70th birthday.

1929

 

 Elected Fellow of The Royal Institute of British Architects (RIBA).

 

1931

 

 Retrospective exhibition of his work at the Batsford Gallery, London.

 

1936

 

 Awarded title of Royal Designer for Industry by the Royal Society of Arts.

 

1940

 

 Awarded Gold Medal of Royal Institute of British Architects.

 Moved to live near son Charles Cowles-Voysey in Winchester.

 

1941

 

  Died on 12th February in Winchester. Ashes scattered at Golders Green Crematorium.

 

 

7. Bibliography   Scanned articles. Please click on the underlined textual links (PDF).

  - Voysey Society (Bibliography)      

   - The Black Book. Voysey's personal record of his architectural projects,
     written in his own hand in a plain black notebook and known as the Black Book.

  - A Chronological List of Writings by Voysey and Writings about Voysey,
     in David Gebhard, Charles F. A. Voysey Architect, Los Angeles 1975, pp. 83-94.
(7 p.)

 
- "Bibliography," in Catalogue of the Drawings Collection of the Royal Institute of British
      Architects, C.F.A. Voysey, by Joanna Symonds, D. C. Heath, Farnborough 1976, pp. 10-12.

  
   - "Bibliography," in Stuart Durant, CFA  VOYSEY, Architectural Monographs No 19,
       Academy Editions, London 1992, pp. 142-144.

 

Books dedicated solely to C.F.A. Voysey
and other books with significant Voysey content (arranged in date order)

 

- Adams, M.B., Modern cottage architecture : illustrated from works of well-known architects (Batsford, 1904), plates 7 & 8. Full text available

 

- Sparrow, W.S., (ed.) The British home of today : a book of modern domestic architecture and the applied arts (Hodder & Stoughton, 1904), illustrations B49, B50, E21, F30 and 2 plates in colour. Full text available

 

- Crane, W., Ideals in art (George Bell & Sons, 1905), pp.146-7. Full text available

 

- Muthesius, H., Das moderne Landhaus und seine innere Ausstattung (Bruckmann, 1905), pp.145-9, 190-1. Full text available

 

- Muthesius, H., Landhaus und Garten : Beispiele neuzeitlicher Landhδuser nebst Grundrissen, Innenrδumen und Gδrten (Bruckmann, 1907), pp.156-7. Full text available

 

- Macartney, M.E., Recent English domestic architecture, vol.1 (Architectural Review, 1908), pp.28-29, 171-3. Full text available

 

- Davison, T.R., Modern homes (George Bell & Sons, 1909), pp.20-1, 119-23. Full text available

 

- Sparrow, W.S., Our homes and how to make the best of them (Hodder & Stoughton, 1909), pp.100, 199, 238. Full text available

 

- Macartney, M.E., Recent English domestic architecture, vol.4 (Architectural Review, 1911), pp.167-72. Full text available

 

- Weaver, L., (ed.) The house and its equipment (Country Life, 1912), pp.18, 20, 35, 38. Full text available

 

- Elder-Duncan, J.H., Country cottages and week-end homes (Cassell, 1906; new edition 1912), pp.124-6, 196-7. Full text available

 

- Jekyll, G., and Weaver, L., Gardens for small country houses (Country Life, 1914), pp.76-9, 162. Full text available

 

- Duggan, W.B., New Place Haslemere and its gardens ; with a frontispiece in colour and twenty other illustrations (Printed for private circulation, 1921), revised reprint of an article in The Garden

 

- Weaver, L., Small country houses of today, vol.1 (Country Life, 1910; 3rd ed., 1922), pp.139-44. Full text available

 

- Sugden, A.V., and Edmondson, J.L., A history of English wallpaper, 1509-1914 (Batsford, 1926), pp.175-6, plates 145-8. Full text available

 

- Quennell, M. and C.H.B., A history of everyday things in England, vol.4 (Batsford, 1934), pp.106-7. Full text available

- David Gebhard, Charles F. A. Voysey Architect, Hennessey & Ingalls, Los Angeles 1975.
    
   "Charles F. A. Voysey: An Introduction to the Architect and his Work," pp. 1-35. (10 MB)
             "As a "pioneer" of the modern movement, Voysey's image has been so well packaged and subsequently sold
              that there are surprisingly few who have felt that they were in a position to question the merchandise." 

                 
                                                                                                                                           David Gebhard

- Catalogue of the Drawings Collection of the Royal Institute of British Architects,
  C.F.A. Voysey, by Joanna Symonds, D. C. Heath, Farnborough 1976.
        "Charles Francis Annesley Voysey," An Introduction by John Brandon-Jones, pp. 7-10.

           "Bibliography,"  pp. 10-12.
        "The Drawings at the RIBA," pp. 13-14.

 

- John Brandon-Jones and others, C.F.A. Voysey: architect and designer 1857-1941,
  Lund Humphries, London 1978.
  Copyright Brighton Borough Council (Photographs by Duncan McNeill).
  This is the catalogue of the exhibition 'C. F. A. Voysey: architect and designer 1857-1941'
  held at the Art Gallery and Museums, Brighton from July 11 to September 3, 1978
  and subsequently at the Wolverhampton Art Gallery from January 8 to February 12, 1979
  and the Glasgow City Art Gallery from April 5 to May 27, 1979.
       "C.F.A. Voysey: An Introduction," by John Brandon-Jones, pp. 9-12, 17-24;
       and "Architecture," by John Brandon-Jones and Joanna Heseltine, pp. 30-32.

 

- Duncan Simpson, C.F.A. VOYSEY an architect of individuality 
                             
               with a preface by Sir James Richards,
                                            L
und Humphries, London 1979.

                                           Full text available (Internet Archive)

         Cover, Preface by Sir James Richards,
         Acknowledgements and Introduction, pp. 1-11. 

         Biographical details, p. 12.



            Chapter 1  C.F.A. Voysey : An Architect of Individuality, pp. 13-18.

         Chapter 2  Establishing a Practice - The Years up to 1895, pp. 19-42.
                           Early Furniture designs and other work
                           Perrycroft and Lowicks

         Chapter 3  Some Important Experiments, 1895-7, pp. 43-62.
                           Norney, New Place, Experiments in Furniture, 1895-7

         Chapter 4  The Years of Mature Practice, 1898-1910, pp. 63-107.
                           Broadleys, Moorcrag, Spade House, Winsford Cottage Hospital, The Orchard,
                           The Pastures, Sanderson & Sons, Vodin, Tilehurst, Higham, Whitwood, White Horse Inn,
                           Hollymount, The Homestead, Lodge Style, Kendal, Brook End

         Chapter 5  Furniture Designs, 1898-1910
                           and the Voysey Interior,
pp. 109-128.

         Chapter 6  The Practice in Decline, 1910-41, pp. 129-141.
                            Furniture Designs, 1910-41

         Chapter 7  The Voysey Inheritage, pp. 143-148.
                            Individuality
                            Gothic and Grotesque
                            The Inheritage
                          
                            List of extant works, pp. 149-151.
                            Bibliography, pp. 153-155.
                            Notes, pp.156-158.
                            Index of buildings and designs, pp. 159-160.

 

- Stuart Durant, The Decorative Designs of C.F.A. Voysey, The Lutterworth Press, Cambridge 1990.
    Cover, Introduction, Chronological Outline of Voysey's Life (pp. 1-8).
    Biography (pp. 9-28).
    Selected List of Surviving Buildings, Manufactures and Retailers (p. 29).
    Bibliography: Books, Selected Articles, Catalogues (pp. 30-32).

 

Stuart Durant’s newly revised edition of his 1990 work, The Decorative Designs of C.F.A. Voysey,


 

- Stuart Durant, CFA  VOYSEY, Architectural Monographs No 19, Academy Editions, London 1992,  pp. 7, 9, 11, 13, 15, 17, 19, 20, 21.
  

Stuart Durant was an Honorary Member of the Voysey Society, for whom he gave the second Annual Voysey Lecture. He was invited to write the first History of Design thesis at the Royal College of Art. He later taught Design and Architectural History at Kingston University, where he became Reader. He has also directed the Post Graduate course in Communication Design at Kingston. He was the originator of the International Design Yearbook and he has published extensively on ornament and architecture. Stuart Durant's writings have been widely translated.

 

- Wendy Hitchmough, The Homestead : C.F.A. Voysey, Phaidon Press, London, 1994.

 

- Wendy Hitchmough, CFA  VOYSEY, Phaidon Press, London 1995.

          John Brandon-Jones: "Wendy Hitchmough's book is welcome because it is not just another picture-book
                                        but a serious study of the background and sources that lay behind Voysey's
                                                               unique contribution to architecture and to the decorative arts."
 
 
Architectural Review: '' The Voysey book that we have been waiting for.
                                         A rounded and perceptive portrait. It will remain the definitive biography."

 

- Schofield, A.S., C.F.A. Voysey's buildings at Whitwood (Alice Shirley Schofield, 1997). Full text available (PDF)

 

- Anne Stewart O‘Donnell, C. F. A. Voysey: Architect, Designer, Individualist, 2011.
  > Look inside the book (a few sample pages from the book)

 

- Karen Livingstone, The bookplates and badges of C.F.A. Voysey:
                            architect and designer of the Arts and Crafts Movement
, Antique Collectors' Club, 2011.


- Karen Livingstone, V&A patterns : C.F.A. Voysey, V&A Publishing, Pomegranate, 2013.

 

- M. Hyde, Broad Leys by C.F.A. Voysey : the creation, life and times of an Arts and Crafts house:
                                                                    home to Windermere Motor Boat Racing Club
, Compass, 2013.

 

- David Cole, The Art and architecture of CFA Voysey :
                       English pioneer modernist architect & designer
,
                        Images Publishing
Group, Mulgrave, Victoria, Australia, 2015.

                             252 pages,
richly illustrated in full colour with old and new photographs
                             and magnificent reproductions of Voysey’s plans, elevations and perspective drawings.

                             > Preview

                             > Review by Phillip James Dodd on www.period-homes.com

                             > www.designhistorysociety.org (Review)

                             > www.caareviews.org (Marie Frank)

                            >  Review by James Stevens Curl. The Antiquaries Journal, Volume 96, September 2016, pp. 477-478,
                                published online by Cambridge University Press: 07 March 2016.

                     

- Karen Livingstone with Max Donnelly and Linda Parry, C. F. A. Voysey Arts & Crafts Designer,
  Victoria & Albert Museum Publishing, London 2016.
  320 p. ill., (some colour) 28cm.
  Focuses on Voysey as a designer of furniture, metalwork, and textiles.

 

 

- Karen Livingstone, Voysey's Birds and Animals, 2020.

          Karen Livingston is Director of Masterplan and Estate at the Science Museum
          and a former curator at the Victoria and Albert Museum, London.

 

 

  

  THE ORCHARD, The Journal of the C F A Voysey Society
   Back copies of the annual journal at £10.00 per copy for members (£12 for non-members), post-free in the UK. More information.

   Contents
   Issue no.1, Autumn 2012 (PDF)
   Issue no.2, Autumn 2013 (PDF)

  
Issue no.3, Autumn 2014 (PDF)
   Issue no.4, Autumn 2015 (PDF)
   Issue no.5, Autumn 2016 (PDF)
   Issue no.6, Autumn 2017 (PDF)

     Issue no.7, Autumn 2018 (PDF)
   Issue no.8, Autumn 2019 (PDF)
 
   Issue no.9, Autumn 2020 (PDF)
   Issue no.10, Autumn 2021 (PDF)
   Issue no.11, Autumn 2022 (PDF)
 
     Issue no.12, Autumn 2023 (PDF) 

 

Archival sources collected by the Voysey Society

New transcriptions and summaries of Voysey's original working records:

Index of Voysey's designs in journals included in his scrapbook

Archival material relating to C.F.A. Voysey at the RIBA and the V&A

Correspondence between Voysey and Hermann Muthesius : Hermann Muthesius (1861-1927) was a German architect, author and diplomat, perhaps best known for promoting many of the ideas of the English Arts and Crafts movement within Germany and for his subsequent influence on early pioneers of German architectural modernism such as the Bauhaus. He was the author of Das englische Haus (Ernst Wasmuth, 1904-5). Alternative source with notes in English

Correspondence about reproduction of the River Rug design : a lengthy negotiation in 1911 between Voysey, his assistant Gerard Fairtlough and Messrs Epworth & Co. regarding the purchase of a water-colour drawing of the "River Mat"

 

 

  Books on Arts and Crafts Architecture with significant Voysey content
 

- Peter Davey, Arts and Crafts Architecture: The Search for Earthly Paradise, 224 pages,
                                                                                          Architectural Press, London 1980.

            Peter Davey was an architect, historian and journalist, and was Editor of the Architectural Review.
         
  - Major survey of architects of the Arts and Crafts movement of the 1870s and 1880s.
            - Focuses on British architects and the movement in England, with separate chapters on the latter's influence in California,
              the American Midwest and Continental Europe
.

        Contents (PDF)

        Chapter 1  Once Upon a Time, pp. 8-9 PDF
            (... that a movement opposing the imitation of styles ... has had the most gratifying results. Muthesius)

       
Chapter 2  Gathering Grounds, pp. 10-20 (Pugin, Ruskin, Butterfield, Devey) PDF

        Chapter 3  The Prophet (Morris)
PDF

        Chapter 4  Lamplighters, pp.30-45
(Webb and Shaw) PDF

        Chapter 5  The Guilds are Forged (Mackmurdo) PDF

        Chapter 6  The Guide, pp.56-67
(Lethaby) PDF

        Chapter 7  The Explorer. pp.68-81
(Schrφder Prior) PDF

        Chapter 8  The Pathfinder, pp. 82-96. (Voysey)
PDF

        Chapter 9  Into the Country, pp. 97-115. (Other Architects in Voysey's Time)
PDF

        Chapter 10  The Lost City, pp. 116-138. (Sedding, Voysey, Ricardo, Holden,
                                                                         Lethaby, Townsend, Wood, Mackintosh)
PDF

        Chapter 11  The Attempt on the Summit. (Ashbee, Gimson, Barnsley) PDF

        Chapter 12  The Descent, pp. 154-170.
(Shaw, Lutyens, Baillie Scott) PDF

        Chapter 13  Quietly Home, pp. 171-182. (Parker & Unwin) PDF  

        Chapter 14  Transatlantic Excursion, pp. 183-194 (no scan)

        Chapter 15  Crossing the Channel, pp. 195-210 PDF

        Chapter 16  Postscript: Looking back, pp. 211-213 PDF

        Select Bibliography, pp. 214-218 PDF     
 

 

- Hermann Muthesius, Das englische Haus, 3 vols., Berlin 1904-1905.
  Also translated in full as The English house, edited with an introduction by Dennis Sharp, Frances Lincoln, 2007.
    Vol. I, pp.160-167, 219, 220. (11 pp., 6 MB, PDF, in German)
    Vol. II, pp. 47, 83, 84, 93, 104, 105, 113, 114, 124, 125, 132, 133, 166, 185, 205, 236, 237.  (18 pp. 10 MB, PDF, in German)
    Vol. III, pp. 96, 103, 110, 123, 124, 138, 154, 155, 160, 168, 175. (12 pp., 7 MB, PDF, In German, with photographs

    E-book > Hermann Muthesius, Das englische Haus) In German, with photographs.

    E-book > Hermann Muthesius (pages about Voysey) In German, with photographs.

 

- Muthesius, Hermann, Das englische Haus, 3 volumes (Ernst Wasmuth, 1904-5). Full text available.
  Also translated in full as The English house, edited with an introduction by Dennis Sharp (Frances Lincoln, 2007)

 

- Macartney, M.E., Recent English domestic architecture, vol.1 (Architectural Review, 1908), pp.28-29, 171-3. Full text available

- Macartney, M.E., Recent English domestic architecture, vol.4 (Architectural Review, 1911), pp.167-72. Full text available

 

- Davison, T.R., Modern homes (George Bell & Sons, 1909), pp.20-21, 119-123. Full text available

 

- Elder-Duncan, J.H., Country cottages and week-end homes (Cassell, 1906; new edition 1912), pp.124-6, 196-7. Full text available

- Nikolaus Pevsner, Pioneers of Modern Design,
  revised edition published by Penguin Books 1975, pp. 148-163 (a Pelican Book).


 - Julius Posener, Anfδnge des Funktionalismus, Von Arts and Crafts zum Deutschen Werkbund, 
    
Ullstein, Frankfurt/Berlin, 1964.  > "Charles Francis Annesley Voysey 1857-1941," pp.70-94.

  
   With plans and photos of Norney Grange, Greyfriars, Vodin, The Orchard, Perrycroft and Broadleys.
                                                                                                                    
In German, with photographs

    > E-Book (Julius Posener, Anfδnge des Funktionalismus) In German, with photographs.

 

 - Tim Benton and Sandra Millikin, The Open University, Arts: a third level course,
   History of architecture and design 1890-1939, Units 3-4,
  
Part four: The British Arts and Crafts architects, pp. 20-46, pl. 34-82, Milton Keynes 1975.
   (Voysey, Baillie Scott, Mackintosh) 145 MB

 

- Hartwig Fischel, 'Neue Publikationen όber das englische Haus',
  Kunst und Kunsthandwerk,
VII, 1904, Heft 10, pp. 461-485.
In German
  Voysey is only mentioned on page 472:
  "Wohnrδume und Hallen von Lutyens, Lorimer, Voysey zeigen zahlreiche andere feine Lφsungen nach moderner Anschauungsweise, ..."

 

- Muthesius, Hermann, Das moderne Landhaus und seine innere Ausstattung (Bruckmann, 1905), pp.145-9, 190-1. Full text available.

 

- Walter Shaw Sparrow (ed.), The Modern Home; a book of British domestic architecture for moderate incomes;
 
a companion volume to "
A British Home of Today", 1906.
  (Full text available)

       - House in Bushey, p. 54

       - House near Cardiff (Ty Bronna), p. 55

       - Unexecuted house at Limpsfield

       - Unexecuted house at Studland Bay

 

- Muthesius, Hermann, Landhaus und Garten :
  Beispiele neuzeitlicher Landhδuser nebst Grundrissen, Innenrδumen und Gδrten

  (Bruckmann, 1907), pp.156-7. Full text available

 

- Walter Shaw Sparrow, Our homes and how to make the best of them,1909.
  (Full text available)

        - Greyfriars, p. 100 

        - Dining room, p. 199

        - The Hall at New Place, p. 238

 

- The John Scott Collection, Architect-Designers from Pugin to Voysey,
   The Fine Art Society, vol.8, pp.120-9.

 

- Ehmann, Arne, Wohnarchitektur des mitteleuropδischen Traditionalismus, Dissertation Universitδt Hamburg 2006, pp.240-8. In German

 

Articles about Voysey (arranged in date order)

The articles of the periodical publications were photocopied in 1976 and have now been scanned.

 

- Scanned articles by the University of Heidelberg tagged with "Voysey"

              

- "An Interview with Mr. Charles F. Annesley Voysey, Architect and Designer,"
    The Studio, Vol. 1, 1893, pp. 231-237.

   Scan by University Library Heidelberg

 

- "An Artist's Cottage. Designed by C. F. A. Voysey," The Studio, Vol. IV, 1894, p. 34.

 

- E.B.S. "Some Recent Designs By Mr. C. F. A. Voysey," The Studio, Vol. 7, 1896, pp.209-219.
    (Wallpaper and furniture)

    Scan by University Library Heidelberg

 

- L. F. Day, ‘Art in advertising’, Art journal (vol.59, 1897), pp.49-53
  (There is only a small image by Voysey on p. 49. His name is not mentioned in the text.
)

   

- G., "The Revival of English Domestic Architecture. VI. The Work of Mr. C. F. A. Voysey,"
    The Studio,
Vol. 11, 1897, pp. 16-25.

   Scan by University Library Heidelberg

    Scan by University of Toronto



 - "The Arts and Crafts Exhibition, 1896, (Third Notice)", The Studio, vol.9, 1897, pp.189-96. Full text available

 

- "C. F. A. VOYSEY", Dekorative Kunst, Illustrierte Zeitschrift fόr angewandte Kunst,
   Vol. I, 1898, pp.241-256. In German with drawings and photos.

 

- ALP. "Empfindungen in der angewandten Kunst", Dekorative Kunst, Heft 6, 1898, pp.257-260, and images pp. 261-280.

 

- ‘Englische Gewerbe-Kόnstler neuesten Stiles : Voysey,  Ashbee,  Baillie Scott’,
   Illustrirte kunstgewerbliche Zeitschrift fόr Innendekoration
, IX (Heft 12, 1898), pp.177-184. Full text available

 

- Horace Townsend,
  "NOTES ON COUNTRY AND SUBURBAN HOUSES DESIGNED BY C. F. A. VOYSEY,"
  The Studio, vol.16, February 1899, pp. 157-164.

 

- Vallance, A., ‘British decorative art in 1899 and the Arts and Crafts Exhibition’,
  The Studio
(vol.18, 1900), pp.38-49, 185. Full text available.

 

- Charles Holme, Modern British Domestic Architecture and Decoration, 1901,
  C. F. A. Voysey "The Orchard," pp. 181-193 & 194;
     and selected works of  F. W. Bedford and S. D. Kitson (p. 35); W. H. Brierley (p. 55);
     A house at Crowborough, Sussex, reproduced from a Pencil Drawing by R. A. Briggs (p. 59);
     John Cash (p. 62); Walter F. Cave (p. 63); Edward S. Prior (p. 150);
     M. H. Baillie Scott, pp. 157, 159, 161; W. H. Seth-Smith (p. 164 & 165).
 
     Link for complete PDF version (54 MB) of the Charles Holme book,
     housed at the University of Toronto.
     The pages on "The Orchard" start in the PDF version on p. 231. 
     www.archive.org

 

- F. H. Newbery 'Morris - Walter Crane - Ashbee - Voysey und die englische Abteilung in Turin 1902',
    Deutsche Kunst und Dekoration, Band XI, 1902, p.88, pp. 209-40 (Wallpaper p. 216).
  Deutsche Kunst und Dekoration
, Band XI, 1902 p. 88 (Tapestry) 
  (Scan by the University Library Heidelberg) 


- "An artistic use of white holly", The craftsman, Vol. IV, No. 5 (August 1903), pp. 369-370.

 

Aymer Vallance, "Some recent work by Mr. C. F. A. Voysey,"
   The Studio, vol. 22, 1904, pp.127-133.

 

- ‘Some recent designs for domestic architecture’, The Studio (vol.34, 1905), pp.151-2. Full text available.

 

- P. G. Konody, ‘C.F.A. Voyseys neuere Arbeiten’, Dekorative Kunst (vol.14, 1906), pp.193-8

 

- Baillie Scott, M. H., "On the Characteristics of Mr. C. F. A. Voysey's Architecture."
  The Studio
, vol 42, October 1907, pp. 19-24.
  Full text on the Victorian Web.
 
Scan by the University of Heidelberg

 

- E. J. Horniman's ‘Garden Corner’ designed by C. F. A. Voysey.
  ” The Studio 42, October 1907, pp. 24-25.
     Full text on the Victorian Web.

 

- Paul George Konody, 'Eine Ausstellung modernen Kunstgewerbes in London', Kunst und Kunsthandwerk,
  Monatszeitschrift XI, 1908, Heft 2, pp. 93-106. In German, with photographs.

 

- Macartney, M.E., Recent English domestic architecture, vol.1 (Architectural Review, 1908), pp.28-29, 171-3. Full text available.

 

- Recent English domestic architecture being a special issue of The Architectural Review,
 
 edited by Mervin Edmund Macartney, 1908,
pp.167-172 (Volume 4)


- Baillie Scott, M.H., ‘On the characteristics of Mr C.F.A.Voysey's architecture’,
  The Studio
(vol.42, 1908), p.19 (Garden Corner Chelsea).

 

- The Studio, Yearbook of Decorative Art, 1908 (Scan by the University of Heidelberg):
   The Homestead, Frinton-on-Sea (Exterior & Ground plan), Dining room, Parlour & Bedroom;
   Furniture; Wallpaper; Mantel Register; Metalwork (B 213 to 216); Metalwork (B 230 to 238).

- A. S. Levetus, 'Neuere Arbeiten von C.F.A. Voysey', Kunst und Kunsthandwerk, Monatszeitschrift XII, 1909, Heft 2, pp. 81-88.
  Scan: MAK - Museum fόr angewandte Kunst (Wien) In German.

- H.W. Frahne, ‘Recent English domestic architecure’, Architectural record (vol.25, 1909), pp.259-70.
  Tilehurst image is on p.265, but Voysey is not mentioned in the text.

- Paul Klopfer, "Voyseys Architektur-Idyllen",
  Moderne Bauformen
, vol. 9, 1910, pp. 141-148. In German, with photographs.

 

- Macartney, M.E., Recent English domestic architecture, vol.4 (Architectural Review, 1911), pp.167-72. Full text available.
 

- Casimir Hermann Baer, "C. A. F. Voyseys Raumkunst",
  Moderne Bauformen,
vol. 10, 1911, pp. 247-256. In German, with photographs.
 

- "Special furniture designed for individual homes: illustrated by the work of C. F. A. Voysey",
  
The craftsman,Vol. XX, Number 5 (August 1911), pp. 476-486

   Full text available

 

- Deutsche Kunst und Dekoration (vol.31, 1912-1913), (p.166 Littleholme, Guildford, p.170 Lodge Style)

 

- Moderne Bauformen (vol.12, 1913), pp.217-21. (photos of Littleholme, Kendal & Atkinson's, London)

 

- Moderne Bauformen (vol.13, 1914), pp.241-44 (photos of Lowicks, Frensham)

 

- The International Studio (vol.55, 1915), pp.50-1 (Bookplates)

 

- Sondheim, Moriz, Gesammelte Schriften : Buchkunde, Bibliographie, Literatur, Kunst u.a., 1927, pp.175-6.
   (Comparison between Morris and Voysey) in German

- ‘C.F.A. Voysey: the man and his work’ : the articles in Architect and building news in early 1927. (Voysey Society)

 

- "My work was never popular ..." : Voysey's speech of thanks on receipt of the certificate. (Voysey Society)
 

- John Betjeman, "Charles Francis Annesley Voysey, The Architect of Individualism,"
  The Architectural Review, vol. 70, October 1931, pp. 93-96.

 
Full text available
 

-P. Morton Shand, "Scenario for a Human Drama. VII. Looping the Loop,"
   Architectural Review, Vol. 77, 1935, pp. 99-102.

 

- Henry-Russell Hitchcock, "Late Victorian Architecture: 1851-1900,"
   Journal of the Royal Institute of British Architects, Vol. 44, 1937, pp. 1029-1039.

 

- John Summerson, "Mr. Voysey: Veteran Gold Medallist,"
  The Listener
, 7 March 1940, pp. 479 & 480.

 

- Nikolaus Pevsner, ‘Charles F. Annesley Voysey’, Elsevier's Geοllustreerd Maandschrift (vol.50, 1940), pp.343-355. (dutch)

  Full Text available 

 

- Nikolaus Pevsner, "Charles F. Annesley Voysey,"
  Architectural Review, Vol. 89, 1941, pp. 112-113.

 

- "Obituary," Architects' journal (vol.93, 1941), pp.124, 126, pp.124,126. Full text available.
   

- Martin S. Briggs, "VOYSEY AND BLOMFIELD. A Study in Contrast,"
  The Builder, January 14, 1949, pp. 39-42.

 

- Peter Floud, " The wallpaper designs of C. F. A. Voysey,"
  The Penrose Annual, Vol. 52, 1958, pp. 10-13.

 

- Summary by John Brandon-Jones on C. F. A. Voysey,
  published in: Ferriday, Peter, Victorian Architecture, London 1963, pp. 267-287.

 

- Schmutzler, R., Art nouveau (Thames & Hudson, 1964), especially pp.186-9. Partial text available.
   
 

- Margaret Richardson, "WALLPAPERS by C. F. A. Voysey (1857-1941),"
   Journal of the Royal Institute of British Architects, Vol. 72, August 1965, pp. 399-403.

 

- David Gebhard, "C. F. A. Voysey - To and From America,"
   Journal of the Society of Architectural Historians, Vol. 30, 1971, pp. 304-311.

 

- Craig Farnsworth, "C.F.A. VOYSEY Architect Designer and Artist
                                 A Confluence of Architecture Artistry and Vision" on www.academia.edu

 

- David Gebhard, ‘C.F.A Voysey - to and from America’,
  Journal of the Society of Architectural Historians
(vol.30, 1971), pp.304-12.
  (
Only preview at p. 304 and thumbnails preview)

 

- John Brandon-Jones et al. C.F.A. Voysey: Architect and Designer, 1857-1941. Bradford, Yorkshire: Lund Humphries, 1978.

 

- Gerda Breuer, Δsthetik der schφnen Genόgsamkeit oder Arts and Crafts als Lebensform,
  Bauwelt Fundamente 112. In German

 

- Laura Dean, ‘C.F.A. Voysey: the retrospective career of the "Pioneer of the Modern Movement,"’
  College undergraduate research electronic journal

   of the College of Arts and Sciences of the University of Pennsylvania (2010).
   Full text available.

 

 - The Studio. Vol. 11-13. Internet Archives. Web. 29 April 2011. (72 MB !)
       Book contributor:
University of Toronto

 

- Jack Warshaw, 'Voysey and the Arts and Crafts movement,' The Orchard (no.1, 2012), pp.7-16.
  Full text available.

 

- Stuart Durant, 'Voysey and Seddon, and the era of his youth', The Orchard (no.1, 2012), pp.17-23.

 

- Ian Hamerton, 'The evolution of Voysey's architectural clocks and timepieces', The Orchard (no.3, 2014), pp.25-36.

 

- Tony Peart, 'The furniture designs of C F A Voysey, Part 1: 1883-1898', The Orchard (no.5, 2016), pp. 5-15.

- Tony Peart, 'Furniture designs of C F A Voysey, part 2: 1898-1906', The Orchard (no.6, 2017), pp. 3-15.

- Tony Peart, 'Furniture designs of C F A Voysey, part 3: 1906-1934', The Orchard (no.7, 2018), pp. 3-22.

 

- Ian Hamerton, 'Development of the lodges on the Norney Grange Estate in Surrey', The Orchard (no.5, 2016), pp. 16-24.

 

- Richard Hollis, Voysey's last house: Laughton Hills, 1920 and 1935: "Hidden from view", The Orchard (no.5, 2016), pp. 45-52.

 

- Anthony Bernbaum, 'Voysey's aluminium clocks', The Orchard (no.5, 2016), pp. 68-77.

 

- David Cole, 'CFA Voysey and Sir Edwin Lutyens - an illustrated architectural comparison', The Orchard (no.8, 2019), pp.24-79.

 

- George Butlin, 'Voysey's Metalwork', The Orchard (no.9, 2020), pp.63-78.
  (From a 1988 dissertation by Ruth Allford, edited by George Butlin)

 

-  Bellmore, A., English cottage style homes in America :
    expressions of architectural, technological and cultural innovation, 1889-1929

    (Loyola University Chicago, PhD thesis, 2014), especially pp.53-102.
Full text available.

 

 - Historic England, Domestic 3: Suburban and Country Houses, Holly Mount, p.17 (Listing Selection Guide). pdf

 

- Ken Allinson,  Architects and Architecture of London:
        Ken Allinson: Pevsner's opinion about Voysey: "the international style, Pevsner pioneers: all nonsense"

       
       
Nikolaus Pevsner saw Voysey as a pioneer of the Modern Movement,
        an attribution that Voysey did not agree with.


         Voysey wrote in a letter to John Betjeman: "I have only applied old tradition to new conditions (...)
        there is nothing new in my architecture, but new thought and feeling."

 

- The Architectural Review, 24 August, 2015: CFA Voysey (1857-1941), article by James Dunnett
   From his Arts and Crafts roots, did Voysey sow the seeds of Modernism?
 
Charles Francis Annesley Voysey (1857-1941) is an architect whose reputation has fallen between two stools,
  largely due to an issue of classification: was he or was he not a Pioneer of the Modern Movement?

 

- Peart, Tony, 'Voysey's Lettering designs', The Orchard, (no.4, 2015), pp.35-45. pdf

 

- Peart, T., ‘Voysey's tile designs for J.C. Edwards, Ruabon’, The Orchard (no.5, 2016), pp.78-81. Full text available

 

- Voysey's interiors (Voysey Society)

 

- Voysey as a designer of furniture (Voysey Society)

 

- Voysey's fireplaces (Voysey Society)

 

 

Writings by Voysey (arranged in date order)
 

- Journal of the Royal Institute of British Architects, 3rd Series, Vol. 1, 1894, pp. 415-18.
   (Article on Furniture)

 

- "The Aims and Conditions of the Modern Decorator,"
  A lecture given in Manchester, February 15th, 1895, by C. F. A. Voysey.
  Published in The Journal of Decorative Art, Vol. 15, April, 1895, pp. 82-90.

 

- https://bildsuche.digitale-sammlungen.de

 

- "Remarks on Domestic Entrance Halls," by C. F. A. Voysey, The Studio, XXI, 1901, pp. 242-6;
  Scan by the University Library Heidelberg

 

 - "The Orchard," by C. F. A. Voysey, Architectural Review, Vol. 10, 1901, pp. 32-8.

 

- "On Art Nouveau," by C. F. A. Voysey, The Magazine of Art, 1904, pp. 211-2.

 

- Reason as a basis of art (Elkin Mathews, 1906). Full text available (PDF, 2.5MB;
  reproduced with permission from the copy owned by Exeter University Library)
"We find often enough the man with little or no capital seeking the house that would alone be fit for the rich. ... His house must have an imposing front, must show itself to the public as much above the station of the occupier as the dishonest architect can make it." (Voysey, p.16)

"An author may use words, or even sentences taken from great writers, but the fact does not establish his claim to be regarded as a great writer. Why, then, should the architect's reproduction of ancient monuments be regarded as architecture?" (Voysey, p.18)

"Schools must be reformed, and designers trained to think and feel rightly, and encouraged not to copy blindly." (Voysey, p.19)

 

- "The quality of fitness in architecture and furnishings" by C.F. A. Voysey,
  The craftsman
, Vol. XXIII, Number 2 (November 1912), pp. 174-182 (pdf version)
  "We must recoil from all form of dishonesty ...
    ... then will follow such qualities as simplicity and repose ...
    ... evolve our elevations out of our plans and requirements,
    never making our plans
to fit a preconceived elevation...
    ... Low, long buildings also create a feeling of restfulness and spaciousness...
    ... all ornament is pernicious unless it inspires good thougt and feelings in others.
    ... We are too often afraid to be ourselves, imitating the more wealthy."

 

- "Individuality," by C. F. A. Voysey, Chapman & Hall, London, 1915,
       
in Stuart Durant, CFA  VOYSEY, Architectural Monographs No 19, Academy Editions,
        London 1992, pp. 127, 129, 131, 132, 133.

 

- "Ideas in Things," by C. F. A. Voysey, in: Raffles Davison (editor), The Arts connected with
   Building: Lectures on Craftsmanship and Design
, delivered at Carpenter's Hall, London, 1909.

        10 pages were scanned from Stuart Durant, CFA Voysey, London, 1992,
        pp. 113, 114, 115, 117, 118, 119, 121, 123, 124, 125.

 

 

- "The English Home," by C. F. A. Voysey, The British Architect,
    Vol. 75, January 27, 1911, pp. 60, 69, 70.

   

- "The Quality of Fitness in Architecture," by C. F. A. Voysey,
    The Craftsman
, Vol. 23, November, 1912, pp. 174-182.

 

- "Open Letter to the Royal Institute of British Architects," by C. F. A. Voysey,
    The British Architect, Vol. 78, 1912, pp. 368-369.

 

- " The Aesthetic Aspects of Concrete Construction," by C. F. A. Voysey,
     The Architect and Engineer, Vol. 57, 1919, pp. 80-82.

 

- "On Town Planning," Architectural Review, Vol. 46, 1919, pp. 25-26.

 

- "Self-expression in Art," by C. F. A. Voysey,
    The Journal of the Royal Institute of British Architects
, 3. Series, Vol. 30, 1923, p. 211.

 

- "Tradition & individuality in art", by C.A.F. Voysey, 1923 (published on the website of The Voysey Society)
 

 - "Some Fundamental Ideas in Relation to Art,"
     by C. F. A. Voysey, Master of the Art Workers' Guild,
      Journal of the Royal Institute of British Architects,
Vol. 31, 1924, pp. 303 & 304.

 

  - "1874 & After," by C. F. Annesley Voysey, Foreword by Sir Edwin Lutyens,
     Arcitectural Review, LXX, 1931, pp. 91 & 92.

     Full text available: https://www.voyseysociety.org
    

Correspondence between Voysey and Hermann Muthesius : Hermann Muthesius (1861-1927) was a German architect, author and diplomat, perhaps best known for promoting many of the ideas of the English Arts and Crafts movement within Germany. He was the author of Das englische Haus (Ernst Wasmuth, 1904-5).

 

Article by M. H. Baillie Scott

  - "A Country House," by M. H. Baillie Scott, The Studio, Vol. 19, 1900, pp. 30-37. 
     
(... central idea of a hall or living-room as the keynote of a home ...)
     

 

Article about George Devey

 - Walter H. Godfrey, "The Work of George Devey. - I, II, III."
    Architectural Review, Vol. 21, 1907, pp. 23-30 (I), 83-87 (II), 293-306 (III).
   

        
               
External Links

  Drawings Courtesy of The Royal Institute of British Architects.
  Photographs, drawings, perspectives and other design patterns
 
at the Royal Institut of British Architects Drawings and Photographs Collection.

  
Images can be purchased.
 
The RIBA can supply you with conventional photographic or digital copies
 
of any of the images featured in RIBApix
.                    

 Link > RIBApix: Voysey Images

 

- Voysey Society.org

        Video: Richard Havelock – a Voysey voyage of half a century  (2021)

      

    Video: The CFA Voysey Society Lecture: 'Never Look at an Ugly Thing Twice' by Alastair Dick-Cleland on youtube

 

- Victoria & Albert Museum (Photos)

- www.vandaprints.com
 
V&A Prints is an online selection of images from the Victoria and Albert Museum.

- Portraits of Voysey at the National Portrait Gallery

- https://historicengland.org.uk: The content of the former Images of England website is housed at the Historic England website.

- http://kulturpool.bmb.gv.at, Φsterreichs Portal zu Kunst, Kultur und Bildung: Voysey Items (Photos)

 - http://www.greatbuildings.com

- https://www.deutsche-digitale-bibliothek.de (Voysey)

- Recherche in den Heidelberger historischen Bestδnden - digital (Voysey)

 

 

8. British Architects and Designers in Voysey's Time

 

    Charles Robert Ashbee (1863 – 1942) 

 

  Mackay Hugh Baillie Scott (1865 – 1945)

 

  William Arthur Smith Benson (1854 – 1924)

 

                   William Henry Bidlake (1861 –  1938)

 

     Sir Arthur William Blomfield (1829 – 1899)

 

     Sir Reginald Theodore Blomfield (1856 – 1942)

 

     Detmar Jellings Blow (1867 – 1939)

 

      Walter Henry Brierley (1862–1926)

 

  William Burges (1827 – 1881) 

 

    William Butterfield (1814 – 1900)

 

  Walter Frederick Cave (1863 – 1939)

 

  George Devey (1820 – 1886). Voysey was assistant to Devey in 1880 – 81.
                   

 

  Christopher Dresser (1834 – 1904)

 

  Sir Banister Flight Fletcher (1866 – 1953)

 

                    Harold Herbert Fuller-Clark (1869 – 1934)

 

                                                                                           
   Sir Ernest George (1839 – 1922) and Harold Ainsworth Peto (1854 – 1933)
    
    

  Ernest William Gimson (1864 – 1919)

 

  Edward William Godwin (1833 – 1886)

 

  Charles Henry Holden (1875 – 1960)

 

   Archibald Knox (1864  – 1933)

 

William Richard Lethaby (1857 – 1931)

 

    Robert Stodard Lorimer (1864 – 1929)

              

  Thomas Geoffry Lucas (1872 – 1947)

 

  Edwin Landseer Lutyens (1869 – 1944)

 

  Sir Mervyn Edmund Macartney (1853 – 1932)

 

  Charles Rennie Mackintosh (1868 – 1928)

 

   Arthur Heygate Mackmurdo (1851 – 1942)

 

                  Charles Edward Mallows (1864 – 1915)

 

                  Arnold Bidlake Mitchell (1864 – 1944)

 

  William Morris (1834 – 1896)

 

  William Eden Nesfield (1835 – 1888)

 

  William West Neve (1852 – 1942)

 

    Ernest Newton (1856 – 1922)

 

                 David Barclay Niven (1864 – 1942)  and Herbert Hardy Wigglesworth (1866 – 1949)

 

                                                                    
                                                           
  Richard Barry Parker (1867 – 1947) and Raymond Unwin (1863 - 1940)

 

    Edward Schrφder Prior (1852 – 1932)

 

  Augustus Welby Northmore Pugin (1812 – 1852)

         

   Halsey Ralph Ricardo (1854 – 1928)

 

    Sir George Gilbert Scott (1811 – 1878)

 

       Sir Giles Gilbert Scott (1880 – 1960),

               son of George Gilbert Scott Jr. (1839 – 1897),
               and grandson of
Sir George Gilbert Scott (1811 – 1878)

 

     John Dando Sedding (1838 – 1891)

 

  John Pollard Seddon (1827 – 1906)

 

  Richard Norman Shaw (1831 – 1912)

 

   Arnold Dunbar Smith (1866 – 1933) & Cecil Claude Brewer (1871 – 1918): Mary Ward House, London

 

  Henry Saxon Snell (1831 – 1904)

 

    Leonard Aloysius Scott Stokes (1858 – 1925)

 

  George Edmund Street (1824 – 1881)

 

    Charles Harrison Townsend (1851 – 1928)

 

  Francis William Troup (1859 – 1941)

 

  Hugh Thackeray Turner (1853 – 1937)

 

  Philip Webb (1831 – 1915)

 

  Edgar Wood (1860 – 1935) and James Henry Sellers (1861 – 1954)     

 

  500 images of other houses designed by British architects in Voysey's time

 

 

 

   
Art Nouveau  1890s to 1910s

 

 

   
 Modern Architecture, 1920s to 1930s

  Le Corbusier (1887 – 1965)

 

- www.victorianweb.org (Domestic Architecture for the Rich, Poor, and Those in between)

- www.victorianweb.org (Voysey)

- www.victorianweb.org (Victorian Architecture)

- www.victorianweb.org (The Arts in Victorian Britain)

- www.british-history.ac.uk ( British History Online)

- http://paradisebackyard.blogspot.de (Photos)

- https://historicengland.org.uk

 

Contact

Dr.-Ing. Heinz Theuerkauf
Architect
Ansprengerstraίe 9
80803 Mόnchen
(Munich / Germany)

Email: theuerkaufheinz(at)yahoo.de

 

The purpose of this Website is to promote education and research in British Art and Architecture and encourage research into all aspects of Voysey's life and work and to help to maintain his legacy.
I have created this collection primarily to serve as an easy to access educational tool.

Copyright Information:

If anyone feels that something on this site violates their copyright
and does not want images published for education and research,
please send me a note at
> theuerkaufheinz[at]yahoo.de
I will remove anything if the owner of the copyright asks me to do so.

 

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Parts of my Website contain links to third party websites ("Third Party Websites") for your convenience and information. If you use these links, you will leave the Website. When you access a Third Party Website, please understand that I do not control the content of that Third Party Website and am not responsible for the content of that Third Party Website.

Links to Third Party Websites on the Website do not imply that I endorse those Third Party Sites or agree with any of the views or information set out on such Third Party Websites.

  
Link > Collection of 20 Voysey Houses. Black & White Photographs taken in 1976 on flickr.
           

 

 

     Other interest of the author:
3,500 churches from the 4th to the18th century

          

 

    

Page last amended 21st August 2024

 

Stetic

 

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