Francis Annesley Voysey (1857-1941)                                        

                       1  Executed Buildings                            
                       2  Unexecuted Projects
                       3  Interior Design & Furniture
 Wallpapers, Fabrics, Carpets
                       5  Metalwork, Fireplaces, Lighting
                       6  Biography
                       7  Bibliography
                       8  British Architects and Designers in Voysey's Time



> Slide show (architecture) <

1. Executed Buildings

Chronological list of buildings, parts of buildings, monuments & memorials.


DRAWINGS: Courtesy of The Royal Institute of British Architects (RIBA Library Drawings Collection).  

Link > RIBApix: Voysey Images (Images can be purchased). 

Please click the underlined textual links or images to see more photographs, drawings and descriptions.



of design

 Project / Place / Client


Photographs / Drawings


 Notes / Literature


 Station Road,
 Bishop's Itchington, near

 For Sir Michael H. Lakin.





 New wing added 1900 by Voysey.
 A new porch has been added 
 to the side of the Cottage.

 The British Architect,
XXX, 1888, p. 407;
XI, 1893, p. 292
 (perspective sketch
  by T. Raffles Davison).

 The Studio,
IV, 1894, p. 34.

 Country Life
 III, 1898, pp. 196-197
 (designs with and
  without half-timbering).

  1890  New wing to THE CLIFF,
 102 Coventry Road, Warwick.

 For Sir Michael H. Lakin.



   Additions in 1910.

 The house is now divided
 into two.

 The British Architect,
 XXXIII, 1890, p. 296.

 Also known as Walnut Tree Farm.

 Castlemorton, Malvern,

 For R.H. Cazelet.




Alterations and
 garden laid out 1894.

The British Architect,
XXXIV, 1890, pp. 208 & 302;
 XLVI, 1894, pp. 417, 420;
 XLIV, 1895, p. 419.

 The American Architect
 & Building News,
XXX, 1890, p. 75, pl. 775.

 Academy Architecture,
II, 1895, pp.10 & 143.

 The Studio, XI, 1897,
 pp. 17 & 22.

 Country Life,1899.

 The Architect,
LXXVI, 1906, p. 404.

  1890-91  14 SOUTH PARADE.
 Bedford Park, London.

 For J. W. Forster.






 New wing to the left
 by Voysey in 1894.

 The British Architect,
XXXVI, Sept.1891,
 pp. 209-210.

 The Builder's Journal &
 Architectural Record,
IV, 1896, p. 68.

 The Studio,
XI, 1897, pp. 20 & 25.

 Architectural Association 
, LXXII, 1957,
 pp. 249-251.

  1891  STUDIO.

 17 St Dunstan's Road, London.

 For W.E.F. Britten.




 The house has been 
 extended at the back.

 The British Architect,
XLIII, 1895, p.146
 (illustration of sketch
  by T. Raffles Davison).

 The Studio,
II, 1897, p.12.

  1891  14 & 16 HANS ROAD
 Knightsbridge, London.

 For Archibold Grove.

 According to Wendy Hitchmough
 Voysey designed a terrace of three houses,
 12, 14, and 16 Hans Road, but a dispute 
 with the client over fees led to
 A. H. Mackmurdo being commissioned to
 build number 12.



 According to Joanna Symonds
 an earlier, preliminary design, 
 published in The British Architect, 
1892, shows roughcast instead of
 the executed red brick.
 The interiors have been
 considerably altered.

 The British Architect,
XXXVII, 1892, p. 210;
 XLI, 1893, p. 96.
 The Studio,
I, 1893, p. 225;
                  XI, 1897, p. 23.
 The Builder, LXXI, 1896, p. 229.
 Dekorative Kunst,
 I, 1897, p.255.
 The House,
IV, 1898-99, p. 163.
 Magazine of Art,
XXII, 1899, pp. 457-465.
 David Gebhard,
 Charles F. A. Voysey,
figs. 33-36.


 Upper Colwall, near Malvern,

 For J. W. Wilson.



 New stables 1903.
 Summer house 1904.
 Coachman's cottage 1908.
 Alterations and additions1907-24.

 The British Architect,
XLI, 1893, p. 454;
 XLII, 1894, pp. 5-6;
 XLIV, 1895, p. 120.
 The Builder's Journal &
 Architectural Record,
IV, 1896, pp. 67-68.
 Dekorative Kunst,
I, 1897, p. 246.
 The Studio,
XXI, 1901, p. 244.
 The Architect,
LXXVI, 1906, p. 404.
 T. Raffles Davison,
 Modern Homes,
 1909, pp. 20-21.
 Cottage and outbuildings at ALTON,

 For Mrs Mary Scott.


No drawings located.

  1894  LOWICKS.

 Sandy Lane, Tilford, near Frensham,

 For E. J. Horniman.


Link > RIBA Drawings Collection


 1898-1916 alterations
  and additions.
  1911 new summer house.

 The British Architect,
 XLII, 1894, , p. 328.

 Builder's Journal & 
 Architectural Record,
1896, IV, p. 69.

 The Studio,
XI, 1897, p. 16, 18 & 23;
XXI, 1901, p. 246.

 The House,
IV, 1898-99, p. 162.

 David Gebhard,
 Charles. F. A. Voysey
 figs. 45-50.


 Elmesthorpe, Hinckley,

 For the Earl of Lovelace.



Photo by the bitterman on


   The British Architect,
XLV, 1896, p. 42.

 8 Platts Lane, London.

 For the Reverend Charles Voysey 
 (Voysey's father).

Link > RIBA Drawings Collection


 1913 alterations and additions.

 The house has been devided
 into flats.

 The British Archtitect
 (or The Architect ?),
 XLV, 1896, p. 148.

 The Studio, XI, 1897, p. 18;
                  XXI, 1901, p. 245.



 6 cottages at Elmesthorpe,

 For the Earl of Lovelace.

 Originally thatched but rebuilt
 by Voysey with slate roofs
 after a fire in 1914.

 The British Architect,
XLVII, 1897, p. 24.

 The Studio,
XI, 1897, p. 19;
 XXXI, 1904, p. 133.
 Dekorative Kunst,
I, 1897, p. 246.


 Also known as Merlshanger and 

 The Hog's Back, near Puttenham, 

 For Julian Russell Sturgis.

Link > RIBA Drawings Collection



 Additions and alterations by H. Baker,

 The Builder's Journal & 
 Architectural Record,
IV, 1896, p. 70;
 VI, 1897-98, p. 333;
 X, 1899-1900, pp. 48 & 56.
 Academy Architecture,
XII, 1897, p. 37.
 Architectural Review,
I, 1897, p. 327.
 Dekorative Kunst,
I, 1897, pp. 245 & 250.
 The British Architect,
XLIX, 1898, p. 292.
IV, 1898-99, p. 162.
 The Builder,
LXXIX, 1900, p. 192.
 W. Shaw Sparrow,
 The British Home of Today,
1904, p. 6.
 Hermann Muthesius,
 Das moderne Landhaus,
1905, pl. 145.
 The Architect,
LXXVI, 1906, p. 404.
 Hermann Muthesius,
 Landhaus und Garten,
1907, p. 156.
 W. Shaw Sparrow,
 Our Homes and How to Make 
 the Best of Them,
1909, p. 100.
 David Gebhard,
 Charles F. A. Voysey, fig. 54.
 "Recollections and reflections
 of an inveterate Voysey visitor, part 2",
 by Richard Havelock
 in: The Orchard, Number Six,
 Autumn 2017, pp. 64-81


  1897  DIXCOT.

 8 North Drive,
 Tooting, Wandsworth

 Greater London.

 For Richard Walter Essex.

 The house was built by Walter Cave
 who modified Voysey's design in many details.




Link > RIBA Drawings Collection


 1916 alterations to study
          and billiard room.

 The British Architect,
L, p.6.

 The Studio,
XVI, 1899, p. 162.

 The Builder's Journal
 & Architectural Record,
XI, 1900, p. 326.

 C. Holme (ed.),
 Modern British Domestic 
 Architecture and Decoration,
 published by The Studio,1901, p. 63.

  1897  HILL CLOSE.

 Studland Bay, Swanage, Dorset.

 For Alfred Sutro.



1913 lodge and motor house
 for H. Cook.

 Originally a studiohouse.
 Altered in recent times.
 The British Architect,
XLV, 1896, p. 42.
 Dekorative Kunst,
 I, 1897, p. 254.
 The Studio,

 XI, 1897, p. 21;
XXI, 1901, p.246.
Hermann Muthesius,
 Das englische Haus
, II,
 1904-05, p. 205.
 Hermann Muthesius,
 Das Moderne Landhaus,
1905, p. 146.
W. Shaw Sparrow (ed.),
 The Modern Home,
1906, p. 54.
 David Gebhard,
 Charles F. A. Voysey,

 fig. 55.


 Shackleford, Surrey.

 House & lodge
 for the Reverend Leighton Grane.

Link > RIBA Drawings Collection


 1903 additions and
 alteration to house.
 Unexecuted designs for new
 stable buildings and cottage
 for J. G. Wainwright, 1903.

 Dekorative Kunst,
I, 1897, p. 243.

 The British Architect,
L, 1898, p.130;
 LII, 1899, pp. 234-235.

 Architectural Review,
V, 1898, pl. III after p. 240.

 The Studio,
XXI, 1901, pp. 242-243;
 XXXIV (or XXIV?), 1905,
 pp. 151-152.

 Hermann Muthesius,
 Das englische Haus,
III, 1904-05, p. 175;
 Das moderne Landhaus,
1905, p. 148.

 The Builder,
 XCV, 1908, p. 406.

 The Architect,
LXXVI, 1906, p. 404.

 J. Brandon-Jones,
 Architectural Association
LXXII, p. 252.

 Ian Hamerton,
 "Development of the lodges
 on the Norney Grange Estate
 in Surrey", The Orchard, Number V, 
 Autumn 2016, pp. 16-24.


  1897-98  THE HILL.

 Thorpe Mandeville,

 For J. C. E. Hope Brooke.



   The British Architect,
 XLIX, 1898, p. 346.

 Builder's Journal &
 Architectural Record,
 VII, 1898, p. 396.

 The Builder,
LXXV, 1899, p. 349.

  1897  NEW PLACE.

 Farnham Lane, Haslemere, Surrey.

 The house was known as 'Hurtmore' 
 until January 1900.

 For A. M. M. Stedman,
 later known as Sir Algernon Methuen.



Link > RIBA Drawings Collection


Additions and alterations1899 and   
1899 designs for lodge, stables,
 gardener's cottage and
 1904 design for motor stables.

 Dekorative Kunst,
I, 1897, p. 242;
 XI, 1902-03, p. 370.
 XIV, 1906, pp. 194-195.

 The Studio, XXI, 1901,
  pp. 242 & 243.

 House and Garden,
III, 1903, pp. 254-258.

 Architectural Review (Boston),
 XI, 1904, p. 12.
 The Builder's Journal &
 Architectural Record,
XX, 1904, p. 262.

 W. Shaw Sparrow (ed.),
 The Britisch home of today,
 1904, E21 (photograph of hall).
 Hermann Muthesius,
 Das englische Haus,
II, Berlin 1904-1905,
 pp. 113-114 & 124-125.
 Hermann Muthesius,
 Das moderne Landhaus,
 Berlin 1905, pp. 146-147.

 W. Shaw Sparrow,
 Our Homes and How to Make 
 the Best of Them,
1909, p. 238 (photograph of hall).

  1898  Additions to 16 CHALCOT GARDENS,
 Englands Lane, Hampstead, Camden,
 Greater London.

 For the artist Adolphus J. Whalley.



   Front and rear extensions added.  

 Ghyll Head, near Cartmel Fell,
 Lake Windermere, Cumbria.


 For Arthur Currer Briggs.

 Broadleys is now the  
 Windermere Motor Boat Club.




1899 design for a
  free-standing lodge.
 1900 design for stables.

 The British Architect,
LI, 1899, p. 256.

 The Studio,
XVI, 1899, p. 158;
 XXXI, 1904, p. 127.

 Builder's Journal &
 Architectural Record,
XVI, 1902-03, p. 389;
 XVII, 1903, p. 29.

 Hermann Muthesius,
 Das englische Haus,
I, 1904-05, pp. 159-164.

 The Architect,
LXXIX, 1908, p. 208.

 David Gebhard,
 Charles F. A. Voysey,
1975, figs. 72-75.
  1898  MOORCRAG.

 Gillhead, near Cartmel Fell,
 Lake Windermere, Cumbria.

 For J. W. Buckley.




Link > RIBA Drawings Collection


 1900 stables.
 The house has been
 divided into two.

 The Builder's Journal &
 Architectural Record,
XVI, 1903-04, pp.176-177&182.

 Architectural Review (Boston),
XI, 1904, p. 12,
 XIV, 1907, p. 248
 (photographs of exterior).

 The Studio,
XXXI, 1904, p. 128
 (photograph of exterior).

 The Studio Yearbook,
1907, p. 41.

 The Architect,
LXXVIII, 1907, p. 296
 (Photographs of exterior).

 David Gebhard,
 Charles F. A. Voysey,
1975, fig. 76.

  1899  SPADE HOUSE.

 Radnor Cliff Crescent, Sandgate,
 Folkestone, Kent.

 For H. G. Wells.




 Nearest bay addition and
 additional storey in 1903.

 Extensive alterations.

 The British Architect,
 LII, 1899, p. 292.

  1899  OAKHILL.

 54 Hill Grove Crescent,  
 Kidderminster, Worcestershire.

 For F. J. Mayers.




 Darby, J., ‘Discovering Oakhill’,
 The Orchard (no.2, 2013), pp.46-53.

 Darby, J., ‘Oakhill discoveries’,
 The Orchard (no.4, 2015), pp.62-65.


 Originally called
 Beaworthy Cottage Hospital.

 Halwill Junction, near Beaworthy,

 For Mrs M. L. Medley.



   Additions 1924.


 The Builder's Journal &
 Architectural Record,
 XVII, 1903, p. 231.



 15 Princes Way, Putney,

 For Cecil E. Fitch.


Link > RIBA Drawings Collection


 Extension was not designed
 by Voysey.

 The house and stables
 have been demolished.

 Architect & Building News,
CXCV, 1949, pp. 494-498
 (Correspondence between
  Voysey and Fitch).

  1899  THE ORCHARD.

 Shire Lane, Chorleywood,

 For C.F.A. and Mary Maria Voysey,
 Voysey's own house.


 Voysey left the Orchard in 1906. 
 1913 new bay windows 
 added to front of house (study)
 for the subsequent owner.

 Country Life,
VI, 1899, pp. 389-390.

 Architectural Review,
X, 1901, pp. 32-38.

 Charles Holme,
 Modern British Domestic 
 Architecture and Decoration,
1901, pp. 181-194.

 The Ideal House,
USA, January 1907, pp. 3-11.

 Addition of a new studio building.

 65 Hamilton Terrace,
 St John's Wood, London.

 For George Simonds (Sculptor).

       According to Wendy Hitchmough,
 the main house has a small side
 extension, evidently designed by
 Voysey. The separate studio
 building is now converted to a
 house at 15 Hall Road.
  1899  Pavilion at Oldbury, Birmingham.        Extensively altered since Voysey's time.  



 Pavilion at Oldbury Park, Birmingham.

 For J.W.Wilson.


Link > RIBA

  1900  OAKHURST.
 Now called
Ropes & Bollards.

 Ropes Lane, Fernhurst,

 For Mrs E. F. Chester.



   1919 extended on the S side;
 1949 divided into two units.

 The Builder's Journal &
 Architectural Record,
 XIII, 1901, pp. 37 & 44.

 House and Garden,
III, 1903, pp. 258-259.

 later called PRIOR'S FIELD.

 Puttenham, near Guildford,

 For F. H. Chambers.


1901-2 converted to
 'High Class School for Girls'. 

 Thomas Müntzer, Voysey's pupil, 
 designed extensions to the school
 in 1904.

 Additions by John Brandon-Jones
 and Ashton and others.

 The Builder's Journal &
 Architectural Record,
 XVI, 1903, B4.

 "Prior's Garth to Prior's Field School"
  by Catherine Sidwell,
  published in:
The Journal of The Voysey Society,
  Number Three, Autumn 2014, pp. 37-50.



 North Luffenham, Rutland,
 near Stamford, Leicestershire.

 For Miss G. Conant.



The Pastures from the South, photo by Tim Hawkins

1909 alterations and
 additions including a two-storey
 square bay to the south side.

 The Builder's Journal
 & Architectural Record,
XVI, 1902-1903, pp. 245 & 248.

 The Studio,
XXXI, 1904, p. 127.

 Moderne Bauformen,
X, 1911, pp. 248 & 249.

 The Architect, CII, 1919, p.352;
                     CXVI, 1927, p.133.


 10 Barley Mow Passage, Chiswick,

 For Sanderson & Sons
 wallpaper manufacturers.




   The building has been 
 converted into offices.

 The Builder's Journal
 & Architectural Record,
XVII, 1903, pp. 26 & 32.

 The Journal of Decorative Art
 and Wallpaper News,
1905, supplement  pp. 16-23.






 New wing to Roughwood Farm,
 Roughwood Lane,
 Chalfont St. Giles, Buckinghamshire.

 For Captain Williams.



  1902  VODIN.
 Now known as 'Little Court'.

 Old Woking Road,
 Pyrford Common, near Woking, 

 For F. Walters.


 1902-03 design for house & lodge. 
 1904 design for motor house and
          electric light generating house.

 The Builder's Journal &
 Architectural Record,
XVII, 1903, p. 208;
 XVIII, 1903, p. 112.

 The Studio, XXXI, 1904, p. 132.

 The British Architect,
LXVI, 1906, p.111.

 David Gebhard,
 Charles F. A. Voysey, fig. 99.

  1903  TY BRONNA.

 St Fagan's Road, Fairwater,
 near Cardiff,
 South Glamorgan.

 For W. Hastings Watson.



   1904 stables.
 Alterations since Voysey's time.
The Builder's Journal &
 Architectural Record,
XIX, 1904, p. 308.

 W. Shaw Sparrow,
 The Modern Home,
1906, p. 55.


 68 Lyford Road, Wandsworth,

 For C. T. Coggin.



 Additions and alterations
 since Voysey's time.


  1903  Upton Cottage,
 now called Chimneys,
 at Ockham, Ockham Park, Surrey,
 for the Earl of Lovelace.

No photographs and drawings
of the house located.

Nairn & Pevsner, Surrey,
1971, p. 394,
 Joanna Symonds,
 C.F.A. Voysey
, p. 38.
 now Sunnybank.

 Shire Lane, Chorleywood,

 For Dr H. R. T. Fort,
 nominally built for
 the Reverend Matthew Edmeads.



 House and doctor's practice.
 Near The Orchard.

 The Builder's Journal &
 Architectural Record,
XX, 1904, pp. 270-271.


  1903  TILEHURST.

 10 Grange Road, Bushey,

 For Miss E. Somers.

Photo by David Cole

   W. Shaw Sparrow,
 The Modern Home,
1906, p. 54.

M. E. Macartney,
 'Recent English domestic architecture',
Architectural Review,
1908, p. 173.



 Merry Hill Lane, Bushey,  

 Children's home.
 For Miss E. Somers.


1911 additions and alterations.
 Now a private house.

 The Builder's Journal
 & Architectural Record
XX, 1904, pp. 271 & 272.
 The Architect,
LXXVIII, 1907, p. 408.
 Architectural Review,
1908, pp. 171-173.

 House at HIGHAM, Woodford, 

 For Lady Henry Somerset.

> RIBA Drawings Collection, (preliminary design)
> RIBA Drawings Collection (final design)

 The house was built without
 Voysey's  superintendence,
 and differs in several respects from
 his design.

 The British Architect,
LXIV, 1905, p. 440;
1906, p. 78.


near Normanton,

 For Henry Briggs, Son & Co.

Link > RIBA Drawings Collection

Link > RIBA Drawings Collection

Only one of the two terraces of 
 housing was executed, but not
 under Voysey's superintendence.
 The Institute has been
 converted into The Rising Sun Public House
 by Tetley's Brewery, Leeds.
Dekorative Kunst,
 XIV, 1906, pp. 193, 196-197.

 The British Architect,
 LXIX, 1908, pp. 208 & 334.

 David Gebhard,
 Charles. F. A. Voysey,
 figs. 101 & 102.

 Now known as the White Horse Stables.

 Stetchworth, near Newmarket,

 For the Earl of Ellesmere.

 The British Architect,
 LXIV, 1905, p. 440;
 LXVI, 1906, p. 274.

 Moderne Bauformen,
 X, 1911, p. 174.

 The Architect,
 CI, 1919, p. 54.

 Country Life,
 6 August 1927.

 Architectural Review,
 LXX, 1931, p. 94.

  1905  HOUSE at ASWAN, Egypt.

 For Dr H.E. Leigh Canney.



 The British Architect,
LXV,1906, p.94.


 Formerly known as Hill Cottage.






 Additions and alterations to 
 Alderley Edge, Cheshire.
 For A. Heyworth.

House: c1845 for J de Castro,
extensively rebuilt 1906 by C F A Voysey

Link >

   The house is roughcast with green slate
 roofs, and windows with stone dressings.

 The British Architect,
LXVI, 1906, p.274.

  1905  HOLLY MOUNT.

 Amersham Road, Knotty Green,
 near Beaconsfield,

 For C. T. Burke.



 The summer-house is
 no longer existent.

 The British Architect,
 LXV, 1906, p. 148;
 LXVI, 1906, p. 346;
 LXVIII, 1907, p. 60.
 The Studio Yearbook,
1910, p. 81.

 Moderne Bauformen,
X, 1911, pp. 255-256.

 Architectural Review,
1911, pp.167 & 168.

 M. Macartney,
 Recent English Domestic 
1911, p. 167.

 The Architect,
CII, 1919, p. 352.

 David Gebhard,
 Charles F. A. Voysey,


 Second Avenue, Frinton-on-Sea,

 For Sydney Claridge Turner.


 The British Architect,
LXV, 1906, p. 310;
 LXVII, 1907, p. 370.

 Country Life,
1 October 1910.

 Moderne Bauformen,
 X, 1911, pp. 251 & 252.

 M. Macartney,
 Recent English Domestic Architecture,
1911, pp. 167, 169 & 170.

 L. Weaver,
 The House and its Equipment,
1912, pp. 18 & 20.

 Architectural Review,
 1911, pp. 167, 169-170;
 Archtectural Review,
 LXX, 1931, p. 94 (photograph of interior).

 David Gebhard,
 Charles F. A. Voysey,

 Extensions & alterations to old house
 & new stables & cottages,
 now called Highlands, 
 Holtye Common, Sussex.

 For J. F. Goodhart.



Link > Plans, elevations and sections
of new stables, coachman's
and garderner's cottages.
RIBA Drawings Collection

 Both the stables and cottages
 and the new W wing
 have roughcast walls,
 and windows with stone dressings
 and iron casements
 and green slate roofs,
 and the new W wing has brick corners.

 1906 coachman's cottage
 & gardener's cottage.

 1906-07 extensions &
 alterations to old house.
 New wing attached to the
 west end of the old house.

 The British Architect,
LXVIII,  1907,
  pp. 39, 42 & 94.

 Altering & decorating existing house,
 Garden Corner, 13 Chelsea Embankment,  

 For E. J. Horniman.

   The house is semi-detached and
 was designed by Edward
I'Anson Jnr.
 Voysey completely remodelled the interior.

 Only a certain proportion of the fittings


 Upper Guildown Road,
 Guildford, Surrey.

 For George Müntzer.


Design for summerhouse, 1908.
1909 addition of dormer-windows
 and rooms in roof;
 1911 Gardener's cottage;
 1925 Alterations.
 The house has been divided into two units.

 The British Architect,
LXVIII, 1907, pp. 5, 6 & 60;
 LXXVII, 1912, pp. 452 & 454.
 LXXVIII, 1912, p. 390.

 The Architect,
LXXIX, 1908, p. 304;
 CI, 1919, p. 68 (photograph of
 stone 'Devil' bearing Voysey's

 G. Jekyll & L. Weaver,
 Gardens for Small Country 
1912, pp. 76-80 & 162.

 R. Randal Phillips,
 The Moderne English house,
1927, p. 170.

  1907  Houses in Finchley Road, 
 Hampstead, London,
 for Vernon Hart.

RIBA Drawings Collection.

 There are 2 designs,
 one of which was executed
 and the other was not executed.
 Demolished about 1940.

 The British Architect,
LXVIII, 1907, p. 148.
  1909  LODGE STYLE.

 Shaft Road, Combe Down,
 near Bath, Somerset.

 For T. Sturge Cotterell.



 The client was a quarry-owner,
 therefore the house was made of stone.
  J. Brandon-Jones: 
 "Cotterell had wanted something
 reminding him of Merton College, Oxford,
 so Voysey designed him a miniature college 

 The British Architect,
LXXII, 1909, pp. 111 & 114;
 LXXVII, 1911, p. 361.

 The Builder,
XCVIII, 1910, p. 264.

 The Studio Yearbook,
1910, p. 82.

 The Architect,
CI, 1919, p. 54;
 CXVI, 1927, p. 219.


 103 Sedbergh Road, Kendal,  


 For A. W. Simpson.


1923 unexecuted design
            for addition.

 The British Architect,
LXXII, 1909, pp. 363 & 366.

 Architectural Review, 1911,
pp. 171-172.

 Moderne Bauformen,
 X, 1911, p. 250.

 The Craftsman,
XX, 1911, pp. 276-286.

 The Builder,
1 June 1923, p. 891.

 David Gebhard,
 Charles F. A. Voysey,
 figs. 121 & 122.

 near Barnham Junction,

 For Arthur Annesley Voysey,
 C. F. A. Voysey's younger brother.


 Photograph published in
 Wendy Hitchmough,
C F A Voysey
, p. 203, pl.6.

RIBA Photographs Collection


 The first two-storey design is shown 
 at the Victoria & Albert Museum. 

 The RIBA hold the second 
 (executed) single-storey design
 for this house.
 The RIBA drawing shows a single-
 storey row of five rooms with a slightly
 off-centre porch.
 In both designs roughcast, windows
 with stone dressings, tile roofs and
 brick chimneys are used.

  1909  BROOK END.

 New Road, Henley-in-Arden,

 For Miss F. Knight.




 Conversion of the stables
 into garages.

 The Architect,
 LXXXIV, 1910, p. 232
& supplement p.18.

 The British Architect,

 LXXIII, 1910, pp. 345 & 348.

 David Gebhard,
 Charles F. A. Voysey
 figs. 123 & 124.

 Holmbury St Mary, near Dorking,
 For Frederick James Mirrilees.


   Conversion of an existing barn
 into a convalescent home.
 Now converted into a private house.
  1911  HOUSE in BELFAST.

 Malone Road, Belfast,
 Northern Ireland.

 For Robert Hetherington.


   Executed substantially as 
 shown on the design with the 
 porch omitted.

 The British Architect,
 LXXVIII, 1912, pp. 316 & 318.

 C. E. B. Brett,
 Buildings of Belfast 1700-1914,
1967, pp. 61-62.

 Link > Duncan Simpson,
 C. F. A. Voysey an architect of  
, p. 128, fig. 64.

  1911  Remodelling a Perfume Shop.
 24 Old Bond Street, London.

 For J. & A. Atkinson.


RIBA Collections

 The shop was rebuilt
 by E. Vincent Harris in c.1925
 and Voysey's interiors were removed.

 The British Architect,
 LXXVII, 1912, p. 274.

 RIBA Journal,
XXXII, 1925, p. 127.

 David Gebhard,
 Charles F. A. Voysey,
 figs. 129 & 130 (photographs of
 exterior & interior).

  1912  Design for a shop in an existing building.
 For Perry & Co., No. 165 Victoria Street,
 Westminster, London.

RIBA Collections

 The shop is on the ground floor of a
 building. The design shows a stone-faced 
çade with a large roundheaded display
 window and Gothic detailing.
 In the interior there is a curved ceiling.
 near Porlock, Somerset.
 For Mary Countess of Lovelace.

 Voysey made some alterations
 to a design by Lady Lovelace,
 a pupil of Voysey, and supervised 
 the construction of the house.



 The walls are of roughcast,
 in this case over local stone,
 the windows have wood frames
 and iron casements and the roofs are of
 According to Joanna Symonds the existing
 house and outbuildings (1974) have
 received minor alterations which include 
 enlarging and glazing in the veranda and
 changing the slope of the gable
 on the N projection.

 The British Architect,
 LXXVIII, 1912, p. 60.

 Anne Anderson,
 'Work Itself is a Pleasure':
 Mary, Lady Lovelace,
 C F A Voysey's pupil,
 The Orchard, Number One, 2012,
 pp. 43-53.


 East Row, Kensal Green,
 Kensington & Chelsea, London.

 For E.J. Horniman.




Flower garden with a waterway,
 pergolas, oak bridge, drinking 
 posts,  shelters, sandpit, yard
 and lavatories.
 According to Joanna Symonds
the existing pleasure ground
 corresponds to the British
illustrations except
 that there are no pergolas, drinking
 posts, bridge or sandpit.

 The British Architect,
LXXX, 1915, pp. 273 & 276.
 White Cliffe or The Fairway,
 St Margaret's at Cliffe, near Dover, 


 For P.A. Barendt.




   Remodelling and extending.
 According to Joanna Symonds
 a small, compact two-storey house
 has been transformed into a
 rectangular bungalow with two
 bay windows on one side
 and a hipped roof.

 The British Architect,
LXXXII, 1914, p. 184.


 The Green, Hambledon,

 For A.H. van Gruisen.


RIBA Drawings Collection

 Alterations and additions.
 The original house was of c.1900.
 The alterations shown in the design at the 
 RIBA consist of a new two-storey wing
 on the W side with a single large
 ground-floor room and bedrooms above,
 remodelled offices on the N side and a
 block containing a motor house with a
 pigeon house above attached to the NE 

 now called Cob Nash,
 Wells Road, Malvern Wells, 

 For Major G.A. Porter.



 Photo by Kenneth M Walker LRPS


   Conversion of coach house
 into cottage.
 According to Joanna Symonds
 the cottage is by the road, 
 incorporating part of
 the old stable building. 

 Wells Road, Malvern Wells,  


Photo by Kenneth M Walker

 Photo by Bob Embleton on Wikipedia

 Perspective was drawn
by Charles Cowles-Voysey.

   According to J. Brandon-Jones
 Voysey with his own hands
 modelled a pelican in bronze for 
 the memorial, intending it to stand
 on a marble base on top of a
 Portland stone column, but in the
 event the whole memorial was
 made of stone.

 The Builder,
CXVIII, 1920, p. 84.


 High Street, Potters Bar,

Photo by Sam Klok


 The Memorial was moved 
 to its present position at the
 junction of The Causeway 
 and Hatfield Road in 1974.

 The Architect,
CIV, 1920, p. 426.

 The Builder,
CIXX, 1920, p. 575.


 Master's House,
 Manor House School,
 Tonbridge, Kent.

 For Major Arnold.



 According to Joanna Symonds there is a
 photograph of the executed plaque at the   
RIBA, with a note on the back indicating  
that it was on the wall of the Master's
 house. There is now no plaque on the  
Headmaster's house, but the memorial
 which is in the ante-chapel may be Voysey's 
design substantially altered
 (information from Tonbridge School).  
 to King's Own Yorkshire Light Infantry,
 for York Minster,
 West Aisle of North Transept.
       The Builder,
 CXIX, 1920, p. 544.
Laughton, near Market Harborough,

 For William Taylor.

 NOTES: The site of the house was chosen
 by the client, William Taylor, in connection
 with his experimental designs for dimpled
 golf balls.
 The laboratory wing was built in 1920
 and the main block of the house in 1935 with
 Taylor making some alterations to C. F. A.
 Voysey's designs.
 (Notes taken from the RIBA)




Photo by Andy Haigh

LODGE > Photo by Andy Haigh

Link > RIBA Drawing Collection (Plans)

Link > RIBA Drawings Collection (1)
(preliminary design I)

Link > RIBA Drawings Collection (2)
(preliminary design I)

   The Builder,
 CXIX, 1920, pp. 65-66.

 Illustrated in
 Carpenter & Builder,
 20 June 1924, p. 826.

 Richard Hollis,
 Voysey's last house:
 Laughton Hills, 1920 and 1935:
 "Hidden from view".
 The Orchard, Number Five,
 Autumn 2016, pp. 45-52.

 Tomb of Arnold Stuart and family



Photo by Jamie Barras on flickr


     Extension on building
 south-east of Worthy Manor,

 Porlock, Somerset.

Photo by John H. Sparkes




For list of works with more notes see Wendy Hitchmough, C F A Voysey, pp. 230-234.


From 1920 until the mid-30s, Voysey designed fabrics, carpets, wallpapers,
and very occasionally, furniture.
(Stuart Durant)



2. Unexecuted Projects  

> Slide Show <

DRAWINGS: Courtesy of The Royal Institute of British Architects (RIBA Library Drawings Collection).  

Link > RIBApix: Voysey Images (Images can be purchased).               



of design


 Project / Place / Client




 Notes / Literature




 Please click the underlined textual links or images for a larger version.



   Competition for Admiralty Buildings
 behind Whitehall.
 Voysey's design was unplaced.
 No record of this project appears 
to have survived.
 The award was given to
 Messrs. Leaning & Leaning




   Design for
 the South Devon Sanatorium  

 Teignmouth, Devonshire.

RIBA Drawings Collection

   Dekorative Kunst, I,
 München, 1897 (elevation).

 Wendy Hitchmough,
 C F A Voysey, p. 27.




   Design for a crematorium at Sundrum,
 Ayr, Scotland.

RIBA Drawings Collection

 Building News
 Architect and Building News
Vol. 51, 1886,
 pp. 686 & 746.



   Design for a Cottage for himself.  

Link > 
RIBA Drawings Collection

 The British Architect
Vol. 40, 1888, after p. 76.

 The Studio,
IV, 1894, p. 34.
Kunst, I,
 München, 1897, p. 244.
 David Gebhard,
 Charles F. A. Voysey
 p. 102, fig. 19.

 Wendy Hitchmough,
 C F A Voysey, p. 34.




 Country House with an Octagonal Hall.


RIBA Drawings Collection

   The British Architect,
XXXI, 1889.

 Dekorative Kunst,
I, 1897.

 David Gebhard,
 Charles F. A. Voysey,
 fig. 22.




 An Artist's Cottage.

 According to Stuart Durant the Devey
 influence is seen in the neo-vernacular aspects
 of the building and its relaxed agglomeration
 of parts.

 John Brandon-Jones pointed out
 although the design was published in 1889,
 it is likely to have been made some years
 earlier. It shows Voysey's work at a stage
 when he was still heavily influenced by 


RIBA Drawings Collection

   The British Architect,
 XXXI, Feb.1889.

 John Brandon-Jones
 and others,
 C.F.A. Voysey,
p. 36 pl. B5., p.38.

 David Gebhard,
 Charles F. A. Voysey,
fig. 20.




   Design for a house at 14 South Parade,
 Bedford Park, London,
 for Mrs Forster.

Link > RIBA Drawings Collection

   A modified version 
 was built in 1891.

 John Brandon-Jones,
 C.F.A. Voysey, pl. B8.




   Design for 'A Tower House'.  

RIBA Drawings Collection

   The British Architect, 
XXXI, 1889, p. 70.

 John Brandon-Jones,
 C.F.A. Voysey,
 pl. B 9, p. 40.

 David Gebhard,
 Charles F. A. Voysey,

 fig. 32.




   A Verandah House.  

RIBA Drawings Collection

   The British Architect,
 XXXI, Feb. 1889.

 David Gebhard,
 Charles F. A. Voysey,

 fig. 21.




 Bungalow at Bellagio,
 for Allport.
       The British Architect,
10 June1898.



 at Llandrindod, Wales,
 for E. L. Lakin.







   Design for a lodge for a Manchester suburb.
 Cottage Architecture.


Link >
RIBA Drawings Collection

 The walls are roughcast,
 the windows have wood frames
 and the roof is covered with green

 The British Architect,
XXXIII, 1890, p. 224.

 David Gebhard,
 Charles F. A. Voysey,

 fig. 26.




   An Artist's Cottage.  


RIBA Drawings Collection

   The British Architect,
December 1891, p.456.

 David Gebhard,
 Charles F. A. Voysey,

 fig. 27.




   Houses on Lord Wentworth's estate
 at Chelsea (Swan Walk), London,
 for Daw & Son.


RIBA Drawings Collection

   The British Architect,
1 January 1892, p.5.




 Row of four studios,
 Glebe Place, Chelsea, London,

 for Conrad Dressler.





RIBA Drawings Collection


   David Gebhard,
 Charles F. A. Voysey,

 fig. 39.



   Design for a Staircase.  

Link > RIBA Drawings Collection

   David Gebhard,
 Charles F. A. Voysey,

 fig. 38.



   Studio for Miss Forster, Brook Green.
 (alternative plan)

RIBA Drawings Collection

 David Gebhard,
 Charles F. A. Voysey,

 fig. 37.



 Designs for a new house,
 at Ockham ParkRipley, Surrey,
 for the Earl of Lovelace.


  RIBA Drawings Collection

   The British Architect,
XLVI, 1895,



 First project for studios at Studland Bay, 
 Swanage, Dorset,
 for A. Sutro.
       A modified scheme 
 was executed in 1896.



 Design for a monument to Queen Victoria.

Link > RIBA Drawings Collection




   Mrs. Scott house, Hampshire.  

RIBA Drawings Collection

 David Gebhard,
 Charles F. A. Voysey,

 figs. 58 & 59.







   Two studio-houses at Studland Bay
 for Alfred Sutro.

RIBA Drawings Collection

   The British Architect,
XLVIII, 1897, p. 202.

 David Gebhard,
 Charles F. A. Voysey,

 fig. 57.



   Studio-house at Studland Bay,
 for Alfred Sutro
 for the use of W. Margetson.

RIBA Drawings Collection

 The walls are roughcast,
 the windows have wood frames
 and the roofs are of green slate.

 Dekorative Kunst,
I, 1897, pp. 250 & 251.

 The British Architect,
L, 1898, p. 346.

 The House,
IV, 1898-99, p. 161.

 Hermann Muthesius,
 Das moderne Landhaus, 
1905, p. 149.

 David Gebhard,
 Charles F. A. Voysey,

 fig. 61.




   House at Colwall, near Malvern,
 for C. F. A. Voysey himself.

RIBA Drawings Collection

 There are two designs for 
 the proposed house.
 The materials in both design
 are roughcast for the walls,
 wood frames and iron casements
 for the windows and
 green slate for the roofs.

 Drawing published in
David Gebhard,
 Charles F. A. Voysey,
 fig. 68.



 House at Limpsfield, Surrey
 for R. G. Cather.

Link > RIBA Drawings Collection

 The walls are roughcast,
 the windows have stone dressings 
 with iron casements and
 the roofs are of green slate.

 The Builder, LXXVI, 
 1899, pp. 348-349.

 David Gebhard,
 Charles F. A. Voysey,
fig. 69.




 According to Joanna Symonds,
 C. F. A. Voysey,
p. 43 (131),
 the 'Black Book' (Voysey's own manuscript 
 list of his works) mentions various other 
 designs of 1897 for Hope Brooke
 for buildings at Brackley:
 19 cottages (not executed),
 a pair of semi-detached houses,
 a shop (not executed)
 and a dairy shop (not executed).



 House at Limpsfield, Surrey,
 for C. A. Sewell.

Link > RIBA Drawings Collection

 The walls are roughcast and the 
 windows have stone dressings.

 W. Shaw Sparrow (ed.),
 The Modern home,
 1906, pp. 64-65. 

 David Gebhard,
 Charles F. A. Voysey,

 figs. 77 & 78.
 (Design No.3)




   House for H. Rickards, (Broome Cottage),
 near Windermere, Cumbria.

Link > RIBA Drawings Collection

 The walls are roughcast,
 a few upper windows have
 wood frames and the rest have
 stones dressings and
 the roofs are of green slate.

 Horace Townsend,
 "Notes on Country and 
 Suburban Houses designed
 by C. F. A. Voysey,"
 The Studio
, XVI, 1899, 
 pp. 157-164.
 Perspectives and plans 
 illustrated on p.161.

 Builder's Journal &
 Architectural Record
XI, 1900, p. 190.

 David Gebhard,
 Charles F. A. Voysey,
fig. 70.




   House at Collington Avenue,
 Bexhill-on-Sea, Sussex,

 for A. Barker.

 The plans for A. Barker are identical
 with the executed building PRIOR'S GARTH
 later called PRIOR'S FIELD
 for F. A. Chambers in 1900


RIBA Drawings Collection

 The walls are roughcast,
 the windows are wood-framed
 and the roof is of green slates.

 The British Architect,
 L, 1898, pp.183 & 184.

 Builder's Journal &
 Architectural Record
 XI, 1900, pp. 423 & 424.

 David Gebhard,
 Charles F. A. Voysey,
fig. 71.




   House at Glassonby, near Kirkoswald, 
 for W. E. Rowley.

Link > RIBA Drawings Collection

 The house is of  local stone,
 with green slate roofs.

 The British Architect,
 L, 1898, p.148.

 The Studio,
XVI, 1899, p. 160.

 J. Brandon Jones,
 Association Journal,
LXXII, 1957, p. 252.




   House at Oxshott, near Esher, Surrey,
 for C. S. Loch.


Link > RIBA Drawings Collection

   The walls are roughcast,
 the windows have stone dressings
 and the roofs are covered
 with green slates.

 Academy Architecture,
XV, 1899, p. 50.
 The Studio,
XVI, 1899, p.161.



   House at Westmeston, Sussex,
 for Arthur Newbold.

Link > RIBA Drawings Collection

 The walls are roughcast,
 the windows have stone dressings,
 stone is used for copings and
 bands and the roofs are covered
 with red tiles.
 The British Architect,
LII, 1899, p. 238.

 The Studio,
XVI, 1899, p. 163.

 Builder's Journal &
 Architectural Record,
XI, 1900, p. 424.

  1898    House at Studland for Alfred Sutro.  

RIBA Drawings Collection

 The British Architect,
I, 1898, p. 94.
 House at Arley, Warwickshire,
 for Bernard Ellis.

RIBA Drawings Collection

 House at Blackburn and stables,
 for A. Heyworth


 House at Sandwich, Kent,
 for A. D. Blyth.

RIBA Drawings Collection

 The walls are roughcast,
 the windows have stone dressings
 and the roofs are covered
 with red tiles.
 House at Colnbrook, Buckinghamshire,
 for Dr Alexander Bowie.


Link > RIBA Drawings Collection
and V & A's Collection

   House at Hillgrove, Kidderminster,
 for F. J. Mayers.

Link > RIBA Drawings Collection

 House at Worcester Park, Surrey,
 for J. B. Pinker.

RIBA Drawings Collection

  1901    Two semi-detached cottages
 at Madresfield Court, near Malvern Link,  
 for the Earl Beauchamp.

Link > RIBA Drawings Collection

The walls are roughcast
 and the joinery, including window
 frames, is in unpainted, oiled oak.

 The Builder's Journal
 & Architectural Record,
XVI, 1902-1903,
 pp. 82-83.

 House & Garden,
III, 1903, p. 260.

 M. B. Adams,
 Modern Cottage

 1904, pl. 17.

  1901    House at Cuttycroft, Malvern,
 for N. J. Peyton.

RIBA Drawings Collection

 The walls are roughcast,
 the windows are wood-framed
 and the roofs are of red tiles.

 H. Muthesius,
 Landhaus und Garten, 
Berlin 1907, p. 157
 ( N & S elevations).

  1901    Designs for Lincoln Grammar School,
 for F. H. Chambers.

Link > RIBA Drawings Collection


 The exterior of the quadrangle
 is faced with stone and
 the interior has roughcast walls.
 The windows have stone dressings
 and iron casements;
 the roofs are of red tiles
 except for the hall, which is
 covered with metal sheeting.

 In The Building News,
LXXVIX, 1905, pp. 76 & 77,
 Voysey states that '... My designs...
 were made in conjunction with the
 headmaster... My design was
 rejected on the ground that it was
 too severe, and I am pleased to say
 the design of Mr. Leonard Stokes
 was accepted instead.'
 (Joanna Symonds,
 RIBA Drawings Collection
, p. 29)

 Dekorative Kunst,
 XIV, 1906, p. 201.

 House at Shooters Hill, Kent,
 for C.E.S. Phillips
 House on Vache Estate,
 Chalfont St Giles,
 for J. H. Angus.

Link > RIBA Drawings Collection

   The walls are roughcast,
 the windows have stone dressings
 and iron casements
 and the roofs are of red tiles.

 The British Architect,
LXV, 1906, p. 24.

 House in Abinger Road, Bedford Park
 (Brentford & Chiswick), Hounslow, London,
 for M. T. La Thaugue.

RIBA Drawings Collection

   The walls are roughcast and the
 windows have iron casements
 and stone dressings.
  1903    Two cottages at Polecat Lane, Shottermill,
 Haslemere, Surrey,
 for A. M. S. Methuen.

RIBA Drawings Collection

The walls are roughcast,
 the windows are wood-framed
 with iron casements and
 the roofs are of red tiles.

The Builder's Journal & 
 Architectural Record,
XX, 1904, p. 265.

 The British Architect,
LXV, 1906, p. 292.

 David Gebhard,
 Charles F. A. Voysey, fig. 98.




   Tower house at Bognor Regis
 for W. Ward Higgs.

Link >
RIBA Drawings Collection


 Moderne Bauformen

 IV, 9, Stuttgart, 1905,
 pp. 98, 102.

 John Brandon-Jones,
 C.F.A. Voysey,
 pl. B 31, p. 53.




 Two Cottages at Pole Cat Lane, Shotter Hill,
 for A.M.M. Stedman
 (later A.M.S. Methuen)




 House on Rayrigg Estate, Windermere,
 for G. Toulmin.

RIBA Drawings Collection





   House at Bracknell Gardens
 Hampstead, London,
 for W. C. Lawrence.

 A further design for the house was prepared
 but the project was abandoned
 because the vendor of the land
 would not allow the best room
 to face south over the garden.


Link > RIBA Drawings Collection


 The windows have iron casements
 and stone dressings.
 In the RIBA drawing the roof is of
 red tiles and the walls are of red
 brick, whereas in The British
illustration the walls are
 roughcast and the roofs are of
 green slate.

 Academy Architecture, 
XXVI, 1904,
 pp. 47 & 105.

 Builder's Journal
 & Architectural Record
 XX, 1904, p. 20.

 The Studio
XXXI, 1904, p. 129.

 The British Architect,
LXV, 1906, p. 436;
 different design in BA,
 illus. of plans & elevations not
 corresponding to the RIBA drawing.

  1904    Competition design for
 Carnegie Library and Museum,
 Limerick, Ireland.

RIBA Drawings Collection

   The British Architect,
LXIV, 1905,
 after pp. 328 & 350.
   Lodge and Motor Stable
 at Woodford, Essex,
 for Lady Henry Somerset.


1905    ALDERLEY EDGE, Woodbrook,
 for A. Heyworth.

Link > RIBA Drawings Collection (designs 1)

Link > RIBA Drawings Collection (designs 2)

 The two designs show an
 L-shaped house with an entrance
 court in the angle of the L;
 and in both designs the house is
 roughcast, with green slate roofs,
 and windows with stone dressing.
 Neither design was executed.

 Instead of a new house
 alterations and additions
 to existing house.
 Working drawings
 1905-06, 1908, 1915 & 1917.



 House at Ashintully,
 Tyringham, Mass., U.S.A.,
 for Mrs Tytus.

RIBA Drawings Collection

   David Gebhard,
 Charles F. A. Voysey,
 fig. 103.
   Small house at Cobham, Surrey,
 for W. Leighton Grane.
 Cottage at Chorleywood, Hertfordshire,
 for Mr Fensom.

RIBA Drawings Collection

 The walls are roughcast with tarred
 plinths, the windows are
 wood-framed with wood
 casements, and the roof is of red



   House at Gray's Park,
 Stoke Poges, near Slough,
 for Joseph Hatton.

Link > RIBA Drawings Collection

 The walls are roughcast
 with tarred plinths,
 the windows have stone dressings 
 and the roofs are covered
 with red tiles.

 The British Architect,
 LXVI, 1906 (or 1908?),
 p. 184.
 Architectural Review,
22/1907, p. 219.

 David Gebhard,
 Charles F. A. Voysey,

 fig. 115.

 According to Joanna 
 Symonds there is a house
 in Stoke Poges which  
 seems to be by Voysey,
 but it is not like this design
 (information from
 Brian Blackwood).
 Joanna Symonds,
 C. F. A. Voysey, 1976, p.42.




 3 cottages on the corner of Eldon Street & 
 Langham Road at Blackburn, Lancashire,
 for the executors of Eli Heyworth.

RIBA Drawings Collection

 The walls are roughcast
 with tarred plinths,
 the windows are wood-framed
 and the roofs are of red tiles.

 The British Architect,
LXVII, 1907,
 pp. 387 & 388.




   Houses in Finchley Road,
 Hampstead, London,
 for Vernon Hart.


RIBA Drawings Collection


 There are 2 designs,
 one of which was executed
 and the other was not executed.

 The British Architect,
LXVIII, 1907, p. 148.


   Bungalow at Frinton-on-Sea, Essex,
 for S. Claridge Turner.





   House at Frinton-on-Sea, Essex,
 for S. Claridge Turner.

Link > RIBA Drawings Collection

Link > Victoria and Albert Museum

 The walls are roughcast with tarred
 plinths, the windows have stone
 dressings and the roof is of blue
 Staffordshire tiles.

 The British Architect,
LXIX, 1908, pp. 405 & 406
 (brief description & illus. of plans, 
 elevations & sections of 2 designs
 for house for S. C. Turner
 at Frinton: one of the designs
 corresponds with the drawing
 at RIBA).




 Offices of the Essex
 & Suffolk Equitable Insurance Society,
 High Street, Colchester, Essex.

 Unexecuted design for altering
 the existing building.

RIBA Drawings Collection

   The British Architect,
 LXIX, 1908, p. 334.


   House at Frinton-on-Sea, Essex,
 for S. Claridge Turner.


Link > RIBA Drawings Collection




    House at Frinton-on-Sea,
 for S. Claridge Turner.

Link > RIBA Drawings Collection
(second scheme)

 The materials are roughcast,
 with tarred plinths for walls,
 stone dressings and iron casements
 for windows and green slate for 

 The British Architect,
LXXIV, 1910, p. 420.

 Link > Duncan Simpson,
 C. F. A. Voysey an architect
 of individuality,
p. 124, fig. 62.

 House, Bigwood Road,
 Hampstead Garden Suburb, London,
 for Miss Lang.

Link > RIBA Drawings Collection

 The walls are roughcast,
 with tarred plinths;
 the casement windows have stone 
 dressings, except for the dormer
 windows, which are wood-framed;
 the roofs appear to be of reddish
 brown tiles.
 The British Architect,
LXXII, 1909, p. 266.
   1909    House at Slindon.  

Link > Victoria and Albert Museum


   David Gebhard,
 Charles F. A. Voysey,

 fig. 127.



   British Architect concrete competition,
 design for shops and offices
 using Hennebique patent ferro-concrete.


Link > RIBA Drawings Collection


   British Architect, vol. 72,
 1909 July 30, p. 85.
  1910    Two houses at Sea Road,
 pair of semi-detached houses,
 New Brighton, Cheshire,
 for G.E. Marshall.

RIBA Drawings Collection

 The two houses are contained
 within a single rectangular block
 with a hipped roof.
 They are separated at ground floor
 level by a tunnel going from front to 
 back of the building.
 The walls are roughcast, with plinths
 in black brick, but with a label
 indicating 'tar' as an alternative;
 the windows have stone dressings,
 the roof is covered with grey tiles
 and the chimneys are of black and
 brown bricks.

 The British Architect,
LXXIV, 1919, p. 276.

 David Gebhard,
 Charles F. A. Voysey,

 fig. 128.

  1910    Two office blocks,
 Tudor Street, London,
 for the Spicer Brothers.

RIBA Drawings Collection

   The windows have stone dressings  
and are linked together by
horizontal bands of stone.
 The walls are of yellow brick
 except for the plinths,
 which are of black brick.



 Convalescent home, Pasture Wood,
 Holmbury St Mary, near Dorking, Surrey,
 for Frederick James Merrielees.

Link > RIBA Drawings Collection
(with notes)

   The British Architect,
 LXXV, 1911, p. 402.



   Design for a village hall,
 Porlock, Somerset.

RIBA Drawings Collection

   According to Joanna 
 Symonds a village hall was 
 built at about this time, not
 to a design of Voysey's,
 but possibly to one by
 Lady Lovelace.



   2 designs for a country cottage
 for a Country Life architects' competition.

RIBA Drawings Collection

 The walls are roughcast with tarred
 plinths, the windows are
 wood-framed and the roofs tiled.

 The British Architect,
LXXVIII, 1912, p. 426;
 LXXIX, 1913, p. 84.




   Cottage at Ampthill, Bedfordshire,
 for Miss M. Foster.

RIBA Drawings Collection

 The materials are roughcast with
 oak-framed casement windows,
 a red tiled roof and a brick pier
 supporting a corner veranda.

 The British Architect,
LXXXIX, 1913,
 pp. 315 & 330.

 David Gebhard,
 Charles F. A. Voysey,
fig. 131.




   Competition for Government buildings, 
 Ottawa, Canada.

RIBA Drawings Collection

 The buildings are faced with local
 stone, and the detailing is in a free 
 Perpendicular Gothic.

 The British Architect,
 LXXXII, 1914, p. 220.

 The Architect,
 C, 1918, p.66.

 J. Brandon-Jones,
 Architectural Association 
LXXII, 1957, p. 248. 




   House at Ashmonsworth,
 near Newbury, Berkshire,
 for Arthur à Beckett Terrell.

RIBA Drawings Collection

The materials are roughcast,
 with tarred plinths on all walls
 except for those inside the
 courtyard, stone dressings and
 iron casements for the windows
 and grey slates for the roofs.

 The British Architect, 
LXXXII, 1914,
 pp. 256 & 268.
  1914    House at Thatcham Cold Ash, Berkshire,
 for H. Tingey.

Link > RIBA Drawings Collection


 The walls are roughcast
 with tarred plinths and
 the windows have stone dressings.

 The British Architect
 LXXXII, 1914,
 pp. 78 & 136.

 House at Wilmslow,
 for his brother Ellison.




 Design for a pair of cottages
 for Mrs Cazelet.

RIBA Drawings Collection

 The British Architect,
LXXXIX, 1918, p. 45.
 The Builder,
 CXV, 1918, p. 158.


 2 cottages at Bradfield, Berkshire,
 for G. B. Simonds.

RIBA Drawings Collection.


 The walls are roughcast
 with tarred plinths,
 the windows have stone dressings
 and the roof is of red tiles.

 The Builder,
 CXVII, 1919, p. 164.

 David Gebhard,
 Charles F. A. Voysey,

 fig. 132.





 Cottages at Alderley Edge, Cheshire,
 for A. Heyworth.

RIBA Drawings Collection

   The Builder,
CXVII, 1919, p. 164.
 House and Lodge at Laughton,
 near Market Harborough, Leicestershire,
 for William Taylor.

Link > RIBA Drawings Collection (1)

Link > RIBA Drawings Collection (2)

 The walls are roughcast and
 the windows have stone dressings
 and iron casements.

 The Builder, CXIX, 1920,

 Illustrated Carpenter & Builder,
 20 June 1924, p. 826.

 Design for pedestal
 for Peruvian National Memorial.


 House at Jihlava (Helenthal Iglau),
 Czech Republic,
 for Karl Löwe.


RIBA Drawings Collection

 The walls are roughcast with tarred
 plinths, the windows have stone
 dressings and iron casements and
 the roofs are covered with oak 

 The Builder,
CXXV, 1923, 
 pp. 288-289.

 House at St Nicholas-at-Wade,
 Isle of Thanet, Kent,
 for Tom Jones.

RIBA Drawings Collection

   The walls are roughcast with tarred
 plinths, the windows have stone
 dressings and the roof is of slate.
  1923    Design for two tower blocks (for flats)
 Scheme for the Treatment of
 the Devonshire House site
 Westminster, London.

Link > RIBA Drawings Collection

   According to Stuart Durant
 evidently influenced by
 North American
 skyscraper design,
 the blocks have a markedly
 medieval aspect.

 The Builder,
CXXV, 1923,
 pp. 990-991.



 House at Hillingdon,
 for Courtney Haigh.


Link > RIBA Drawings Collection

   The Builder,
 pp. 406 & 408.
  1926    Competition designs
 for the Masonic Peace Memorial,
 Great Queen Street, London.


   The competition was won 
 by Ashley & Newman.
   1927    Competition design
 for a Town Hall, Wimbledon.


RIBA Drawings Collection


 Joanna Symonds:
 "The main block, facing Broadway,
 was to be in stone, with restained
 Gothic detailing,...The rest of the
 buildings were to be in brick with  
stone dressings, with Gothic 
detailing confined to some pointed
 The competition was won by
 Bradshaw, Gass & Hope."
 Competition design
 for a stand for Vanesta Ltd
 at Building Trades Exhibition Manchester.

RIBA  Drawings Collection

 Designs for bungalow in South Africa,
 for Lady Diana Gibb and Macdonald Clark.


   1933    Competition design
 for a Manchester Exhibition Hall.
 John Brandon-Jones:
 "It is hardly surprising that in
  1933 Voysey's Gothic design was
  unplaced, and modernistic design
  (by R. H. Uren) won first prize."

 Stuart Durant:
 "The proposed building was in a
 late medieval style, not unlike his  
Ottawa Government buildings of  




 House at Hampstead,
off The Bishop's Avenue,
 for Robert Donat.

RIBA Drawings Collection

   The walls are roughcast with tarred
 plinths; the windows have stone
 dressings and iron casements
 and the roofs are of slate.


no date

 2 designs for a small house.

RIBA Drawings Collection

 The designs show two-storey,
 rectangular blocks which are almost
 identical except for the roofs.
 The walls are roughcast with tarred
 plinths, the windows have stone
 dressings and the roofs are covered
 with green slates.


     List of projects:
      Catalogue of the Drawings Collection of the Royal Institute of British Architects,
      C.F.A. Voysey, by Joanna Symonds, D. C. Heath, Farnborough 1976.



In 1913 Voysey gave a selection of designs to the Victoria and Albert Museum.
In 1940 the rest of the drawings, which he had kept, were given to the Royal Institute of British Architects and after the war they were presented to the RIBA Drawings Collection by Voysey's son, Charles Cowles Voysey, and in 1975 they were catalogued by Joanna Symonds (now Mrs Heseltine).
There are 88 designs for buildings at the RIBA; 208 designs for textiles and wallpapers;
260 designs for furniture; 206 graphic designs; and 8 designs for extensive alterations to existing buildings.
Only nine buildings are not represented in the RIBA collection, and these are:
The Cottage, Bishop's Itchington; the final design for the Forster house, Bedford Park;
the Wentworth Arms Inn, Elmesthorpe; the Pavilion at Oldbury Park, Brimingham;
The Orchard, Chorley Wood; Priors Garth, near Puttenham; Tilehurst, Bushey;
White Cottage, Wandsworth; final design for the bungalow at Barnham Junction, Sussex.

According to David Cole, the perspectives were rarely by Voysey's hand (unlike his other drawings),
they were developed in collaboration with Howard Gaye.


3. Interior Design & Furniture

Wallpaper, Fabrics & Carpets

5. Metalwork and Lighting


6. Biography 
     Source: John Brandon-Jones, Duncan Simpson, Stuart Durant, Wendy Hitchmough.

   Biography: The Architect & Building News, 1927 (Voysey Society)


 Born on the 28th May 1857 at Hessle, near Hull, in Yorkshire.

 Father Reverend Charles Voysey (1828 1912)
and his cousin Frances Maria Voysey had four sons and six daughters. C. F. A. Voysey was the eldest child.
 Father served as a curate; father and uncle were running a school.
 Family moved to Jamaica in 1859 and stayed there for 18 months and returned to England.

 1864 moved the family to Healaugh, a small village with around 230 inhabitants,
 near Tadcaster in North Yorkshire, were his father became vicar.
 Voysey was taught at home by his father until he was 14 years old.

 1869 Charles Voysey was prosecuted for heresy by Archbishop William Thomson
 and lost his case at the Chancellor's Court of the Diocese of York
and was expelled from the Church of England.
 He had rejected the dogma of eternal punishment
in the everlasting hell.

 Voysey's father founded the Theistic Church.


 Family moved to Dulwich in south London.


 Voysey attended Dulwich College for 18 months,
 then completed his education under a private tutor.

 He may have suffered from what would be described today as dyslexia.
(Wendy Hitchmough, CFA  VOYSEY,  p.15 & 16)


 Apprenticeship to John Pollard Seddon (1827-1906), the Gothic Revivalist architect.
 Seddon was the son of a cabinet-maker and also designed furniture,
 encaustic floor tiles and ecclesiastical embroideries.
was working on country churches and learned the art of decorative design.

 Voysey: "I determined to become an architect
 because it was the only profession I could take up without passing any examinations."


 Started taking own commissions for minor house alterations and surveys.


 Assistant to Henry Saxon Snell (1830-1904),
 who specialised in the design of hospitals and charitable institutions.




 Assistant to George Devey (1820-86).

 G. Devey was a friend of Voysey's father and became a member of the Theistic Church.
 Devey designed country houses.

 Devey's design principles > article by Walter H. Godfrey in Architectural Review, 1907. (29 pp., PDF, 21 MB)


 1881 set up own practice at 8 Queen Anne's Gate, London.
 1882 moved office to Broadway Chambers, Westminster, London.

 Unexecuted design for a sanatorium at Teignmouth and
 competition for the Admirality offices in Whitehall; entry was not placed.
 Voysey started his work mainly as pattern designer for wallpapers and textiles with the  
help of A. H. Mackmurdo, who showed him the the practice and introduced him to manufactures.


First pattern design was sold to Jeffrey & Co in 1883.




 Voysey joined the Art Workers' Guild.



 Married Mary Maria Evans.  

They had 4 children, only 2 survived; son Annesley Voysey and daughter Priscilla Mary Annesley Voysey.

 Moved home and office to 7 Blandford Road, Bedford Park, London.
 Design for a buttressed half-timbered house supposedly for himself and his wife.


1888 moved home and office to Tierney Road, Streatham Hill, London.
 By 1885 Voysey's wallpaper designs were already in trade papers,
 and by 1888 he was established as one of the leading designers.
David Gebhard has pointed out that "Voysey's success as
 a designer of wallpaper and fabrics far outshown his work
 as an architect even as late as the beginning of the 1890s ...
 and provided his major livelihood ..."
(David Gebhard, Charles F. A. Voysey, p.10)

 1888: Designed first house built, The Cottage, Bishop's Itchington, near Warwick for M.H.J. Lakin.
 The house was published in The British Architect in 1888.
 In the same year The Architect published a design for a cottage by Voysey.
 The British Architect published his work regularly until 1918.



Walnut Tree Farm, Castlemorton, for R.H. Cazelet.
 Cottage at Llandrindod, Wales, for E.L. Lakin.
 Addition to The Cliff, 102 Coventry Road, Warwick, for M.H.J. Lakin.



 Moved home and office to 11 Melina Place, St John's Wood, London.
 Voysey, his wife Mary Maria, son Charles Cowles-Voysey, who was borne in 1889, and a servant.
                                            1893 son Annesley Voysey was borne.
                                            1895 daughter Priscilla Mary Annesley Voysey was borne. borne.                           


 14 South Parade, Bedford Park, London, for Joseph Wilson Forster;
 17 St Dunstan's Road, London, Studio for the artist W. E. F. Britten;
 14 and 16 Hans Road, London, for Archibold Grove.


 The Studio
magazine was launched, promoting the Arts and Crafts Movement.
 Voysey illustrated the cover for the first issue.
 According to Wendy Hitchmough The Studio represented a small revolution
 in magazine publication ... it set out to bridge the gap between the traditional art journals
 and the specialist architectural press ...
 From the outset
The Studio championed Voysey ... It made him famous ...
                                                                         (Wendy Hitchmough, CFA Voysey, p. 51 & 52).
 By the early nineties his furniture was beginning to be well known.
(David Gebhard, p. 12)

Perrycroft, Colwall, for John William Wilson.
 Cottage at Alton in Hampshire for Mrs Mary Scott.




Lowicks, Frensham for Emslie John Horniman.



 Moved home and office to 6 Carlton Hill, St John's Wood, London (office photo)

Annesley Lodge, London for Voysey's father;
 Hill Close, Studland Bay, Dorset, for Alfred Sutro;
 Wentworth Arms, Elmesthorpe, Leicestershire, for the 2nd Earl of Lovelace.


Greyfriars, Hog's Back, Surrey, for Julian Sturgis, also known as Merlshanger and Wancote;
 Wortley Cottages, Elmesthorpe, for the 2nd Earl of Lovelace.


Dixcot, 8 North Drive, Tooting, Wandsworth, Greater London;
New Place, Haslemere;
 Norney Grange, Shackleford;
 The Hill, Thorpe Mandeville.
 additions to Woodcote, Horsley, Surrey, for Sir Henry Roscoe.


 Broad Leys, Gillhead, Cumbria, for Arthur Currer Briggs
 Moor Crag, Gillhead, Cumbria, for J.W. Buckley;

addition to 16 Chalcot Gardens, London NW3, for A.J. Whalley.


 Set up office 23 York Place, Baker Street, near Marylebone Station.

 Started to build The Orchard, Chorleywood, for himself.
 Until The Orchard was completed in 1900, the family lived in a rented house nearby.
 Spade House, Radnor Cliff Crescent, Sandgate, Folkestone, Kent;
 Oakhill in Kidderminster, Worcestershire;
 Winsford Cottage Hospital, near Beaworthy;
 Gordondene in Wimbledon (now demolished);
 lodge at Bury Hill Park, Oldbury, Worcestershire.





 Oakhurst at Fernhurst, Sussex;
 Prior's Garth at Puttenham, Surrey.




 The Pastures at North Luffenham, Rutland;



Sanderson & Sons Factory, London;
 Vodin (now called Little Court) at Pyrford Common near Woking in Surrey;
 addition to Roughwood Farm, Chalfont St Giles, Herts.




 Ty-Bronna in Fairwater near Cardiff;
 White Cottage in Wandsworth, London;

 Tilehurst in Bushey, Hertfordshire;
 Hollybank in Chorleywood.




Myholme in Bushey;
 House at Higham, Woodford, Essex;
 Meeting hall, workmen's institute and cottages at Whitwood, Yorkshire.




 White Horse Inn (now the Old White Horse) at Stetchworth, Cambridgeshire;

 House at Aswan, Egypt;
 Holly Mount in Knotty Green;
 The Homestead in Frinton-on-Sea.
 additions and alterations to Hill Cottage (now the Roman Catholic Church of St John Fisher), Chorleywood;
 additions and alterations to Woodbrook, Alderley Edge, Cheshire.




 Voysey sold the Orchard in 1906. He moved with his family to Hampstead.

Littleholme in Guildford.
 House at Gray's Park, Stoke Poges, Berkshire, for J. Hatton;
 reconstruction and furnishing at Garden Corner, 13 Chelsea Embankment, London, for E.J. Horniman;
 reconstruction and furnishing offices at Capel House, 54 New Broad Street, London EC2,
 for Sydney Claridge Turner and Essex & Suffolk Equitable Insurance Company;
 extensions and alterations and stables, coachman's cottage and gardener's cottage,
 at Wilverley, now Highlands, Holtye Common, Sussex, for J.F. Goodhart.



 Founding member of the Imperial Arts League (for which he later served on its Council) and of the Design Club.


 Lodge Style, Combe Down, village suburb of Bath;
Littleholme in Kendal;
 House at Slindon;
 Brooke End in Henley-in-Arden.


 Conversion of a barn at Holmbury St Mary, Surrey, into a convalescent home for F.J. Mirrielees, now a house called The Old Barn.



House in Belfast, Northern Ireland.



After the death of Voysey's father the family moved to Erskine Hill
 in the suburbs of north London.

 alterations to a design by Lady Lovelace for Lillycombe, Porlock, Somerset. Voysey also supervised execution of the work;
 Memorial for Frank Harding Chambers in St Catherine's church, Ludham, Norfolk.




 Moved office to 25 Dover Street and in July to 10 New Square, Lincoln's Inn.

 Public garden in Kensal, London.



He had been separated from his wife around 1914.

 remodelling and extending White Cliffe, now High Gaut, St Margaret's at Cliffe, Kent, for P.A. Barendt.

 The end of Voysey's architectural career.
 Why? David Gebhard pointed out that
 "In part it was certainly due to the strong surge of classical
 (Neo-Georgian and the like) architecture which established itself
 as the dominant mode of the high art English architectural establishment."

(David Gebhard, Charles F. A. Voysey Architect, p. 12)
Wendy Hitchmough notes that
 "Voysey was never prepared to synchronize with the times
 in order to be popular and although the decline of his practice
 was partly caused by changing social conditions
 as the Edwardian, countryhouse lifestyle faded into obsolescence,
 even before the First World War he was unfashionable."
                       (W. Hitchmough, CFA Voysey, p. 206.)
 Voysey continued to design wallpapers, textiles,
 carpets and occasionally furniture until the mid-30s.


 Published Individuality.



 Moved home and office to flat at 73 St James's Street, off Piccadilly.
 Lived there alone and worked there.




 conversion of coach house into cottage, Haslington Cottage at Malvern Wells, now called Cob Nash, for Major G.A. Porter;
 alterations and additions to Hambledon Hurst, The Green, Hambledon, Surrey, for A.H. van Gruisen;
 War memorial in Malvern Wells, Worcestershire.



 Laughton Hills, Leicestershire, for William Taylor;
 War memorial in Potters Bar, Hertfordshire [photograph];
 War memorial to the King's Own Yorkshire Light Infantry during World War 1,
 in west aisle of north transept, York Minster [photograph].




 Elected Master of the Art Workers' Guild.





 An important series of articles on Voysey were published in
 The Architect and building news (vol. 117).



 Elected Fellow of The Royal Institute of British Architects (RIBA).




 Retrospective exhibition of his work at the Batsford Gallery, London.




 Awarded title of Royal Designer for Industry by the Royal Society of Arts.




 Awarded Gold Medal of Royal Institute of British Architects.

 Moved to live near son Charles Cowles-Voysey in Winchester.




  Died on 12th February in Winchester. Ashes scattered at Golders Green Crematorium.




7. Bibliography  

     > (Bibliography) <

      Scanned articles.
           Please c
lick the underlined textual links (PDF).

  - A Chronological List of Writings by Voysey and Writings about Voysey,
     in David Gebhard, Charles F. A. Voysey Architect, Los Angeles 1975, pp. 83-94.
(7 p.)

- "Bibliography," in Catalogue of the Drawings Collection of the Royal Institute of British
      Architects, C.F.A. Voysey, by Joanna Symonds, D. C. Heath, Farnborough 1976, pp. 10-12.

   - "Bibliography," in Stuart Durant, CFA  VOYSEY, Architectural Monographs No 19,
       Academy Editions, London 1992, pp. 142-144.


Books about Voysey (chronological)

- David Gebhard, Charles F. A. Voysey Architect, Hennessey & Ingalls, Los Angeles 1975.
       "Charles F. A. Voysey: An Introduction to the Architect and his Work," pp. 1-35. (10 MB)
             As a "pioneer" of the modern movement, Voysey's image has been so well packaged and subsequently sold
             that there are surprisingly few who have felt that they were in a position to question the merchandise." 
                                                                                                                                           David Gebhard


- Catalogue of the Drawings Collection of the Royal Institute of British Architects,
  C.F.A. Voysey, by Joanna Symonds, D. C. Heath, Farnborough 1976.
        "Charles Francis Annesley Voysey," An Introduction by John Brandon-Jones, pp. 7-10.

           "Bibliography,"  pp. 10-12.
        "The Drawings at the RIBA," pp. 13-14.


- John Brandon-Jones and others, C.F.A. Voysey: architect and designer 1857-1941,
  Lund Humphries, London 1978.
  Copyright Brighton Borough Council (Photographs by Duncan McNeill).
  This is the catalogue of the exhibition 'C. F. A. Voysey: architect and designer 1857-1941'
  held at the Art Gallery and Museums, Brighton from July 11 to September 3, 1978
  and subsequently at the Wolverhampton Art Gallery from January 8 to February 12, 1979
  and the Glasgow City Art Gallery from April 5 to May 27, 1979.
       "C.F.A. Voysey: An Introduction," by John Brandon-Jones, pp. 9-12, 17-24;
       and "Architecture," by John Brandon-Jones and Joanna Heseltine, pp. 30-32.


- Duncan Simpson, C.F.A. VOYSEY an architect of individuality
               with a preface by Sir James Richards,
und Humphries, London 1979.

         Cover, Preface by Sir James Richards,
         Acknowledgements and Introduction, pp. 1-11. 

         Biographical details, p. 12.

            Chapter 1  C.F.A. Voysey : An Architect of Individuality, pp. 13-18.

         Chapter 2  Establishing a Practice - The Years up to 1895, pp. 19-42.
                           Early Furniture designs and other work
                           Perrycroft and Lowicks

         Chapter 3  Some Important Experiments, 1895-7, pp. 43-62.
                           Norney, New Place, Experiments in Furniture, 1895-7

         Chapter 4  The Years of Mature Practice, 1898-1910, pp. 63-107.
                           Broadleys, Moorcrag, Spade House, Winsford Cottage Hospital, The Orchard,
                           The Pastures, Sandersons, Vodin, Tilehurst, Higham, Whitwood, Stetchworth,
                           Hollymount, The Homestead, Lodge Style, Kendal, Brook End

         Chapter 5  Furniture Designs, 1898-1910
                           and the Voysey Interior,
pp. 109-128.

         Chapter 6  The Practice in Decline, 1910-41, pp. 129-141.
                            Furniture Designs, 1910-41

         Chapter 7  The Voysey Inheritage, pp. 143-148.
                            Gothic and Grotesque
                            The Inheritage
                            List of extant works, pp. 149-151.
                            Bibliography, pp. 153-155.
                            Notes, pp.156-158.
                            Index of buildings and designs, pp. 159-160.


- Stuart Durant, The Decorative Designs of C.F.A. Voysey, The Lutterworth Press, Cambridge 1990.
    Cover, Introduction, Chronological Outline of Voysey's Life (pp. 1-8).
    Biography (pp. 9-28).
    Selected List of Surviving Buildings, Manufactures and Retailers (p. 29).
    Bibliography: Books, Selected Articles, Catalogues (pp. 30-32).

  Stuart Durant’s newly revised edition of his 1990 work, The Decorative Designs of C.F.A. Voysey,
  is now available from the Lutterworth Press:


- Stuart Durant, CFA  VOYSEY, Architectural Monographs No 19, Academy Editions, London 1992.
   "Stuart Durant, CFA Voysey, 1857-1941," pp. 7, 9, 11, 13, 15, 17, 19, 20, 21.

Stuart Durant is an Honorary Member of the Voysey Society, for whom he gave the second Annual Voysey Lecture. He was invited to write the first History of Design thesis at the Royal College of Art. He later taught Design and Architectural History at Kingston University, where he became Reader. He has also directed the Post Graduate course in Communication Design at Kingston. He was the originator of the International Design Yearbook and he has published extensively on ornament and architecture. Stuart Durant's writings have been widely translated.


- Wendy Hitchmough, The Homestead : C.F.A. Voysey,Phaidon, 1994.


- Wendy Hitchmough, CFA  VOYSEY, Phaidon Press, London 1995.

   John Brandon-Jones: "Wendy Hitchmough's book is welcome because it is not just another picture-book
                                               but a serious study of the background and sources that lay behind Voysey's
                                               unique contribution to architecture and to the decorative arts."

        Architectural Review: '' The Voysey book that we have been waiting for.
                                                A rounded and perceptive portrait.
                                                It will remain the definitive biography."

        Wendy Hitchmough is Head of Historic Buildings and Research at Historic Royal Palaces.
        Art historian specialising in the art, architecture and design of the late 19th and early 20th centuries.
        Author of seven books including C.F.A. Voysey (Phaidon, 1995),
        The Arts and crafts home (Pavilion, 2000), and Arts and crafts gardens (V&A, 2005).


- A. S. Schofield, C.F.A. Voysey's buildings at Whitwood, Alice Shirley Schofield, 1997.


- A. S. Schofield, A century of Voysey's buildings at Whitwood, Alice Shirley Schofield, 2007.


- Anne Stewart O‘Donnell, C. F. A. Voysey: Architect, Designer, Individualist, 2011.
  > Look inside the book (a few sample pages from the book)


- K. Livingstone, The bookplates and badges of C.F.A. Voysey:
                            architect and designer of the Arts and Crafts Movement
, Antique Collectors' Club, 2011.

PostScript Books at greatly reduced price (now £ 12.99): The Bookplates and Badges of CFA. Voysey, by Karen Livingstone,


- K. Livingstone, V&A patterns : C.F.A. Voysey, V&A Publishing, Pomegranate, 2013.


- M. Hyde, Broad Leys by C.F.A. Voysey : the creation, life and times of an Arts and Crafts house:
                                                                    home to Windermere Motor Boat Racing Club
, Compass, 2013.


- David Cole, The Art and architecture of CFA Voysey :
                      English pioneer modernist architect & designer
                             Images Publishing
Group, Mulgrave, Victoria, Australia, 2015.

                             252 pages,
richly illustrated in full colour with old and new photographs
                             and magnificent reproductions of Voysey’s plans, elevations and perspective drawings.

                             > Review by Phillip James Dodd on

                             > (Review)
ACC Book Distribution Ltd: Look inside the book (a few sample pages from the book)

                                        > (preview with illustrations)

PostScript Book at greatly reduced price (now £19.99): The art and architecture of C.F.A. Voysey, by David Cole.


- Karen Livingstone with Max Donnelly and Linda Parry, C. F. A. Voysey Arts & Crafts Designer,
  Victoria & Albert Museum Publishing, London 2016.
  320 p. ill., (some colour) 28cm.
  Focuses on Voysey as a designer of furniture, metalwork, and textiles.

  [review] Skipwith, P., ‘C.F.A. Voysey : arts & crafts designer’, Apollo (v.184, 2016), pp.106-107


- THE ORCHARD, The Journal of the C F A Voysey Society
   Issue no.1, Autumn 2012 (PDF, 68KB)
   Issue no.2, Autumn 2013 (PDF, 67KB)

Issue no.3, Autumn 2014 (PDF, 68KB)
   Issue no.4, Autumn 2015 (PDF, 71KB)
   Issue no.5, Autumn 2016 (PDF, 67KB)
   Issue no.6, Autumn 2017 (PDF, 59KB)


  Books on Arts and Crafts Architecture with significant Voysey content

- Peter Davey, Arts and Crafts Architecture: The Search for Earthly Paradise, 224 pages,
                                                                                          Architectural Press, London 1980.

            Peter Davey is an architect, historian and journalist, and is Editor of the Architectural Review.
  - Major survey of architects of the Arts and Crafts movement of the 1870s and 1880s.
            - Focuses on British architects and the movement in England, with separate chapters on the latter's influence in California,
              the American Midwest and Continental Europe

        Contents (PDF)

        Chapter 1  Once Upon a Time, pp. 8-9 PDF
            (... that a movement opposing the imitation of styles ... has had the most gratifying results. Muthesius)

Chapter 2  Gathering Grounds, pp. 10-20 (Pugin, Ruskin, Butterfield, Devey) PDF

        Chapter 3  The Prophet (Morris)

        Chapter 4  Lamplighters, pp.30-45
(Webb and Shaw) PDF

        Chapter 5  The Guilds are Forged (Mackmurdo) PDF

        Chapter 6  The Guide, pp.56-67
(Lethaby) PDF

        Chapter 7  The Explorer. pp.68-81
(Schröder Prior) PDF

        Chapter 8  The Pathfinder, pp. 82-96. (Voysey)

        Chapter 9  Into the Country, pp. 97-115. (Other Architects in Voysey's Time)

        Chapter 10  The Lost City, pp. 116-138. (Sedding, Voysey, Ricardo, Holden,
                                                                         Lethaby, Townsend, Wood, Mackintosh)

        Chapter 11  The Attempt on the Summit. (Ashbee, Gimson, Barnsley) PDF

        Chapter 12  The Descent, pp. 154-170.
(Shaw, Lutyens, Baillie Scott) PDF

        Chapter 13  Quietly Home, pp. 171-182. (Parker & Unwin) PDF  

        Chapter 14  Transatlantic Excursion, pp. 183-194

        Chapter 15  Crossing the Channel, pp. 195-210 PDF

        Chapter 16  Postscript: Looking back, pp. 211-213 PDF

        Select Bibliography, pp. 214-218 PDF     


- Hermann Muthesius, Das englische Haus, 3 vols., Berlin 1904-1905.
  Also translated in full as The English house, edited with an introduction by Dennis Sharp, Frances Lincoln, 2007.
    Vol. I, pp.160-167, 219, 220. (11 pp., 6 MB, PDF, in German)
    Vol. II, pp. 47, 83, 84, 93, 104, 105, 113, 114, 124, 125, 132, 133, 166, 185, 205, 236, 237.  (18 pp. 10 MB, PDF, in German)
    Vol. III, pp. 96, 103, 110, 123, 124, 138, 154, 155, 160, 168, 175. (12 pp., 7 MB, PDF, in German, with photographs)

    E-book > Hermann Muthesius, Das englische Haus) in German, with photographs.

    E-book > Hermann Muthesius (pages about Voysey) in German, with photographs.

 - Julius Posener, Anfänge des Funktionalismus, Von Arts and Crafts zum Deutschen Werkbund, 
Ullstein, Frankfurt/Berlin, 1964.  > "Charles Francis Annesley Voysey 1857-1941," pp.70-94.

   With plans and photos of Norney Grange, Greyfriars, Vodin, The Orchard, Perrycroft and Broadleys.
(in German, with photographs)

    > E-Book (Julius Posener, Anfänge des Funktionalismus) in German, with photographs.


 - Tim Benton and Sandra Millikin, The Open University, Arts: a third level course,
   History of architecture and design 1890-1939, Units 3-4,
Part four: The British Arts and Crafts architects, pp. 20-46, pl. 34-82, Milton Keynes 1975.
   (Voysey, Baillie Scott, Mackintosh) 145 MB


Articles about Voysey (chronological)

The articles of the periodical publications were photocopied in 1976 with minor quality at that time
and have now been scanned for you.


- "An Interview with Mr. Charles F. Annesley Voysey, Architect and Designer,"
    The Studio, Vol. 1, 1893, pp. 231-237.


- "An Artist's Cottage. Designed by C. F. A. Voysey," The Studio, Vol. IV, 1894, p. 34.


- "Some Recent Designs by Mr. C. F. A. Voysey," The Studio, Vol. 7, 1896, pp. 209-219.
    (Article on wallpaper and furniture)

- "The Revival of English Domestic Architecture. VI. The Work of Mr. C. F. A. Voysey,"
    The Studio,
Vol. 11, 1897, pp. 16-25.

             The Studio
. Vol. 11-13. Internet Archives. Web. 29 April 2011. (72 MB !)

             Book contributor:
Robarts - University of Toronto

- "The Arts and Crafts," The Studio, Vol. 9, 1897, pp. 192-196.


- Horace Townsend,
  The Studio, Vol. 16, 1899, pp. 157-164.


- Charles Holme, Modern British Domestic Architecture and Decoration, 1901,
  C. F. A. Voysey "The Orchard," pp. 181-193 & 194;
     and selected works of  F. W. Bedford and S. D. Kitson (p. 35); W. H. Brierley (p. 55);
     A house at Crowborough, Sussex, reproduced from a Pencil Drawing by R. A. Briggs (p. 59);
     John Cash (p. 62); Walter F. Cave (p. 63); Edward S. Prior (p. 150);
     M. H. Baillie Scott, pp. 157, 159, 161; W. H. Seth-Smith (p. 164 & 165).
     Link for complete PDF version (54 MB) of the Charles Holme book,
     housed at the University of Toronto.
     The pages on "The Orchard" start in the PDF version on p. 231.


Aymer Vallance, "Some recent work by Mr. C. F. A. Voysey,"
   The Studio, Vol. 31, 1904, pp. 127-133.


- "Some recent designs for domestic architecture," The Studio, Vol. 34, 1905, pp. 151-152.


- M. H. Baillie Scott, "On the Characteristics of Mr. C. F. A. Voysey's Architecture,"
The Studio, Vol. 42, 1907, pp. 19-24.

- Baillie-Scott, M. H. “On the Characteristics of Mr. C. F. A. Voysey's Architecture.
  ” The Studio 42 (October 1907): 19-24.
  Internet Archive digitized from a copy in the University of Toronto Library.
  [full text in the Victorian Web.]


- E. J. Horniman's ‘Garden Corner’ designed by C. F. A. Voysey.
  ” The Studio 42 (October 1907): 24-25. Internet Archive digitized from a copy in the University of Toronto Library.
  [full text in the Victorian Web.]


- John Betjeman, "Charles Francis Annesley Voysey, The Architect of Individualism,"
  The Architectural Review, Vol. 70, October 1931, pp. 93-96.


- P. Morton Shand, "Scenario for a Human Drama. VII. Looping the Loop,"
   Architectural Review, Vol. 77, 1935, pp. 99-102.


- Henry-Russell Hitchcock, "Late Victorian Architecture: 1851-1900,"
   Journal of the Royal Institute of British Architects, Vol. 44, 1937, pp. 1029-1039.


- John Summerson, "Mr. Voysey: Veteran Gold Medallist,"
  The Listener
, 7 March 1940, pp. 479 & 480.


- A Tribute by Nikolaus Pevsner, "Charles F. Annesley Voysey,"
  Architectural Review, Vol. 89, 1941, pp. 112-113.


   17 March 1941, p. 88.


- Martin S. Briggs, "VOYSEY AND BLOMFIELD. A Study in Contrast,"
  The Builder, January 14, 1949, pp. 39-42.


- Peter Floud, " The wallpaper designs of C. F. A. Voysey,"
  The Penrose Annual, Vol. 52, 1958, pp. 10-13.


- Summary by John Brandon-Jones on C. F. A. Voysey,
  published in: Ferriday, Peter, Victorian Architecture, London 1963, pp. 267-287.


- Margaret Richardson, "WALLPAPERS by C. F. A. Voysey (1857-1941),"
   Journal of the Royal Institute of British Architects, Vol. 72, August 1965, pp. 399-403.


- David Gebhard, "C. F. A. Voysey - To and From America,"
   Journal of the Society of Architectural Historians, Vol. 30, 1971, pp. 304-311.


- Craig Farnsworth, "C.F.A. VOYSEY Architect Designer and Artist
                                 A Confluence of Architecture Artistry and Vision" on


- Bauen + Wohnen = Construction + habitation = Building + home : internationale Zeitschrift, 21/1967, Heft 2
  Julius Posener (Berlin), Anfänge des Funktionalismus
Scan by ETH-Bibliothek, ETH Zürich (in German)


- John Brandon-Jones et al. C.F.A. Voysey: Architect and Designer, 1857-1941. Bradford, Yorkshire: Lund Humphries, 1978.


- Gerda Breuer, Ästhetik der schönen Genügsamkeit oder Arts and Crafts als Lebensform,
  Bauwelt Fundamente 112 (in German)


- Ken Allinson,  Architects and Architecture of London:
        Ken Allinson: Pevsner's opinion about Voysey > "the international style, Pevsner pioneers: all nonsense"

Nikolaus Pevsner saw Voysey as a pioneer of the Modern Movement,
        an attribution that Voysey did not agree with.

         Voysey wrote in a letter to John Betjeman: "I have only applied old tradition to new conditions (...)
        there is nothing new in my architecture, but new thought and feeling."


- The Architectural Review, 24 August, 2015: CFA Voysey (1857-1941), article by James Dunnett
   From his Arts and Crafts roots, did Voysey sow the seeds of Modernism?
Charles Francis Annesley Voysey (1857-1941) is an architect whose reputation has fallen between two stools,
   largely due to an issue of classification: was he or was he not a Pioneer of the Modern Movement?


Writings by Voysey (chronological)

- Journal of the Royal Institute of British Architects, 3rd Series, Vol. 1, 1894, pp. 415-18.
   (Article on Furniture)


- "The Aims and Conditions of the Modern Decorator,"
  A lecture given in Manchester, February 15th, 1895, by C. F. A. Voysey.
  Published in The Journal of Decorative Art, Vol. 15, April, 1895, pp. 82-90.


- "Remarks on Domestic Entrance Halls," by C. F. A. Voysey,
  The Studio,
XXI, 1901, pp. 242-6;

   and Hugh Braun on THE HALL in the YEOMAN'S HOUSE, pp. 237, 244, 245.


 - "The Orchard," by C. F. A. Voysey, Architectural Review, Vol. 10, 1901, pp. 32-8.


- "On Art Nouveau," by C. F. A. Voysey, The Magazine of Art, 1904, pp. 211-2.


- "Individuality," by C. F. A. Voysey, Chapman & Hall, London, 1915,
in: Stuart Durant, CFA  VOYSEY, Architectural Monographs No 19, Academy Editions,
        London 1992, pp. 127, 129, 131, 132, 133.


- "Ideas in Things," by C. F. A. Voysey, in: Raffles Davison (editor), The Arts connected with
   Building: Lectures on Craftsmanship and Design
, delivered at Carpenter's Hall, London, 1909.

        10 pages were scanned from Stuart Durant, CFA Voysey, London, 1992,
        pp. 113, 114, 115, 117, 118, 119, 121, 123, 124, 125.



- "The English Home," by C. F. A. Voysey, The British Architect,
    Vol. 75, January 27, 1911, pp. 60, 69, 70.


- "The Quality of Fitness in Architecture," by C. F. A. Voysey,
    The Craftsman
, Vol. 23, November, 1912, pp. 174-182.


- "Open Letter to the Royal Institute of British Architects," by C. F. A. Voysey,
    The British Architect, Vol. 78, 1912, pp. 368-369.


- " The Aesthetic Aspects of Concrete Construction," by C. F. A. Voysey,
     The Architect and Engineer, Vol. 57, 1919, pp. 80-82.


- "On Town Planning," Architectural Review, Vol. 46, 1919, pp. 25-26.


- "Self-expression in Art," by C. F. A. Voysey,
    The Journal of the Royal Institute of British Architects
, 3. Series, Vol. 30, 1923, p. 211.


 - "Some Fundamental Ideas in Relation to Art,"
     by C. F. A. Voysey, Master of the Art Workers' Guild,
      Journal of the Royal Institute of British Architects,
Vol. 31, 1924, pp. 303 & 304.


  - "1874 & After," by C. F. Annesley Voysey, Foreword by Sir Edwin Lutyens,
     Arcitectural Review, LXX, 1931, pp. 91 & 92.




Article by M. H. Baillie Scott

  - "A Country House," by M. H. Baillie Scott, The Studio, Vol. 19, 1900, pp. 30-37. 
(...central idea of a hall or living-room as the keynote of a home...)


Article about George Devey

 - Walter H. Godfrey, "The Work of George Devey.- I, II, III."
    Architectural Review, Vol. 21, 1907, pp. 23-30 (I), 83-87 (II), 293-306 (III).

External Links

  Drawings Courtesy of The Royal Institute of British Architects.
  Photographs, drawings, perspectives and other design patterns
at the Royal Institut of British Architects Drawings and Photographs Collection.

Images can be purchased.
The RIBA can supply you with conventional photographic or digital copies
of any of the images featured in RIBApix

 Link > RIBApix (Voysey Images)


Link > RIBApix > SEARCH RIBApix < (other architects and designers)


- Voysey

- Victoria and Albert Museum > Search > Voysey (Photos)

V&A Prints is an online selection of images from the Victoria and Albert Museum.


- Photographs of Voysey at the RIBA

- Portraits of Voysey > National Portrait Gallery




8. Contemporary Artists and Architects in Voysey's Time


    Charles Robert Ashbee (1863 – 1942) 


  Mackay Hugh Baillie Scott (1865 1945)


                   William Henry Bidlake (1861 –  1938)


     Sir Arthur William Blomfield (1829 – 1899)


     Sir Reginald Theodore Blomfield (18561942)


      Detmar Jellings Blow (1867 – 1939)


  William Burges (1827 – 1881) 


    William Butterfield (1814 – 1900)


  Walter Frederick Cave (1863 – 1939)


  George Devey (1820 1886). Voysey was assistant to Devey in 1880 – 81.


  Christopher Dresser (1834 – 1904)


  Sir Banister Flight Fletcher (1866 – 1953)


                    Harold Herbert Fuller-Clark (1869 – 1934)


   Sir Ernest George (1839 – 1922) and Harold Ainsworth Peto (1854 – 1933)

  Ernest William Gimson (1864 – 1919)


  Edward William Godwin (1833 – 1886)


  Charles Henry Holden (1875 – 1960)


William Richard Lethaby (1857 – 1931)


    Robert Stodard Lorimer (1864 – 1929)


                 Thomas Geoffry Lucas (1872 – 1947)


  Edwin Landseer Lutyens (1869 1944)


                  Sir Mervyn Edmund Macartney (1853 – 1932)


  Charles Rennie Mackintosh (1868 1928)


   Arthur Heygate Mackmurdo (1851 – 1942)


                  Charles Edward Mallows (1864 – 1915)


                  Arnold Bidlake Mitchell (1864 – 1944)


  William Morris (1834 1896)


  William Eden Nesfield (1835 – 1888)


  William West Neve (18521942)


    Ernest Newton (1856 1922)


                 David Barclay Niven (1864 – 1942)  and Herbert Hardy Wigglesworth (1866 – 1949)


  Richard Barry Parker (1867 – 1947) and Raymond Unwin (1863 - 1940)


  Augustus Welby Northmore Pugin (1812 – 1852)


                 Halsey Ralph Ricardo (1854 – 1928)


   Edward Schröder Prior (1852 – 1932)


    Sir George Gilbert Scott (1811 – 1878)


       Sir Giles Gilbert Scott (1880 – 1960), son of George Gilbert Scott Jr. (1839 – 1897),
                                                                            and grandson of
Sir George Gilbert Scott (1811 – 1878)


     John Dando Sedding (1838 – 1891)


  John Pollard Seddon (1827 – 1906)


  Richard Norman Shaw (1831 – 1912)


   Arnold Dunbar Smith (1866 – 1933) & Cecil Claude Brewer (1871 – 1918): Mary Ward House, London


    Leonard Aloysius Scott Stokes (1858 – 1925)


  George Edmund Street (1824 – 1881)


    Charles Harrison Townsend (1851 – 1928)


  Francis William Troup (1859 1941)


  Hugh Thackeray Turner (1853 – 1937)


  Philip Webb (18311915)


  Edgar Wood (1860 – 1935) and James Henry Sellers (1861 – 1954)     


                 Other British Architects in Voysey's Time



- Art Nouveau
   1880s to 1910s


- Modern Buildings
  The Architecture of the 1920s and 1930s



- (Domestic Architecture for the Rich, Poor, and Those in between)

- (Voysey)

- (Victorian Architecture)

- (The Arts in Victorian Britain)

- ( British History Online)

- (Photos)



Charles Francis Annesley Voysey (1857-1941),
 8 years old.
This photo was kindly sent to me by Dr Ian Hamerton



Dr.-Ing. Heinz Theuerkauf
Ansprengerstraße 9
80803 München
(Munich / Germany)

Email: theuerkaufheinz(at)


The purpose of this Website is to promote education and research in British Art and Architecture and encourage research into all aspects of Voysey's life and work and to help to maintain his legacy.
I have created this collection primarily to serve as an easy to access educational tool.

Copyright Information:

If anyone feels that something on this site violates their copyright
and does not want images published for education and research,
please send me a note at
> theuerkaufheinz[at]
I will remove anything if the owner of the copyright asks me to do so.


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Parts of my Website contain links to third party websites ("Third Party Websites") for your convenience and information. If you use these links, you will leave the Website. When you access a Third Party Website, please understand that I do not control the content of that Third Party Website and am not responsible for the content of that Third Party Website.

Links to Third Party Websites on the Website do not imply that I endorse those Third Party Sites or agree with any of the views or information set out on such Third Party Websites.

Link > Collection of 20 Voysey Houses.
lack & White Photographs taken in 1976 on flickr.



           Other interests of the author:


  >  2,800 Medieval Churches from the 4th to 16th Century <


   > Albums on flickr (Art).


   > Museums in Munich (München)


   > Public Sculptures in Munich


    > Churches in France


     > Museums in Paris


     > Troyes: Churches and Museum


    > Musée d'Art moderne de Troyes (peintures et sculptures)


    > Landshut. Skulpturenmuseum im Hofberg. Stiftung Koenig (Images on Flickr )