SPADE HOUSE.

Radnor Cliff Crescent, Sandgate,
Folkestone, Kent.

1899

For H. G. Wells.

1903 additional bay by Voysey.
Later extensive alterations, now a private nursing home and the rooms have been divided up.

 

Anatole France described Wells as "the greatest intellectual force in the English-speaking world". (http://archive.sandgatesociety.com)

His main preoccupation during the entire latter part of his life had been to improve the lot of mankind: to abolish poverty, preventable pain and toil, and the causes of war, and to educate the masses to ever higher levels of physical, mental and spiritual well-being. (http://archive.sandgatesociety.com)

Peter Davey notes in Arts and Crafts Architecture, H. G. Wells chose Voysey as the "pioneer in the escape from the small snobbish villa residence to the bright and comfortable pseudo cottage." (H. G. Wells, Experiment in Autobiography, Victor Gollancz, republished 1966, p. 638.)

 

 

Second scheme (unexecuted).
Published in: Duncan Simpson, C.F.A. Voysey, p. 80, fig. 33a:
and in: David Cole, The Art and architecture of CFA Voysey :
English pioneer modernist architect & designer.
Link > RIBA Drawings Collection

 

 

Second scheme (unexecuted).
Published in Duncan Simpson, C.F.A. Voysey, p. 80, fig. 33a
and in David Cole, The Art and architecture of CFA Voysey :
English pioneer modernist architect & designer.

Link > RIBA Drawings Collection

 

Ground Floor Plan.
Second scheme (unexecuted).
Published in Duncan Simpson, C.F.A. Voysey, p. 80, fig. 33a
and in David Cole, The Art and architecture of CFA Voysey :
English pioneer modernist architect & designer.

Link > RIBA Drawings Collection

 

 

Second scheme (unexecuted).
Published in Duncan Simpson, C.F.A. Voysey, p. 80, fig. 33a:
and in David Cole, The Art and architecture of CFA Voysey :
English pioneer modernist architect & designer.

Link > RIBA Drawings Collection

 

____________________________

 

 

Third scheme showing the house almost as executed.
Published in Duncan Simpson, C.F.A. Voysey, p. 82, fig. 33b.
Link > RIBA Drawings Collection

 

 

Third scheme showing the house almost as executed.
Published in Duncan Simpson, C.F.A. Voysey, p. 82, fig. 33b.
Link > RIBA Drawings Collection

 

Drawing published in The British Architect, 27th October 1899.

 

 

Third scheme showing the house almost as executed.
Published in Duncan Simpson, C.F.A. Voysey, p. 82, fig. 33b.
Link > RIBA Drawings Collection

 

 

Spade House in the centre, photo Sandgate Society

 

Photo on http://archive.sandgatesociety.com

 

1901
Photo on http://archive.sandgatesociety.com

 

 


1966
Photo on http://archive.sandgatesociety.com
Nearest bay addition by Voysey in 1903.

 

Photograph by Peter Davey, Arts and Crafts Architecture, p. 92, pl. 85.
Nearest bay addition by Voysey in 1903.

 

 

Photo on folkestonehistory.org

 

 

Photo by Ellis Woodman on twitter

 

 

Spade House, Sandgate, photo courtesy of John Trotter

 

Spade House, Sandgate, photo courtesy of John Trotter

 

Spade House, Sandgate, photo courtesy of John Trotter

 

 

Photo on http://archive.sandgatesociety.com

 

Photos on bbhilda.topcities.com/Folkestone

 

Spade House, Sandgate, photo courtesy of John Trotter

 

Spade House, Sandgate, photo courtesy of John Trotter

 

Photo on kenthistoryforum.co.uk

 

Voysey, Spade House, photo by Phil Beard on flickr

 

Spade House, Sandgate, photo courtesy of John Trotter

 

 

Lounch
Photo on http://archive.sandgatesociety.com

 

Dining room
Photo on http://archive.sandgatesociety.com

 

Photographs and Drawings Courtesy of The Royal Institute of British Architects.
Photographs, drawings, perspectives and other design patterns
at the Royal Institut of British Architects Drawings and Photographs Collection.
Images can be purchased.
The RIBA can supply you with conventional photographic or digital copies
of any of the images featured in RIBApix.

Link > RIBApix: Spade House, 2 items

Link > RIBApix: all Voysey Images

 

 

Pevsner's Kent: North & East (with John Newman, 2013) says:

SANDGATE. SPADE HOUSE, Radnor Cliff Crescent, now Wells House Nursing Home. H G Wells's seaside hideout, cleverly concealed from the road and designed for him in 1899 by Voysey. Extended by Voysey in 1903. The extension not really perceptible and the original design not so finely balanced that it suffered from being added to. Characteristic harled walls with buttresses. Long deep roofs and mullioned windows, as well as the way the house is tucked into the hillside, all emphasize the horizontals as usual. In its day the design was as fresh as the sea breezes. The spade-shaped letter box, substituted at Wells's insistence for Voysey's favourite heart, has sadly disappeared.

     Source: Pevsner Architectural Guides at Yale University Press.

 

         Link > www.voyseysociety.org

 

 

Description on Historic England

1. 5281 RADNOR CLIFF CRESENT (West Side) SANDGATE Spade House TR 2035 SE 7/37 II* GV 2. Mid C19 with additions of 1903 designed by C F A Voysey, architect, for H G Wells. 2 storeys. White roughcast walls, stone dressings. Mullioned Windows with leaded lights. Tiled roof. Entrance front has doorway with Tudor arch. 2 storeyed canted bay of stone to left. To left mullioned windows to 1st floor. Sloping buttressed corners. 2 storeyed block at right angles added in l920's. Canted front of 2 storeys. To the right the ground rises to lst floor garden porch flanked by hipped bay windows. To left mullioned windows on both floors. Canted bay window to left with balcony above. Sloping buttress. End gable tile hung. Tall roughcast chimneystacks. The interior contains arched doorcases and a staircase which incorporates 2 round-headed arches divided by a twisted column. It was at Spade House that Wells wrote 'Mankind in the making', 'A Modern Utopia', 'In the Days of the Comet', 'The New Machiavelli', 'The War in the Air', 'Tono Bungay', 3ungay', 'Anticipations', 'The Food of the Gods', 'Ann Veronica', 'Kipps', 'The History of Mr Polly', 'New Worlds for Old', and 'First and Last Things'.

 

Link > Booklet by E.M. May (PDF; content starts on p. 7)

 

Reference:

The British Architect, LII, 1899, p. 292.

Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979.

Wendy Hitchmough, CFA  VOYSEY, London 1995, pp. 172-4.

David Cole, The Art and architecture of CFA Voysey : English pioneer modernist architect & designer, 2015.

 

___________________________________________________________

 

Portrait of Wells (National Portrait Gallery)

 

H. G. Wells Quotes

Beauty is in the heart of the beholder.

H. G. Wells



You can't see beauty with miserable eyes.

H. G. Wells, Meanwhile: The Picture of a Lady



Beauty doesn't make happiness; it only comes to the happy.

H. G. Wells,
Meanwhile: The Picture of a Lady



No animal will change when its conditions are good enough for present survival.

And in this matter man is still an animal.

H. G. Wells,
The Outline of History


Adapt or perish, now as ever, is nature's inexorable imperative.

H. G. Wells



We should strive to welcome change and challenges, because they are what help us grow.
Without them we grow weak like the Eloi in comfort and security.
We need to constantly be challenging ourselves in order to strengthen our character and increase our intelligence.


H. G. Wells,
The Time Machine


Moral indignation is jealousy with a halo.

H. G. Wells,
The Wife of Sir Isaac Harman

 

Cynicism is humor in ill health.

H. G. Wells

 

[N]othing is so pleasing to perplexed unhappy people as the denunciation of others.

H. G. Wells
,
The Shape of Things to Come

 

 

And she wanted to be free. It wasn't Mr. Brumley she wanted;
he was but a means — if indeed he was a means — to an end.
The person she wanted, the person she had always wanted — was herself.
Could Mr. Brumley give her that? Would Mr. Brumley give her that?
Was it conceivable he would carry sacrifice to such a pitch as that?
 
H. G. Wells,
The Wife of Sir Isaac Harman



“Sometimes I doubt if the game is worth the candle.
(...) But I know if I abandoned my ambitionhardly as she uses me
I should have nothing but remorse left for the rest of my days.”


H. G. Wells
,
The Diamond Maker




Losing your way on a journey is unfortunate.
But, losing your reason for the journey is a fate more cruel.

H. G. Wells



The simplest joys are the sweetest, but our lives have grown too complex for us to appreciate them.
Our amusements and recreations, as we call them, are often more wearing and exhausting than our labors.
 
H. G. Wells,
The Plattner Story


Nobody read books, but women, parsons and idle people.

 H. G. Wells, The Secret Places of the Heart



Literature is revelation.
 
H. G. Wells
,
The Wheels of Chance: A Bicycling Idyll



The simplest joys are the sweetest, but our lives have grown too complex for us to appreciate them.
Our amusements and recreations, as we call them, are often more wearing and exhausting than our labors.
 
H. G. Wells,
The Plattner Story

 

 

He began to realize that you cannot even fight happily with creatures that stand upon a different mental basis to yourself.”

H.G. Wells

 

We should strive to welcome change and challenges, because they are what help us grow.
With out them we grow weak like the Eloi in comfort and security.
We need to constantly be challenging ourselves
in order to strengthen our character and increase our intelligence.”


 H.G. Wells,
The Time Machine


“What on earth would a man do with himself if something did not stand in his way?”

H.G. Wells, June 1940

 

“But it shows you, don't it?" -his eye went down to the tankard again,-
"it shows you, too, how we poor human beings fail to understand one another.”


H.G.Wells


In all my great moments I have been alone.

H. G. Wells
,
The Invisible Man: Annotated


Advertising is legalized lying.

H.G.Wells

 

 > H.G. Wells' Quotes on goodreads.com <

> www.azquotes.com <

 

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