MOOR CRAG
1898
Gillhead,
near Cartmel Fell,
Lake Windermere, Cumbria, Lancashire.
For J. W. Buckley.
1900 stables.
The house has been divided into two.
Studio, vol. 31, 1904, p.128
RIBA Photographs Collection
Photo on paradisebackyard.blogspot.de
Moor Crag, photo courtesy of John Trotter
Photo by sfPhotocraft (James) on flickr
Photo by Chris Rycroft on twitter
Photo by sfPhotocraft on flickr (James)
Photo by sfPhotocraft on flickr (James)
Photo by Chris Rycroft on twitter
Moor Crag, photo courtesy of John Trotter
Photo by Voysey Society on picuki.com (Instagram)
Moor Crag, photo courtesy of John Trotter
Moor Crag, photo courtesy of John Trotter
Photo by Pricegore on twitter
Contemporary
photograph,
published in David Gebhard, fig. 76, p.137
RIBA Photographs Collection
Photo on www.artsandcraftsdesign.com
Moor Crag, Paul Klopfer, Voyseys Architektur-Idyllen, Moderne Bauformen, 1910
Moor Crag, Gillhead, photo courtesy of John Trotter
Moor Crag, Gillhead, photo courtesy of John Trotter
Photo by Chris Rycroft on twitter
Photo on arch.mcgill.ca
Chimney in the drawing-room,
Photo published in Duncan Simpson,
C.F.A. VOYSEY an architect of individuality, pl. 30f, p.76
RIBA Photographs Collection
Moor Crag, Gillhead, photo courtesy of John Trotter
Moor Crag, Gillhead, photo courtesy of John Trotter
Moor Crag, first scheme, 1898
Moorcrag, second scheme
Design as executed.
Link >
RIBA Drawings Collection
Design as executed.
Link >
RIBA Drawings Collection
______________________________
Design as executed.
Link >
Victoria and Albert Museum
The entry in Pevsner's Cumbria (with Matthew Hyde, 2010) reads:
MOOR CRAG, a little s of Broadleys, and on the other side of the road. By CFA Voysey, 1899-1900, for JW Buckley of Altrincham near Manchester, where he had a house called Westwood.
The quintessence of the Lake District, despite the fact that Voysey had one style wherever he built, and of the vernacular, even though it copies no local precedent. Muthesius's admiration was echoed by Pevsner in 1969, who said of Moor Crag and Broadleys that 'there is nothing of the date on the Continent to come up to their standard. The future and the past blend effortlessly indeed. They are C20 pioneer work and yet free Tudor'. Yet the sweet simplicity of the house, and its absolute rightness in the landscape, were not arrived at without effort. Moor Crag was on the drawing board in 1898 but it was more than a year before the design was finalised, and the catslide roof sweeping down at the lake end was the result of changing its position (like Blackwell it is end-on to the lake with long N & S sides). The great swept roof is the thing, punctuated by dormers and gables on both main sides, without formal correspondences, and set off by the massive verticals of the chimneys, and the long horizontals of the eaves and dripmoulds. There is no service wing to disturb the perfect 'house that Jack built'; services were accommodated in an existing building down the garden path. The window dressings and mullions, absolutely flush and unmoulded, the steps and the floors of Buttermere slate, of a most beautiful blue; a different palette to Broadleys and Blackwell. The three upper cross-windows on the entrance side represent the staircase landings. (Staircase again with close vertical slats). Voysey took double care to ventilate the house when empty, with tiny opening lights in each window, and an extra chimney flue connecting to all the little air vents: typical of the extreme thought lavished on what was, after all, only a holiday home.
Thomas Mawson did the site survey and blasted out the romantic drive.
Source: Pevsner Architectural Guides at Yale University Press.
Link > www.voyseysociety.org
Description on Historic England
CARTMEL FELL NEWBY BRIDGE ROAD SD 39 SE (East side) 3/26 Moor
Crag 25.3.70 I
House, now with flat to west end. 1898-1900. By C.F.A. Voysey.
Roughcast with slate dressings and hipped slate roof. North facade of 2 storeys
and 7 irregular bays, the end bay is of one storey. 1st and 6th bays under
gables, that to 6th bay is swept down over 7th bay, emphasising the slope of the
ground. Dripcourse over ground floor windows of 6th and 7th bay and over 1st
floor windows of 1st and 6th bays; gables have 3 slots under dripstone. Wide
eaves and moulded bargeboards. Raking buttress to left of 6th bay. Windows have
flat slate dressings and mullions; leaded glazing with rectangular quarries; 1st
bay of ground floor has canted bay window of 2+2+2 lights with cornice and flat
lead-clad roof extended over verandah to right, which has timber posts on
slate-coped walls and 4 steps. Single light and 2-light window flank entrance,
with half-glazed door; single light to right of verandah. 6th bay has 3+3-light
window; single light to 7th bay. 1st floor has 4-light window to 1st bay;
2-light window with single lights to left and right; 3 cross-mullion windows, 2
are paired; full light to right of buttress has transom; 6th bay has single
light and 3-light window. Lead downpipes have scrolled clasping supports.
Bootscraper by steps has tall handle. South facade of 5 bays, the 1st 2 bays
gabled with roof swept down to left, the 5th bay gabled, the 3rd bay a 2-storey
canted bay window with top cornice and later slate-hung apron. Roof of 4th bay
swept down over verandah with trellis supports and extends to right over canted
bay window. Dripcourses over windows to 1st, 2nd and 5th bays. 1st 2 bays have
3-light windows; canted bays have 2+2+2-light windows, that to 3rd bay with
half-glazed door to right return; 4th bay has 4-light window with round window
to left, and 3-light flat-topped roof dormer with cornice; 5th bay has 4-light
window to 1st floor. Entrance to left hand end. Large stack to roof slope has
typical Voysey tall pots. Gutter downpipe to left of 3rd bay. West facade
dominated by roof slope; 2 single lights flank round arch with recessed door
with strap hinges, similar door to entrance to right; triangular dormer over
arch and 3-light dormer higher up to left, large stack with tall pots at top of
slope. East facade has projecting lateral stack with tall pots in gabled
projection, flanking 2-light windows. Interior not inspected but said to have
original fittings: panelling, stair, fireplaces, etc. Moor Crag is one of
Voysey's finest houses and one of the most important of its date in Europe.
Photographs
and Drawings Courtesy of The Royal Institute of British Architects.
Photographs, drawings, perspectives and other design patterns
at the
Royal Institut of British Architects Drawings and Photographs Collection.
Images can
be purchased.
The RIBA
can supply you with conventional photographic or digital copies
of any of the images featured in RIBApix.
Link >
RIBA Drawings Collection: Moor Crag Images
Link >
RIBA Drawings Collection: all Voysey Images
Link > Black & White Photos on flickr taken in 1976
Link > www.artsandcraftsdesign.com (Photos)
References:
Wendy Hitchmough, CFA VOYSEY, London 1995, pp. 114, 118-22, 133-5.
Duncan Simpson, C.F.A. VOYSEY an architect of individuality, London 1979, pp.71-77.
The Builder's Journal & Architectural Record, XVI, 1903-04, pp.176-177&182.
Architectural Review (Boston), XI, 1904, p. 12, XIV, 1907, p. 248 (photographs of exterior).
The Studio Yearbook, 1907, p. 41.
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